“... shared a building with National Lampoon. Kincaid struck up a conversation with one of its writers, Michael O’Donoghue, who suggested she meet his friend George Trow, a staff writer at the New Yorker. Trow organised a lunch with Kincaid and William Shawn, then editor of the New Yorker, at the Algonquin. Kincaid ordered the most expensive item on the menu ...”

“... Michael Polanyi lives on in the footnotes. If you want to invoke the idea of ‘tacit knowledge’, Polanyi is your reference of choice. You’ll probably cite his major book Personal Knowledge (1958), maybe the earlier Science, Faith and Society (1946), maybe the later The Tacit Dimension (1966). ‘We know more than we can tell’ was Polanyi’s dictum ...”

“... born in Market Square, slap bang in the middle of Lichfield, in September 1709, the elder son of Michael Johnson and his wife, Sarah, rather old and very proud parents. They had, Johnson recalled, ‘not much happiness from each other’, and immediately deposited their ambitions in him. Michael, the son of a labourer, had ...”

“... of the desk-bound and lionised, and J.M. Coetzee too showed signs of becoming a chronic case. Now Michael Chabon has produced Moonglow, supposedly based on conversations from 1989 between a writer called Michael Chabon and his dying grandfather, an engineer for whom space travel in general and rockets in particular were an ...”

“... when I put my foot on it, mature kava roots will spring from the ground, the old men will become young again, and there will be no more sickness or death.’ His audience applauded the story, but Baylis soon realised that no one in the crowd had heard it before. As the weeks passed on the island – and with a book to write – Baylis became more and more ...”

“... my outer adult is a child.’The remark recalls her prose piece ‘Personalia’: ‘When I was young, a fortune-teller told me that an old woman who wanted to die had accidentally become lodged in my body … Now I am an old woman who wants to die and lodged inside me is a young woman dying to live; I work on her.’ In ...”

“... off a convincing snarl. Yet he is remembered for certain qualities which appreciate over time. Michael Wreszin’s biography succeeds in spite of its invocation of the conservative revolutionary. While a genuine radical like James Cameron could famously say of himself that he was ‘conservative about everything except politics’, and while it’s true ...”

“... of his novel, leading us back from impending departure into the events of the previous year. Michael is an unprepossessing family man. He takes what he likes and abuses the rest, which is sometimes his wife. When her pregnancy entered its advanced stages, she became useless, no longer pleasurable, and he left her for the consolations of his ...”

“... that much of his output probably was as vulgar as his inter-war critics had claimed. Percy Young believed that the man and his music were inseparable, and presented Elgar as a ‘two-worldly character’, torn between the private poet of Worcestershire (who wrote great music), and the public poseur of London (who did not). In what remains the best and ...”

“... the sweeter for involving the frustration of an English competitor, the grouchy polymath Thomas Young – to whom much of the credit goes, on the other hand, for having cracked the cursive script. Young had the advantage of being able to go along to Bloomsbury should he feel the need to take another look at the ...”

“... his novels, and there was another in 1970, when the same edition was republished with prefaces by Michael Holroyd. Gerhardie himself prefixed to the reissue of his first book, Futility, an important essay called ‘My Literary Credo’, which is unfortunately omitted from the new Penguin Modern Classics reprint. (Futility is the only novel in ...”

“... wretched, delightful; and always compelling, always surprising. Both as a child and later as a young man, Achak comes forcefully across as a person of considerable charm, intelligence, wit and resilience; he only very rarely sounds a little too like Dave Eggers. Two stories unfold simultaneously in What Is the What. It begins, vividly and against ...”

“... other three – the barely tolerated ones – were Golo, born in 1909, Monika, born in 1910, and Michael, born in 1919. Erika remembered a time during the shortages of the First World War when food had to be divided but there was one fig left over. ‘What did my father do? He gave this fig just to me alone . . . the other three children stared in ...”

“... her flat so she could watch Neil Jordan’s biopic about the nationalist politician and guerrilla Michael Collins. In the closing sequence, Collins’s fiancée, Kitty, buys her wedding dress, Michael is assassinated by anti-Treatyites in the wilds of County Cork, and Sinead O’Connor sings ‘She Moves through the ...”

“... in his twenties. Towards the end of the decade he moved from Warwickshire to London, where he met Michael Moorcock, then the editor of the science fiction magazine New Worlds. Harrison took over from Moorcock soon afterwards, and remained at the helm until 1975, during which time New Worlds became associated with the experimental current in science fiction ...”