At the Hayward
Marina Warner: Tracey Emin, 25 August 2011
“... The earliest here were made in 1993-99 and present her own furious portrait of the artist as a young woman. A gaudy jumble of colours and scripts, with cut-out wonky capitals, salvaged and embroidered emblems, and patched pieces of journals and private messages, these are powerful works, assembled at the slow speed of handicraft to communicate cris de ... ”