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“... knows not the correspondence. All his life, Bellow’s chief correspondents – the ones who drew letters in return – were his admirers. There are few lengthy exchanges here between him and people who objected to him, though, God knows, this might be described as a happy outcome for any author of books. There are no family anatomies, no admiring notes ...”

“... were the suggestive descriptions applied to buildings that obeyed no strict stylistic rules but drew intelligently on history and modest vernacular buildings, adopting the tile-hanging, red brick and half-timbering, the large chimney stacks and little leaded lights of the past and turning them into something new and comfortable. These houses, with their ...”

“... thought much about it’. After this avowal of broad-mindedness (the tale has already been told in Philip Williams’s Hugh Gaitskell) she was fit to be introduced to (Sir) Maurice Bowra and all the other intellectual roisterers. Was it really as simple and half-baked as this? Gaitskell, we learn, was ‘eager to fix his own identity through instructing others ...”

“... Voltaire mildly said that the mid-17th century had been an ‘unfortunate’ time for monarchs: he drew attention to the deposition of the Ottoman Sultan Ibrahim, the destabilising of the Holy Roman Emperor, the flight of the young Louis XIV from Paris in the face of popular revolt, the trial of Charles I and Philip IV of ...”

“... But what difference does it really make how far Bosch understood the dialectics of heresy? What he drew on most deeply was his own chaotic subjectivity, and there he found images of the conflict that goes on making and unmaking our very sense of the human, pushing ‘humanity’ back to its wild beginnings. Isn’t Bosch’s ‘man’ the locus of a cosmic and ...”

“... design: to stop Stalker. On the basis of his interim report Stalker has been appointed by Sir Philip Myers, Her Majesty’s Chief Inspector of Police, to conduct a full inquiry into the part played by the RUC in the 1982 killings. Impatient to resume his task, he is frustrated by administrative obstacles which are put in his way: but finally decides to ...”

“... His correspondent, John Hohnsbeen, an art-dealer friend, was having an affair with the architect Philip Johnson, and the ‘unprivate walls’ are those of Johnson’s famous Glass House. Schuyler was 28 and this was his first serious mental breakdown. He had only recently arrived in New York after an extended stay in Italy, where he worked for a time as ...”

“... and family history had been scrutinised by the press. One section of the exhibition, expanded in Philip Palmer’s catalogue essay, was given over to an account of Greene’s nephew Bobbie. The son of her sister Teddy, he became Greene’s legal ward in 1921, at the age of five. He went on to enlist in the US Army Air Corps; in 1943, Greene was told he had ...”

“... by an enigmatic figure, whom Panofsky identified as King Herod but Koerner, citing Lotte Brand Philip, sees as ‘the Jewish Messiah arrived as Antichrist’ already at the Nativity, noting that ‘Christians expected Antichrist to be temporally ubiquitous, circulating through world history.’ That a fiend often lurks behind a friend is a lesson Bosch ...”

“... experience. Such endeavours include Ephraim Chambers’s Cyclopaedia (1728), a work which Johnson drew on for the Dictionary, the French Encyclopédie, Gibbon’s Decline and Fall (1776), and the more specialised works studied by Lawrence Lipking in his important book, The Ordering of the Arts in 18th-Century England – Charles Burney’s History of ...”

“... in the LRB on 13 April 2000, the economists Fischer Black, Myron Scholes and Robert Merton drew on the log-normal distribution (and on a number of other assumptions about market conditions) to reduce the complicated problem of understanding the prices of options to a relatively simple differential equation. The work, published in 1973, won Scholes and ...”

“... Situationism depended on both its camps. The Situationist practices of détournement and dérive drew from Bretonian Surrealism – from its reinscription of found images and objects, and its resistance to a Paris given over to commercial homogeneity and bureaucratic routine. Meanwhile, the Situationist search for a relation to the object-world not dominated ...”

“... from London was then particularly distorting. On the issue of votes for women, the two countries drew together, but there were still differences. The power of the Church was much greater in Scotland, and at various levels the Scottish Church gave support to the movement. The most unexpected feature of the Scottish story was the organisation of male ...”

“... Philip Larkin once wondered what it would be like for a lover to step inside his skull. ‘She’d be stopping her ears,’ he decided, ‘against the incessant recital/Intoned by reality, larded with technical terms.’ Stepping inside the mind (or prose) of W.G. Sebald elicits a similar reaction – at any rate, it is always a relief to step outside again ...”

“... her oratory because he ‘still needed to feel her presence’. His encounter with his godfather, Philip, duke of Burgundy, forced to take refuge in England after a storm in the Channel, saw Henry ‘treating him as the father he had always really wanted’. We learn that Paris ‘made a deep impression’ on Anne when she arrived there. Katherine of Aragon ...”