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“... the ‘negation of exile’ but also, and paradoxically, to reinvent themselves as citizens of the white West – in Herzl’s words, as a ‘rampart of Europe against Asia’. Brit Shalom’s vision of reconciliation and co-operation with the indigenous population was unthinkable to most Zionists, because they regarded the Arabs of Palestine as squatters on ...”

“... It’s not difficult to guess where they’re making for: their new gallery, Jay Jopling’s White Cube2 in Hoxton Square. You don’t really need to go inside the sugar-frosted box to see what’s happening. You can get it from the street. This is top dollar, scratchcard art. Either it works in one hit or forget it. If it doesn’t jab you in the eye as ...”

“... to whomever was around or just people-watch. In this millennium, in cafés frequented by young white people, every customer seems to be silently staring at an Apple product, so that the places look and feel like offices. Even this phase may be on the way out. The next phase – of trying to keep customers from sticking around – has arrived. A food ...”

“... to do is to look at the editorial pages of the New York Times, the leading US newspaper, to read William Safire, who openly supports the settlers, and A.M. Rosenthal, who excoriates Arab ‘degeneracy’ on a regular basis. For such people and the constituency they represent, the Oslo accord was an excellent deal precisely because it solidified Israeli power ...”

“... hopefully christened the British Commonwealth of Nations. The British never put much money or white manpower into running the Empire, a habit rooted in parsimony but consorting well with the appearance of having greatness thrust upon them. Their agents were spread thinly and enjoyed great autonomy, ruling and sometimes extending their bit of empire with ...”

“... many of a remarkably high quality and superbly illustrated with 380 images in colour and black and white. The essays range from Ancient Greece, Rome and Israel to Medieval and modern Europe; from the civilisations of China and Japan to those of Melanesia and the Aztecs. The bibliography, compiled by Barbara Duden, leaves no doubt as to the vast quantity of ...”

“... and ends in a section called Marginalia and plenty of good humour. Alongside the crisp black and white photographs of pristine new buildings were colour pages, showing Shell posters or School Prints, work by Graham Sutherland, Eric Ravilious and Paul Nash. As early as May 1930, another editor, Betjeman’s mentor Philip Morton Shand, part of whose enviable ...”

“... antique-dealer, complimenting the young Welch as a ‘handsome youth’, gives him a Ming blue-and-white artist’s brush pot. I flushed with pleasure and embarrassment as the dealer passed the brush pot to me. Before he put it in my hands he caressed it with a show of love; then he smacked his lips hungrily, as if he found it very delicious.    I held ...”

“... that the question doesn’t call for an answer at all. It is as true now as it was in the days of William Morris that you only have to walk from one part of London to another with your eyes and ears – and nose – open to be aware that some people have a great deal more money than they need and other people a great deal less. Maybe Harrison’s informants ...”

“... The Cordon Bleu to the War is gone,     In the ranks of death you’ll find him. His snow-white apron is girded on     And his magic stove behind him. ‘Army beef,’ says the Cordon Bleu,     ‘Though a stupid bungler slays thee, One skilful hand thy steaks shall stew,     One artist’s pan shall braise thee.’ (That field ...”

“... art Alsop gives us a previously unpublished quatrain by Dorothy Parker on a picture given by William Randolph Hearst to his mistress: Upon my honour, I saw a Madonna Hanging within a niche Above the door of the private whore Of the world’s worst son of a bitch. I’m not sure that this is so inappropriate (whores have often had devotional ...”

“... of her to jib at the word ‘stream’ when May Sinclair, writing of her novels in 1918, used William James’s ‘stream of consciousness’ to describe them. ‘Pool’, she thought, would have done better. She began writing Pilgrimage in 1913, the year when The White Peacock and Du Côté de Chez Swann were published ...”

“... avant garde, of American talent was centred on London. Well, not all: Dreiser, Eugene O’Neill, William Carlos Williams and Wallace Stevens (like Pound and his protégés, an early contributor to Poetry, Chicago) stayed behind; so did the group of young painters and photographers associated with Alfred Stieglitz’s quarterly Camera Work. Besides, it was ...”

“... no sign that sex had much to do with the horrors of the camps. The neat juxtapositions in The White Hotel of psyche and history, of delusions of sexual violence and the massacre at Babi Yar, are of course a novelist’s trick, or perhaps a poet’s metaphor, but in any case have been found contrived and trivialising. There may be more to say for the ...”

“... hints from Baudelaire and his Gallic followers. The hero of the first novella writes mysteries as William Wilson, and gets involved in a case by taking a chance on a wrong number and doubling as the private eye asked for, Paul Auster ‘of the Auster Detective Agency’. In fact, the ingeniously-constructed Trilogy is peppered with references to Auster ...”