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“... And another factor gives his fiction its peculiar uncertainties, shadows and ironies. We read only through the narrator; experience is always as solitary as it is social. Moreland remains fascinating because, in his unsecretive, entertaining way, unknown – an individual. At the end of the sequence, the aesthetic and contemplative Nick has to face ...”

“... up by the discovery of the New World. The American Indians, remarked the Protestant reformer Peter Martyr, seemed ‘to live in the golden world of which old writers speak so much: wherein men lived simply and innocently without enforcement of laws, without quarrelling, judges and libels, content only to satisfy nature, without further vexation for ...”

“... suitability for this role: twenty years ago, in Three Philosophers, Elizabeth Anscombe and Peter Geach treated Frege alongside Aristotle and St Thomas, two philosophers whose usefulness has often been their magisterial quality and the ways it can be appropriated. There are good reasons for assigning this kind of role to Frege. He writes in a ...”

“... she encountered that she feared their matches would never strike on her box. My dear old friend Peter Bull, much-missed these days, once had me watching him in Waiting for Godot. I left at half-time under the impression that he didn’t speak in Act Two. ‘What made you think that?’ he demanded when next we met. ‘I thought that was what you ...”

“... Bernard Williams had a very large mind. To read these three posthumously published collections of essays (there will be a fourth, on opera) is an overwhelming reminder of his incandescent and all-consuming intelligence. He brought philosophical reflection to an opulent array of subjects, with more imagination and with greater cultural and historical understanding than anyone else of his time ...”

“... wine’ but gave it up ‘after sixty’; preferred to ‘contemplate’ rather than to read books (he thought ‘with great steadiness’ and hardly ever took a ‘false step’); and always had a board of lined paper at the ready to jot down his thoughts. ‘When a line came into his head, he would, as he was walking, take a rude memorandum of ...”

“... Or, as she put it herself, unromantically, when she won the Booker: ‘In the stories I used to read when I was a little girl cab-horses used to win the National . . . but you can’t expect this in real life.’ The letters make clear how far from reality both the public perception and to some extent the private, self-deprecating persona were. For one ...”

“... lurking sadness in this volume, in spite of its many displays of verbal energy. Both Harrison and Peter Symes, who worked with him on a number of these pieces, insist quite rightly that the films are the thing, the texts ‘a poor substitute’, in Symes’s words, ‘for seeing them and hearing them’. I hate to ask why we could not have the films ...”

“... pretty quickly – as Suite at the Majestic. That same translation became The Strange Case of Peter the Lett, then The Case of Peter the Lett. In 1963 it was newly translated as Maigret and the Enigmatic Lett. David Bellos’s recent translation is the first with the confidence to call the book in English what it is ...”

“... mettle in the towns, where they could prepare for government once the Red Army had come through. Peter Conradi handles this material extremely well, and draws on E.P. Thompson’s lectures in Stanford in 1981 about his brother, later collated by his widow, Dorothy Thompson, as Beyond the Frontier. E.P. is more committed than Conradi to the idea that Frank ...”

“... more than half a century earlier. Homosexual acts had just been decriminalised (although Grant read the manuscript before that happened and asked: ‘Shall I be arrested?’), but it was still unnerving to have one’s private life put on display. A year earlier Peter Stansky and William Abrahams had published Journey to ...”

“... but from Habermas, Lawrence Klein, Howard Caygill, Terry Eagleton and Bakhtin, as restated by Peter Stallybrass and Allon White. The result is both fashionably cultural-materialist and safely old art-historical, supposing paintings to be socially determined primarily by discursive texts of the sort art historians require to explain an artist’s ...”

“... a distinguished collection of essays on one Stuart minister who advanced British hegemony – Peter Lake urges historians not to link Early Modern crises ‘directly to contemporary concerns about Northern Ireland, the union with Scotland and the European union’. It strikes me that Lake devalues the past, though, when he plays down its connections with ...”

“... open to Elizabethan influence (appropriate, indeed, to a replica playhouse), can nevertheless be read without anxiety by modern audiences. At which point, the company could do worse than turn to Dr Hattaway’s book, which concentrates uncompromisingly on the theatrical dimension of late Elizabethan drama. Wide-ranging but informed, critically alert and ...”

“... books, but no match for Leavis’s dismissive account of Shelley in Revaluation (1936). Herbert Read, G.Wilson Knight, Frederick Pottle and many other defenders argued that Shelley’s poetry is sustained by the coherence of its imagery, and that the work as a whole shows an extremely intelligent mind fully in touch with the philosophy and science available ...”