Search Results

“... thinks of John Wayne in The Searchers – ‘also a ghost’, he says – and we could add James Stewart in Vertigo struggling to bring back to life a woman who isn’t dead. And closer to home, or to Germany, we could think of Petzold’s film Phoenix (2014), where a woman whose face has been brutally broken in a ...”

“... In the late​ 1990s, according to the historian Stewart Lloyd-Jones, Lisbon ‘transformed out of all recognition’. For a long time it ‘resembled little more than a vast construction site’. In 1998, the year Lídia Jorge completed The Wind Whistling in the Cranes, the city hosted Expo ’98, which brought in eleven million visitors (Portugal’s population at the time was ten million ...”

“... to seem ethereal because seen with the soft-focus vagueness of outsider envy. Their house (or ‘home’, as in ‘You have a very beautiful home’) is ‘timeless, graceful and probably a hundred years old’, and it’s ‘painted a soft, faded white’ and has a ‘massive curving staircase’. The Cullens dress ...”

“... he recalls an admission in the late 1960s by the head of the English department at Nairobi, James Stewart, that English was bound to become ‘less British’ as it opened up to the inflections of its former colonies, including the US. Stewart welcomed the change, but Ngugi still put the question: ‘Why can’t African ...”

“... allowed Leila Khaled, the 24-year-old Arab girl who tried to hijack a plane over Britain, to go home, and were internationally condemned for their weakness, there were to be no more safe passages for political terrorists. British policy and COBRA were clear on that point. The six gunmen would be going nowhere but to gaol. There was also something different ...”

“... can be, the practical effect is to make him look silly. In the second moment Tracy, who has left home, reappears with a gun and threatens Hepburn, who is absent-mindedly tolerating the champagne-assisted passes her neighbour is making at her: the situation replicates, with the sexes reversed, that of the woman Hepburn defended. Except that Tracy doesn’t ...”

“... Ambersons; Ivan the Terrible and Stalin; Hitler in one frame immediately followed by James Stewart in another, focusing his camera in Rear Window; an extraordinary bit of cross-cutting between a dance scene in An American in Paris and a black-and-white film of an execution, followed by a repeated shot of an engraving, a Rembrandt self-portrait, black ...”

“... group is any better than its drummer,’ the Rolling Stones’ late piano player Ian Stewart tells A.E. Hotchner. ‘Drummers are the heart of a group,’ confirms Noel Redding of the Jimi Hendrix Experience: ‘a good one is worth his weight in gold.’ And here is the Sex Pistols’ Glen Matlock on drummer Paul Cook: ‘that steady rhythm of ...”

“... issues, whereas here it is on Mary’s own priorities. She made herself much more a martyr to the Stewart dynasty than to Catholicism. The dual needs of dynastic interest, rendered unusually intense by the low fertility of most royal families of this period, were the protection and assertion of her claim to the English succession and her need to marry and ...”

“... the designer is even broader than before: it ranges across very different enterprises (from Martha Stewart to Microsoft), and it penetrates various social groups. For today you don’t have to be filthy rich to be projected not only as designer but as designed – whether the product in question is your home or your ...”

“... catch the eye, so that by half-past nine I was aching for the finish, when we could get the tram home and have some fish and chips en route.7 April. One drawback of my new hearing aid is that it enables me to catch how much I shuffle so that ‘Pick your feet up’ and ‘Don’t slur’ come back to me from childhood.8 April. Drue Heinz, aged a (to ...”

“... deeper than that.’ His fate, he feels, is written in the ancient clutter of his grandfather’s home, where ‘the seeds of all to come’ are ‘maintained in relic form’. Lunch Pumphrey experiences his murders as a primitive form of acquiescence to the life cycle. Jewel Cobb, a hillbilly hitman, even has an antique haircut lovingly sculpted with ...”

“... Simone shut her eyes and began to play. At 4 a.m., when the set was over, she approached Harry Stewart, the owner and ‘host’, to ask how he liked her playing. Why hadn’t she sung? he asked. ‘I’m only a pianist,’ she said. ‘Tomorrow night,’ Stewart said, ‘you’re either a singer, or you’re out of a ...”

“... Hawks blended classical narrative cinema and cinéma vérité. After all, The Big Sleep was like a home movie, made amid the dark interiors of a Warners studio; that view of intimacy has time and again shattered the supposedly imprisoning circumstances of entertainment movies. Hawks is the supreme figure of classical cinema. Because he is so unassuming an ...”

“... reassured Truffaut that staging violent death all day hadn’t given him nightmares. He would go home afterwards and laugh about it: And that’s something that bothers me because, at the same time, I can’t help imagining how it would feel to be in the victim’s place. We come back again to my eternal fear of the police. I’ve always felt a complete ...”