“... The moment was late in 1970, at the Travellers’ Club in London, during a supper for 14 people. David Brower, the saint of eco-sanity from the Sierra Club in California, had just given a sermon, a hell-fire variant of the one geologists have used for a century or more: rocks are long, life is short, who do we think we are? Brower’s homily – which the ...”

“... and reproductive capabilities of the communities that remained behind. Africa was transformed. David Livingstone is prominent among the figures credited with ending the slave trade. In fact, pressure for its abolition was already widespread and achieving results before he was born (in 1813) and it had been banned by the governments of the United States and ...”

“... and was understandably having a hard time of it, he was given a new contract. He was asked by David Dein, the club’s vice-chairman, whether he was all right: ‘I think he expected me to be buzzing and grateful to him for my new deal but I just said, “Actually, David, I’m not,” and proceeded to tell him what was ...”

“... we know what sort of film this is, and we wait and see. It Follows, written and directed by David Robert Mitchell, offers an extraordinary mixture of over and under-statement, with almost nothing in between. In the scene I have just described, and indeed throughout the movie, the soundtrack, composed by an outfit called Disasterpeace, crashes and thumps ...”

“... weirder. Kaufman goes to town on the meet the parents scenario, and Mum and Dad (Toni Collette and David Thewlis) go through the motions with relish. Mum giggles and gushes; Dad’s idea of joviality is scariness itself. Jake loses his temper in embarrassment. None of this is excruciatingly funny, but it is excruciating. Surely this is where the gothic stuff ...”

“... audio-visual life, but the relatively recent personifications by Albert Finney, Peter Ustinov and David Suchet dominate most memories. None of these figures much resembles the ‘short, stout, elderly man, his hair cut en brosse’ that Agatha Christie describes. Well, they often manage the stout bit, but for the rest they are tallish, more like ...”

“... waited for the tide, lying in the sun like seals. It’s the tail end of punk, and Leso, Bever and David look entirely of their time, with spiked hair and amateurish tattoos. Leso, who looks like a sea-weathered Paul Weller, is a nervy ringleader, holding court. Bever, only recently out of jail after a pub fight, has his own name tattooed on his neck. You ...”

“... of the truth of what we know. But the evidence is really little more direct than the evidence David’s portraits give us of revolutionary frankness, Gainsborough’s of the charm of actresses, or Reynold’s of the integrity of colonels. Significantly, it is the photo-reportage conventions of Cartier-Bresson which are turned to when photography is used ...”

“... when readers were alerted to her fiction by the commendations of two admirers, Philip Larkin and David Cecil. Having been out, she became ‘the in-thing to read’, and reviewers rushed to praise the late novel Quartet in Autumn – now in paperback – as if it were a match for her early work.* Meanwhile her early work has been reissued, including Jane and ...”

“... more compelling or beguiling on sexual or other topics, have totally vanished. In E.F. Benson’s David Blaise, ‘young, pink flesh’ appears under wet, black knickerbockers in an open squash court: yet where is David now? The Hill, by H.A. Vachell, a tale of true friendship, drew hot tears, from me at least: it is still ...”

“... the stages of nature as they have changed through the successive periods of British prehistory. David Stoddart’s conclave of geographers engage in a philosophical exploration of geography itself. It is always a pleasure to find a tribute to the schoolroom. Richard Muir was fortunate to have an inspiring teacher who contrived to overcome ‘the tedious O ...”

“... C.R.W. Nevinson, Mark Gertler, Paul Nash and Stanley Spencer. Together they are the subject of David Boyd Haycock’s compelling group biography, A Crisis of Brilliance: Five Young British Artists and the Great War (2009), and now also of an exhibition at the Dulwich Picture Gallery (until 22 September). Gertler became obsessed with Carrington. Nash was in ...”

“... with Keira as the once and future whistleblower Katharine Gun, watching Tony Blair explain to David Frost why it was necessary for Britain to go to war. ‘Bloody liar,’ she says. ‘They’re all bloody liars.’ Frost and Bliar don’t react. (I remember this too, the fury and the not-reacting.) Blair leans forward and insists that Saddam has weapons ...”

“... to discover she has grown giant arms, provoked Dimbleby into debate with her co-curator father, David. (Printed scrolls of their exchanges dangle between gallery bays.) Artist: ‘It’s what I feel like when I start drawing after a long period of not being able to draw.’ Broadcaster: ‘But that’s just your feminism, feminist propaganda … Why do we ...”

“... safely (if painfully and disastrously) in the mind. No director realises this more clearly than David Cronenberg. He is best known no doubt for The Fly (1986), Dead Ringers (1988) and his much vilified Crash (1996), but some of us have a soft spot, if that’s the term, for his early work The Brood (1979), a classic instance of the acting-out theory. A ...”