On Roy DeCarava
Gazelle Mba, 7 April 2022
“... associated with American documentary photography of this period (Gordon Parks’s protest shots, Robert Frank’s The Americans, Diane Arbus’s weirdos), wouldn’t be worth the film it was shot on – but it was different for Roy DeCarava. Hallway (1953) is a photo about nothing except a dark, empty corridor in a Harlem tenement: a quiet image that speaks ... ”