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“... include one of Thomas Holcroft and William Godwin, as spectators at the trial of fellow radical John Thelwall, that shows every sign of being done swiftly, but delicately, on the spot; portraits like that of Mary Hamilton, made in 1789, show his flattering response to pretty women in full, early bloom. A study for Satan as the Fallen Angel shows why ...”

“... identified as causes of disease. Bad smells and visible grime were easier to point to. Long after John Snow’s demonstration that something waterborne would explain the distribution of cholera cases in the area served by the Broad Street pump (his plan of the area, mapping mortality, is on display) the theory that it was a miasma – infected air – that ...”

“... crucial date in the story of how colour entered the world of art photography is 1976, the year John Szarkowski, curator of photography at the Museum of Modern Art in New York, organised an exhibition of William Eggleston’s colour prints. Many people were shocked: first because the leading museum of modern art was willing to exhibit colour ...”

“... of a head, the angle of a leg, or the loop of a skipping rope add movement. English painters like John Bratby and Jack Smith were drawing on similar subjects with a not dissimilar, calculated clumsiness that trades crispness for directness, as though seeking to match the thing drawn in the accent of the drawing. ‘Catterline in Winter’, c.1963. Her ...”

“... Did all Van Dyck’s male sitters really have the long-fingered, blue-veined hands that Lord John Stuart and his brother Lord Bernard share with the Abbé Scaglia and so many others? Were the hands of Rembrandt’s sitters really all solid and paw-like? Those of Jacob Trip, his wife, Margaretha de Geer, and Hendrickje Stoffels seem to be generated by the ...”

“... art of it goes beyond them. It is in drawings that you see the first stages of the process. Lorne Campbell’s catalogue essay, ‘The Making of Portraits’, shows that many problems and possibilities remain unaltered.* Sitters always tend to get bored and to complain about not looking pretty enough. Children become restless. Great men and women don’t have ...”

“... gardening has been the fashion.There have been times, however, when London’s green tide was out. John Evelyn’s intentions in writing Sylva (‘A discourse of forest and the propagation of timber in his majesties dominions’), published in 1664, were practical. The book answered a request from the Commissioners of the Navy to the Royal Society for advice ...”

“... are note-like sketches – the one of hanged men, for example, or the drawings of the entourage of John VIII Palaeologus, the Byzantine Emperor, made when he was attending the Council of Ferrara in 1438 – but it is the worked-up studies which best meet Facio’s description: of a horse harness drawn as though to instruct a farrier, and the different ...”

“... so are disposable nappies.The English were early movers in the campaign to free the bound baby – John Locke spoke out against swaddling in Some Thoughts Concerning Education – but in France, despite Rousseau, it had a longer history. As babies make no comment, the relative comfort of papoose mode and free-kicking mode are hard to judge, but decisions about ...”

“... that the extra information in the painted images, even to a degree in the photographed ones like John Coplans’s black and white prints, can bear being looked at for longer. There are colours the projector cannot match, there is information about how the painter used his hands, how he responded to the task of showing what an eye or a foot looks like, how he ...”

“... money from, pictures of this sort: for Sir George Beaumont The Blind Fiddler; for the financier John Julius Angerstein (who paid 800 guineas) The Village Holiday; for the Prince Regent Blind Man’s Buff (finished 1813). Wilkie became an associate and then a member of the Royal Academy while very young; he was knighted and made a painter to the King. He was ...”

“... joke, a book to go with the pretty china on the dresser. So one is almost too grateful to turn to John Yeoman’s and Quentin Blake’s The Wild Washerwomen, and should say at once that the drawings show no astounding virtuosity in the re-creation of textures, that the words have no overtones of poetry, that it aims only to tell a funny story with a twist in ...”

“... Cartier-Bresson which are turned to when photography is used as propaganda and shows public faces (John F. Kennedy, for example, or Anwar Sadat) in private places looking kind and nice. Avedon’s West pictures, with only one or two exceptions, show a person or a couple standing square on to the camera: they are full face, and sometimes show the hands, never ...”

“... has a long tradition in Britain. Thomas Grant, in his book about the Old Bailey, Court Number One (John Murray, £10.99), gives special credit to Rebecca West, who wrote about treason and spy cases from the 1940s to the 1960s, and Sybille Bedford, whose account of the trial of Dr Bodkin Adams in 1957 is ‘generally regarded as the finest single volume account ...”

“... and painters of modern life that manifested itself most memorably in 19th-century Paris. So are John Sloan’s etchings of New York tenements and city crowds (he, too, had worked for newspapers) and George Bellows’s lithographs of a prize fight, a psychiatric ward and couples in the park. In London and Paris, the illustrations that painters admired ...”