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At the Venice Biennale

Alice Spawls: All the World’s Futures, 18 June 2015

... Das Kapital (‘Capital is the great drama of our age’), with the main arena playing host to a reading of the entire work. Marx is artist #047 in the catalogue. The performance, organised by the installation artist Isaac Julien, is preceded by a video interview with David Harvey for those who missed ‘Reading Marx’s ...

Bond in Torment

John Lanchester: James Bond, 5 September 2002

From Russia with Love, Dr No and Goldfinger 
by Ian Fleming.
Penguin, 640 pp., £10.99, April 2002, 0 14 118680 1
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... a Tory MP, and died a hero on the battlefield in May 1917. Val had two sons, the elder of whom, Peter, b. 1907, inherited the tendency to be a paragon, and the younger of whom, Ian, b. 1908, inevitably became the family handful. Things were not helped by the wills of Val and Robert, which absent-mindedly or maliciously left the boys’ mother, Eve, with not ...

Too Glorious for Words

Bernard Porter: Lawrence in Arabia, 3 April 2014

Lawrence in Arabia: War, Deceit, Imperial Folly and the Making of the Modern Middle East 
by Scott Anderson.
Atlantic, 592 pp., £25, March 2014, 978 1 78239 199 9
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... him scope for the kind of ‘heroism’ he had craved for himself ever since his adolescent reading of Greek and medieval epics: knightly charging (if on camels rather than horses), gorgeously costumed, impervious to danger. Crucially for his ‘solution’, he also liked the Arabs’ social arrangements – hereditary leaders who needed to prove their ...

Indoor Raincoat

Lavinia Greenlaw: Joy Division, 23 April 2015

So This Is Permanence: Joy Division Lyrics and Notebooks 
by Ian Curtis, edited by Deborah Curtis and Jon Savage.
Faber, 304 pp., £27, October 2014, 978 0 571 30955 9
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... a band on the road. It became routine for him to have seizures on stage. Joy Division’s bassist, Peter Hook, thinks that ‘the problem with Ian’s illness was that we were all young enough to ignore it.’ His fans, also young, also ignored it. He started to dance on stage like someone who didn’t want to but had to. I remember his slack face and the way ...

Misappropriation

Colin Kidd: Burke, 4 February 2016

Empire and Revolution: The Political Life of Edmund Burke 
by Richard Bourke.
Princeton, 1001 pp., £30.95, September 2015, 978 0 691 14511 2
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Training Minds for the War of Ideas: Ashridge College, the Conservative Party and the Cultural Politics of Britain, 1929-54 
by Clarisse Berthezène.
Manchester, 214 pp., £75, June 2015, 978 0 7190 8649 6
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The Writings and Speeches of Edmund Burke, Vol. IV: Party, Parliament and the Dividing of the Whigs, 1780-94 
edited by P.J. Marshall and Donald Bryant.
Oxford, 674 pp., £120, October 2015, 978 0 19 966519 8
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... signalled a betrayal of authentic conservatism, invoked Burke as a counterweight to Thatcher’s reading – or misreading – of Friedrich von Hayek. Thatcher’s philosophical hero was, by a further irony, himself an admirer of Burke; indeed the classically liberal Hayek was, like Burke, no Tory, and a postscript to his Constitution of Liberty (1960) is ...

The Luck of the Tories

Ross McKibbin: The Debt to Kinnock, 7 March 2002

Kinnock: The Biography 
by Martin Westlake.
Little, Brown, 768 pp., £25, October 2001, 0 316 84871 9
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... supplemented by material from his extensive personal archive, by much oral evidence and by wide reading in newspapers and secondary literature. Since Kinnock was never in government the evidential basis of Westlake’s biography is not diminished by the Thirty-Year Rule. The European Commission’s archives and a reworking of Kinnock’s papers aside, what ...

