“... page of this fine collection is without some comparable finesse of style, and the two translators, Richard and Lucia Cunningham, have worked hard for the marvellous combined effect of limpidity and obscurity which Maria Luisa Bombal creates. Crispin Kitto’s The Antarctica Cookbook is more of a confidence trick than a novel. But the reason why such a shoddy ...”

“... argued, but frequently shot down. ‘Tony Crosland is fifteen times the man Fred Mulley is,’ Richard Cross-man noted on one occasion, ‘but dim little Mulley boring away at his departmental brief gets the Department’s way ... whereas despite his brilliance Tony often doesn’t even succeed in helping his Department.’ Crosland gave a bleakly ...”

“... circumvented the King-quota limit by bringing out five surplus horror tales under the pseudonym ‘Richard Bachman’. Unfortunately the Bachman books’ disguise was eventually penetrated. But, more significantly, their appeal was drastically altered when their true authorship was publicised. As King observed, Thinner sold 28,000 by ...”

“... characters the names of her intimate friends. Julia Briggs shows that two of Nesbit’s lovers – Richard Reynolds and Oswald Barron – are saluted in the figures of Dicky and Oswald Bastable. She also suggests that in these books Nesbit represented herself as twins: a weedy boy poet and his spirited sister. The weed’s name is Noel: Mrs Briggs has ...”

“... dominant image. For him, the present rot can be traced directly to the 1960s: specifically to Richard Neville’s Play Power, with its demonic slogan ‘the weapons of revolution are obscenity, blasphemy and drugs.’ Holbrook still sees that era – which began with the 1960 Lady Chatterley acquittal and ended with the Gay News prosecution in 1976 – as ...”

“... doing well’. Birt agreed, with consequences for the BBC as a whole. But it is also clear from Richard Lindley’s long, densely researched history of Panorama that the programme’s perceived importance over the past fifty years has been generated as much by its own staff, with their professional egos and particular working practices, as by outside ...”

“... of ‘obscenity’). It says on page 3, wrongly, that in the same case John Mortimer defended Richard Neville, and on page 122 that he did not. In one of the brief excursions into cinema, there is a very muddled account of the French treatment of pornographic films. Pasolini’s Salo was not assigned to the ‘P’ category and sent to the blue ...”

“... as a poet. There are indications that he had been to Bologna to use its libraries and to read philosophy; he knew Latin and had most likely studied with Brunetto Latini, an eminent rhetorician more than forty years older than him; people were beginning to invite him to write poems and letters for them. But if it was now possible to surpass Cavalcanti ...”

“... June. Coming to the end of English Pastoral, James Rebanks’s second volume. It’s harder to read than A Shepherd’s Life, with the central section about the onset of factory farming not easy to take. Thankfully, though, in his own life at any rate the tide turns and Rebanks regains his grip on traditional farming and with it offers some hope, without ...”

“... of the latest scandal, the bugged phone call between the Prince of Wales and Mrs Parker-Bowles. I read none of it, as I didn’t read the earlier Diana tapes, not out of disapproval or moral superiority, just genuine lack of interest. I wish it would all go away. Sickened by the self-righteousness of the ...”

“... the University Library – and went mad for him. So mad, really, that he never recovered. When he read Dante he said all the right things (‘pure muscle, nothing superfluous’) but drew no conclusions about his own use of language, which from the beginning until the end was always stiff with thou, yon, tho’, ere, o’er, thro’, oft and (wince-inducing ...”

“... Since this trouble with my back, I’ve read all the detective stories there ever were, I should think,’ a character says in Agatha Christie’s Peril at End House. ‘Nothing else seems to pass the time away so quick.’ My back is OK but I’ve spent the last 15 months reading detective fiction, most of it written between the late 1920s and the mid-1950s, an extended survey of the genre’s ‘golden age ...”

“... remains broadly committed to the Marxist camp – a fact worth mentioning as it would be easy to read this book without realising it. This is because of its judiciousness, not its shiftiness. Its author has lived through so much of the political turbulence he portrays that it is easy to fantasise that History itself is speaking here, in its ...”

“... of writing from the US that the then editor Bill Buford labelled ‘dirty realism’, taking in Richard Ford, Raymond Carver, Bobbi Ann Mason and so on), has always belonged to her and her alone. ‘For me,’ she has written, this ‘no man’s land, a deeply specific isolation drenched in family stories and secrets, is a huge advantage for a ...”

“... however, it may well be the result of a consciously chosen policy. The key event here is the Richard Wilson exhibition of 1982-3, organised by David Solkin, whose thoughtful and carefully researched catalogue attempted to situate Wilson’s landscapes in a range of historical contexts including the moral and political ideas and ideals attached to the ...”