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“... Great Tradition; one of the few foreign writers approved by the Scrutineers, apart from those like James and Conrad who had had the decency to settle in the Home Counties, was Tolstoy, who could be read as a kind of D.H. Lawrence without the sex and the mines. For post-colonial criticism today, the position is largely ...”

“... like the Kraken; the poem is here a Mort and there a Morte. Max Beerbohm’s parody of Henry James is readily and roughly transcribed: for ‘caught in her tone’, read ‘caught her tone’; for ‘feverish’, read ‘feverishly’; for ‘physically’, read ‘psychically’ ... Mis-spelling, mis-punctuation and misquoting are much in evidence. In ...”

“... consisted of Middlemarch (Virginia Woolf’s nomination), the works of Jane Austen, Henry James, Joseph Conrad and D.H. Lawrence, Dickens’s Hard Times and half of Daniel Deronda. The ‘great tradition’ doubtless stands for something much less rigorous in Mr Patten’s mind, but it is nevertheless likely to deny ...”

“... for us squeamish art-lovers to accept, but much less potent. Speaking of trapdoors and false fire, Lawrence Lipking regrets that Mozart should have ‘spent his genius on an outmoded moral relic, thrilling but not serious’, yet old myths are serious, and they die hard. To get his Faust off the hook, it took Goethe something like a verbal quibble, and then ...”

“... At the beginning of James Lasdun’s novel, Lawrence Miller, a professor of gender studies at a college on the outskirts of New York, is interrupted while reading a book. When he returns to his office the next day, he finds his bookmark has been moved forward thirty pages. ‘Either I had moved the marker inadvertently myself, or else some night-visitor had been reading the book in my absence ...”

“... was all set, in its competent and agreeable fashion, to carry on as before. According to Henry James, in 1899, the novel had become a universally valid form, ‘the book par excellence’; according to Ford Madox Ford, in 1930, it was still indispensable, ‘the only source to which you can turn to ascertain how your fellows spend their entire ...”

“... that devotes far more of its time to writers like the Sitwells than it does to Joyce, Pound and Lawrence, all three of whom receive no more than a handful of glancing allusions in the book as a whole. There is a single brief reference to Pound’s Cantos and four mentions of Wyndham Lewis. Sylvia Plath’s name surfaces only twice. The study is rich in ...”

“... visit to Apethorpe Palace in Northamptonshire, I was told by the English Heritage tour guide that James VI of Scotland was ‘the person whom Elizabeth I had chosen to be her successor’. Only days after Elizabeth’s death aged 69 in March 1603, Henri IV of France’s ambassador, the comte de Beaumont, similarly reported from London ‘the immediate ...”

“... not only there. Long after he had stopped writing novels we find Forster explaining why Henry James fell short of his ideal: ‘There is no philosophy in the novels, no religion (except an occasional touch of superstition), no prophecy, no benefit for the superhuman at all.’ Forster’s novels contain, in some form, all the ingredients cited as missing ...”

“... have seldom been strangers at the scene of an execution. As we know from his London Journal, James Boswell would think nothing of tipping up at Tyburn after a bit of the Old Peculiar on Westminster Bridge – horror was an essential part of the 18th century’s entertainment diet. The death vigil was known more recently in Britain: think of Derek Bentley ...”

“... working on the Rand Daily Mail, which was still in its defiant days under its resilient editor, Lawrence Gandar. I had driven down from Nairobi, where I had also worked on a newspaper, and I was full of the glamour of the ‘new Africa’, Lumumba’s and Nkrumah’s and Kenyatta’s. By the time I moved to Drum I had become entangled with the Special ...”

“... printed works, on occasion, for various reasons. No novelist has made such a job of it as Henry James. In July 1905 he began the task of revising his life’s work, in order to create a final statement, a complete collection of his works, called from its inception the New York Edition. James actually believed that this ...”

“... the 8 p.m. cup of cocoa.’ The letter was written on 15 November 1951, a few days after James Schuyler had been admitted to Bloomingdale Hospital, a mental institution in White Plains, New York. Schuyler still gets his semi-colons right, and his appetite for gossip is undiminished: ‘Is it still Connecticut, the dear deer, the steady lay, the ...”

“... the memory of one’s spouse that gives adultery its dirty kick? (In a poem called ‘Adultery’, James Dickey, who knew whereof he spoke, concluded: ‘Guilt is magical.’) Why are ‘peccadillos’ deemed part of the devil’s handiwork? (Most peccadillos are as harmless as hobbies.) Is a belt easier to swipe than, say, a pair of cashmere socks or a bottle ...”

“... James Scavanger had first met the woman who would become his wife on a Thursday afternoon at the Tomb of the Unknown Celebrity, where she did the floors. As she had approached him through the crowds, pushing her wide mop, he had whispered a batrachian whisper she couldn’t fail to hear. Hoarse with abstract rapture he had whispered: ‘I have a serpent of delight!’ It was a rare lyric moment for James, who was a pure scientist ...”