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“... David Storey’s new novel begins with a brief prelude reminiscent of The Rainbow’s, tracing the historical mutations of a locality from its natural to its urban (here 1930s) condition. The theme of the novel has other evident similarities with Sons and Lovers. Both deal with the emergence of artistic talent from working-class fetters ...”

“... with Christ’. Certainly he inclined to treat Popes as vicars of Michelangelo. It may well be his own account of his mission, given narrative form by the fantasy underlying it, that Vasari recorded as a mini-myth which is in essence a de-Christianised and non-blasphemous version of the myth of the incarnation. Dr ...”

“... On the face of it, autobiography and travel should be the simplest forms of literature to write: the facts are there, there is a life or a country to be crossed. Yet they have their own special difficulties of tone and approach, and of all forms they are perhaps the most subject to the fictionality of truth, while paradoxically demanding a core of inner truth if they are to become literature ...”

“... that good old words die, and that new ones must, on the right occasion and with proper modesty, be introduced. Yet even modest and necessary neologisms displease the modern humanist, and he is likely to be equally severe on what he regards as the abuse of old words. Professional linguists take a calmer view, and may even ...”

“... fulfilled and terminated. That cured me for good. So now I admire climbing from a distance. As David Craig effectively demonstrates in Native Stones, however, it is an activity best understood from close up. Much of its delight and terror is almost microscopic in source. Non-climbers may associate the sport with acrophobic spaces, alp on alp arising, but ...”

“... which feels a blow with a walking-stick as a delightful tickling ... One knows without needing to be told that lawyers delight in Sergeant Buzfuz and that Little Dorrit is a favourite in the Home Office.’ Lawyers these days doubtless read John Mortimer, and dons read the new university wits like David Lodge and Tom ...”

“... In the United States, bestselling works of what is now called literary fiction tend to be aggressively regional – think of Jane Smiley’s Iowa, Jane Hamilton’s Midwest or E. Annie Proulx’s Newfoundland. They are literary postcards, nostalgic, often mawkish renderings of some quaint locale. Fulsomely praised as ‘generous’, ‘lyrical’, ‘redemptive’ and ‘luminous’, less Dirty Realism than stonewashed romanticism, they usually extol smalltown America, preferably the sort of place that’s pastoral and virtuous but in which one could still find a level of sophistication and a multiplicity of endearing eccentrics ...”

“... In a preliminary chapter called ‘Curriculum Vitae’ David Sylvester explains that he became interested in art when, at 17, he was fascinated by a black and white reproduction of a Matisse. He at once began to paint in oils, but soon discovered that he lacked talent and began to write about art instead, devoting himself thenceforth to the black and white of the page ...”

“... when she died at the age of seventy was unusual: a library of several hundred books, dominated not by the standard theological works of the time but by an unmatched collection of what we would now call English literature. The most spectacular instance is the only surviving first edition of Shakespeare’s Venus and ...”

“... Mme de Staël associated it with the misty, melancholy North and declared Romanticism to be primarily an effect of climate. Victor Hugo and his followers allied it to the vanished monarchy, then to the departed Napoleon, and finally to ‘liberalism in art’. Stendhal and Baudelaire produced more durable definitions ...”

“... In his trawl of anthropological data, historical records, literature and letters, art and music, David Gilmore finds that men have always and everywhere expressed fear, disgust and hatred of women. From the peaceful and gentle !Kung San Bushmen to the urbane and civilised Montaigne, from folk legend to Freudian complex, from Medusa to the Blue Angel, men ...”

“... or derision. He entirely eluded the notice of the Earl of Clarendon in the 17th century and of David Hume in the 18th. Even the Jacobin William Godwin, the first champion of the Civil War radicals, judged his exploits ‘scarcely worthy to be recorded’, and S.R. Gardiner’s comprehensive history of the Commonwealth ...”

“... among us considers what is signed over when we click ‘I agree’? This problem is not taken up by the Swiss art curator Hans Ulrich Obrist in his brief account of his formation as an Ausstellungsmacher, and it is no more than touched on by the Canadian art critic David Balzer in his ...”

“... two days. Then I bought and read in a similar manner – none took me any longer than two days – David Szalay’s three previous novels: London and the South-East (one of the great mocking titles, up there with Evelyn Waugh’s The Loved One, or Updike’s Memories of the Ford Administration), The Innocent and Spring. I want to say that here is a ...”

“... Thirty years ago, the campus novels of David Lodge and Malcolm Bradbury mythologised a setting that expressed, better than any other, the cultural and ideological chaos of the 1960s and 1970s. The main characters were rarely students, but all the energy in these comedies of social transition flowed from the young: it was their politics and their sexuality that the generations above them were forced to flatter or fight, exploit or succumb to ...”