“... a girl swallowing a stork, a print too spiky and direct to be suggestive. The etching Baa, Baa, Black Sheep from 1989 was an early flirtation with a feral lover, and in 1990 she depicted Andromeda dismissing a tiny Perseus and reaching up to caress the sea monster instead; in both of these images the woman’s face is hidden. Loving Bewick is in some sense ...”

“... also about what did happen in this beautiful, brutally contested and colonised corner of Europe. Max Egremont, a graceful and practised writer, has taken pains to learn its complicated history; he has driven and tramped back and forth across the territory, now divided between three independent nation-states, and he has listened sympathetically to those who ...”

“... Among the new religious nationalists are the black-clad Union of Orthodox Banner-Bearers, who have burned Harry Potter books on the embankment by the Kremlin to protest against J.K. Rowling’s Satanism, and Dmitry Enteo, a wan-faced youth with a goatee, who has made speeches on TV about his plan to throw ...”

“... in tandem. And while Palmer concentrated on white revolutionaries, in his 1938 classic, The Black Jacobins, C.L.R. James successfully revived interest in the slaves and free blacks active in Saint-Domingue’s revolution in 1791. Arguing that liberty, equality and fraternity meant even more to the enslaved in France’s richest Caribbean colony than to ...”

“... though her art is, it evokes precedents from Rembrandt through Goya and Daumier to her compatriot Max Klinger: she aimed to bend the bourgeois tradition of printmaking to her proletarian content, not to break with it. ‘Genius can probably run on ahead and seek out new ways,’ Kollwitz once remarked. ‘But the good artists who follow after genius – and I ...”

“... human subjects that are too much to bear. Rereading the famous biographies – Jones, Peter Gay, Max Schur – I was now struck by just how exposed and vulnerable Freud was to the ills, major and petty, of the times, and by the fierce contrasts in his moods between blindness and insight, equanimity and dismay. Freud was articulate about what he personally ...”

“... perceptions of African American artistic expression. In a little over a decade, more books by black Americans appeared in print than had been published in the entire history of black American writing. In December 1923, Opportunity, the mouthpiece of the National Urban League, declared in its editorial: ‘There are new ...”

“... Max Porter​ ’s compact and splendid book, a polyphonic narrative with elements of the prose poem, cracks open a set of emotions that has become spuriously coherent and tractable. Grief Is the Thing with Feathers, in which a being that resembles Ted Hughes’s Crow appears to a bereaved husband and his sons (the father happens to be writing a critical book about Hughes), qualifies as a novel by the familiar logic of its not fitting any other category ...”

“... that dominated German and Scandinavian theatres in the early 20th century. The Austrian director Max Reinhardt may have been another influence. Delius would most likely have been aware of Reinhardt’s work; the set designer for the Berlin premiere of A Village Romeo and Juliet had previously collaborated with Reinhardt, as had Edvard Munch, with whom Delius ...”

“... created a new world for himself.’ Wright threw in for his protest-ending the communist lawyer. Max, with his appeal to understand Bigger as a victim. But the novel keeps up a distance between this hero’s consciousness of himself and the terms of exculpation arranged for him by the professionals of social sympathy. It was ...”

“... two years in Pasadena. Caltech then boasted a slew of world-changing scientists, and in particular Max Delbrück, who was orchestrating the birth of molecular biology – ‘exhilarating proof that someone with my bent might have a chance after all’. But his work there led nowhere and Mandelbrot returned to France, to serve his compulsory year in the ...”

“... Racket (1951), Clash by Night (1952), Beware, My Lovely (1952), The Naked Spur (1953), Bad Day at Black Rock (1955), Men in War (1957), God’s Little Acre (1958), Odds against Tomorrow (1959), Billy Budd (1962) and The Wild Bunch (1969). In many of these films, Ryan played a bad man; in every one, he was an outsider. The parts are often separately ...”

“... and exploiting greater and more bountiful fields than their own country could provide’. The ‘black Scots’ who remained were ‘demotic, parochial, sensitive about community to the point of reaction, but keeping the ladder of social promotion open, resisting the encroachments of the English governing class’. Ascherson had just left his job as the ...”

“... of her personality. Jon Stallworthy had called her ‘the New England Nefertiti’. Anne upstaged Max again that night at the reading, making an entrance slowly from the back of the room in a long red dress, diamond rings flashing on her bony fingers as she chain-smoked through a series of poems that began with the signature poem, ‘Her Kind’: I have gone ...”

“... emotionally from a woman he despises – from Nellie Beatrice with her flaking face-powder and her Black Looks. The consequences of this failure are played out in the second volume: they are a disabling misogyny, a series of failed and painful relationships, a grim determination to spit in the world’s eye. He is not lovable, he knows; very well, he’ll be ...”