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“... must be partly the help more recently given by such learned work on the art of inscriptions as John Sparrow’s, whose Visible Words, Line upon Line and Lapidaria are gratefully quoted in this and the following paragraph. For some three hundred years after the mid-15th century, a new art born in Italy swept Europe, accompanying the greater visual ...”

“... Cavendish himself and by four men who sailed with him, Antony Knivet, a young gentleman volunteer; John Davis, the great navigator; J. Jane, a friend of Davis’s; and Thomas Lodge the poet. Thomas Cavendish was a man of considerable estate but varying fortunes, and like many of his contemporaries he took to the sea to improve them: they were at their charming ...”

“... the country in search of old records that a handful of them – Skip James, Son House, Mississippi John Hurt – were ‘rediscovered’. They became draws on the coffee-house and festival circuit, while recordings by John Lee Hooker, Muddy Waters and Howlin’ Wolf, who had made their names playing house-rocking, amplified ...”

“... he smashed up a priceless sundial in the Whitehall Privy Gardens bearing glass portraits of the king and the royal family.) Aggravated disturbances, big and small, give his poetry its character. The opening lines of ‘Tunbridge Wells’, a satire on the ‘fooles’ who flock to the spa town, are casually respectable but unmistakably dirty: ‘Att five ...”

“... From an elevated and distant position the queen looks down approvingly, her loyal ghillie John Brown, leader of the queen’s pony, at her side. John Grant, the head keeper at Balmoral, is on his knees in shirtsleeves, one hand on the stag’s antlers, while the other reaches for his sgian-dubh, with which he will ...”

“... Dr Johnson, one of Enright’s touchstones, records how he was so shocked by Cordelia’s death in King Lear that he could never bear to reread the play’s last scenes until forced to as a Shakespeare editor. In ‘Poetical Justice’ Enright’s speaker presents himself as similarly disturbed by tragedy’s unfairness: It will be many years before I read ...”

“... Why are we being compelled to think about how male pianists speak? King Vidor’s A Song to Remember (1945) exerted no such pressure. Nor did Max Ophuls’s Letter from an Unknown Woman (1948). Yet, while Jane Campion’s The Piano (1993) presented a woman incapable of speech, François Girard’s Thirty-Two Short Films about Glenn Gould (1994) presented a man who was abnormally articulate – one who in the 22nd film, for example, rehearses the revealing personal ad: ‘Friendly, companionably reclusive, socially unacceptable, alcoholically abstemious, tirelessly talkative, zealously unzealous, spiritually intense, minimally turquoise, maximally ecstatic loon seeks moth or moths with similar equalities for purposes of telephonic seduction, Tristan-esque trip-taking ...”

“... satisfyingly inevitable one. In a recent reply to Clementi, the Hong Kong poet Leung Ping Kwan (in John Minford’s translation) resists the urge to gloat and tempers anger with ruefulness: That rhapsodic rhetoric of yours   takes the measure of us,   trusses us tight in a wire cage of tradition,   condescends,   strews a little casual scholar’s ink ...”

“... philosophy. As a youth, Melbourne spent two winters in Glasgow, living plainly and studying with John Millar, disciple of David Hume and Adam Smith, and one of the most influential proselytisers for the Scottish Enlightenment. This experience gave him a strong commitment to the principles of political economy; it also profoundly influenced his thinking on ...”

“... in the south-eastern hamlet of Saint-Etienne de Saint-Geoirs foreshadowed his career as a bandit king. But his father’s early death pushed the family towards increasingly risky business ventures. In 1748, the 23-year-old Louis signed a large contract to supply French army camps in the Italian Alps with food, and together with two partners organised a ...”

“... one or two good anecdotes, to illustrate his points. There is the tale of Hazlitt’s fight with John Lamb, in the course of a dispute about Holbein and Vandyke. I will quote the version in Benjamin Haydon’s journal: ‘They both became so irritated, they upset the card-table, and seized each other by the throat. In the struggle that ensued, Hazlitt got a ...”

“... to edit the Queen’s letters, decided to quit teaching at Eton and move to Cambridge. King’s showed no desire to elect him a fellow – and still less, as he hoped when Austen-Leigh died, to elect him Provost. When his old friend Stuart Donaldson used his influence as Master of Magdalene to offer Benson a fellowship there, kind friends took as ...”

“... of the 1970s – Ghost Rider, Luke Cage, Warlock, Iron Fist. His favourite comic-book artist was John Byrne.Karl got in trouble a lot. Luke didn’t.Though all three of us lived in rough parts of Brooklyn, Karl and I went to a terrifying public school in an impoverished neighbourhood, while Luke went to St Ann’s School, safe in moneyed Brooklyn ...”

“... were the ship’s captain, David Cheap; his second-in-command, Robert Baynes; the chief gunner, John Bulkeley; the carpenter, John Cummins; and three young midshipmen, John Byron, Alexander Campbell and Isaac Morris. They returned home in rival groups, by different routes, telling ...”

“... stage production. The play was George Farquhar’s The Recruiting Officer and the occasion the King’s birthday, 1789. Apparently, the convicts’ efforts to please ‘were not unattended with applause’. It is a queer little episode. The honoured king was mad. Europe itself was a little mad in 1789, one might ...”