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“... that.’ Using Biography is devoted to six authors: Marvell, Dryden, Fielding, Yeats, Eliot and Joyce. The central essays had been printed before, but are here revised and supplemented. Three related principles unify the book, all argued for and all good-naturedly shocked at the pretty pass to which things have come. First, that the knowledge of what a ...”

“... as a philistine as well as a non-stop, vacuous talker and, worst of all, a popular novelist. James Joyce makes a brief appearance at another reading, in Zurich. Canetti declaims his Expressionist play The Comedy of Vanity, in which mirrors are smashed as forbidden objects, though one character raises the problem of men who shave with open ...”

“... 1957-60, with the title Joseph Beuys Extends ‘Ulysses’ by Six Further Chapters on Behalf of James Joyce. The notebooks are kept at the Hessisches Landesmuseum in Darmstadt, and have never been published, so it’s difficult to say how exactly Beuys went about his task of augmentation. The obscurity of Joyce’s ...”

“... saw some of the effects of this ‘harmonisation’ at close hand. On 1 January 1992, the work of James Joyce and Virginia Woolf, both of whom died in 1941, came out of copyright. I was working at Penguin at the time, and my colleagues had commissioned Penguin Twentieth-Century Classics editions of both writers, with a feminist twist to the Woolf ...”

“... James Joyce​ resented the Second World War for distracting readers from the newly published Finnegans Wake, and what with one thing and another I’ve sometimes felt the same way, on behalf of Mark Frost and David Lynch, about the news environment that accompanied the broadcast of Twin Peaks: The Return. I say ‘on behalf of’ because I imagine that Lynch couldn’t care less ...”

“... the Historical Introduction to the OED1 by C.T. Onions, which tells how the editors, headed by James Murray, relied on armies of volunteer readers. These readers worked through lists of titles provided for them by the editors, and recorded on slips of paper the words and senses (in their original context) they thought worthy of inclusion in the ...”

“... French: yet we do not doubt that we are reading the same Tolstoy. The aggressively autochthonous Joyce has become one of the culture-heroes of international Modernism. But there are areas that are more resistant to transplantation. The Latin American novel is one. Closely preoccupied with its own history and politics, or soaring into an enigmatic ...”

“... respect rather than disposable celebrity. She has contributed to some of the better documentaries: James Ellroy, Anita Ekberg, Eric Sykes, watershed BBC2, air-hostesses and desert roads, midnight fodder on Channel 4, the real lost memories. She likes to use old film, degraded archive footage, and to have it reshot on tape, fed into her slim box of ...”

“... not alone. Eleanor Marx joined the Ibsen campaign and translated Enemy of the People into English. James Joyce adored Ibsen’s irreverence and laboriously studied Norwegian in order to read his work in the original. The Norwegian bourgeois families populating Ibsen’s plays talk of adultery and suffer from an assortment of diseases, including ...”

“... American of no known address, is possibly the most accomplished writer of prose in English since James Joyce. This is not to say that he is also the best novelist, whatever that would mean, but that sentence by sentence he can do more than any novelist of this century with the resources of the English-American language and with the various media by ...”

“... is that these rebellious women were crucial to modernist fiction, art and film. Beach published Joyce’s Ulysses when commercial publishing houses wouldn’t touch it, and at great personal risk – it was her ‘missionary endeavour’. (In London the lesbians Harriet Weaver and Dora Marsden, editors of the Egoist, and in New York the lesbians Margaret ...”

“... both sides know the game. And as the form becomes more self-conscious, the writer – Henry James is the obvious example – indicates both inside and outside his novel how the reader will divide the work with him and share the spoils. In this partnership we become lucid and wise. Even the most unlikely circumstances are arranged for our ...”

“... more temperate shores. In The Play of the Eyes (1985) Canetti tells of how in Zurich in 1935 James Joyce attended a reading by Canetti of his Comedy of Vanity, a play turning on the interdiction of mirrors and images, and largely in Viennese dialect. During the intermission Joyce announced in hostile tones: ‘I ...”

“... English realism was a gain rather than a loss, as was its eventual freedom from British rule. When James Joyce wrote to a friend that ‘it is my revolt against the English conventions, literary and otherwise, that is the main source of my talent,’ he spoke for many more Irish writers than himself. Yet to be free of a convention is not to ignore ...”

“... to Glyn Jones’s The Blue Bed, and that his long poetic tribute to Karl Kraus in In Memoriam James Joyce was lifted wholesale from a TLS front-page article. Grieve furnished MacDiarmid with a childhood that drew several elements from other people’s books and lives. MacDiarmid remembered the marbles he had played as a boy, the ...”