Midwinter

J.B. Trapp, 17 November 1983

Thomas More: History and Providence 
by Alistair Fox.
Blackwell, 271 pp., £19.50, September 1982, 0 631 13094 2
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The Statesman and the Fanatic: Thomas Wolsey and Thomas More 
by Jasper Ridley.
Constable, 338 pp., £12.50, October 1982, 9780094634701
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English Reformation Literature: The Tudor Origins of the Protestant Tradition 
by John King.
Princeton, 539 pp., £30.70, December 1982, 0 691 06502 0
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Seven-Headed Luther: Essays in Commemoration of a Quincentenary, 1483-1983 
edited by Peter Newman Brooks.
Oxford, 325 pp., £22.50, July 1983, 0 19 826648 0
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The Complete Works of St Thomas More. Vol. VI: A Dialogue concerning Heresies. Part 1: The Text, Part 2: Introduction, Commentary, Appendices, Glossary, Index 
edited by T.M.C. Lawler, Germain Marc’hadour and Richard Marius.
Yale, 435 pp., £76, November 1981, 0 300 02211 5
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... from his Utopia. Even so, it had been Erasmus who had given him letters to friends such as Peter Giles, dedicatee of Utopia, in Antwerp and it was Erasmus who saw to the publication of Lucian, the epigrams and Utopia, bustling about to secure commendatory letters and so enhance them. Erasmus also coined and disseminated the description ‘a man for all ...

Paul de Man’s Past

Christopher Norris, 4 February 1988

... hope to that saving possibility and not hold out against the occupying forces. His biographer, Peter Dodge, traces all the tortuous visions and revisions that led up to this ultimate misjudgment. He sees Hendrik de Man as a tragic figure, forced into exile (and convicted of treason in his absence), not so much through opportunism, compromise or worse, as ...

When the beam of light has gone

Peter Wollen: Godard Turns Over, 17 September 1998

The Films of Jean-Luc Godard 
by Wheeler Winston Dixon.
SUNY, 290 pp., £17.99, March 1997, 0 7914 3285 8
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Speaking about Godard 
by Kaja Silverman and Harun Farocki.
New York, 256 pp., $55, July 1998, 0 8147 8066 0
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... approach, writing about only eight films in an exercise of what they describe as ‘close reading’, concentrating on specific sequences and shots within each film. Their book is bravely experimental in form, written in alternating paragraphs of dialogue, as if there was a conversation taking place between the two authors as they watch the films. As ...

All This Love Business

Jean McNicol: Vanessa and Julian Bell, 24 January 2013

Julian Bell: From Bloomsbury to the Spanish Civil War 
by Peter Stansky and William Abrahams.
Stanford, 314 pp., £38.95, 0 8047 7413 7
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... anything to shatter my self-confidence or vanity.’ After his death she remembered ‘the joy of reading the letter’ containing what Julian called ‘great news’: he was sleeping with Anthony Blunt – his ‘first love affair’. She realised then that he ‘meant to tell me things. I had never expected it.’ After Blunt Julian’s affairs were ...

Ostentatio Genitalium

Charles Hope, 15 November 1984

The Sexuality of Christ in Renaissance Art and in Modern Oblivion 
by Leo Steinberg.
Faber, 222 pp., £25, September 1984, 0 571 13392 4
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... mother of God, and the child is therefore her attribute, just as the keys are the attribute of St Peter, and just as the child is also the attribute of St Christopher. This is why we find the child shown twice in paintings which include both the Virgin and Christopher. It also explains why in many polyptychs, especially in North Italy, the Virgin is painted ...

Spinoza got it

Margaret Jacob: Radical Enlightenment, 8 November 2012

A Revolution of the Mind: Radical Enlightenment and the Intellectual Origins of Modern Democracy 
by Jonathan Israel.
Princeton, 276 pp., £13.95, September 2011, 978 0 691 15260 8
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... of the Enlightenment dominated historical writing as late as the 1960s, and is best represented by Peter Gay’s two magisterial volumes published in 1966 and 1969. After Gay and Cassirer, two trends dominated Enlightenment history until Israel came on the scene. One situated the Enlightenment in a particular national context, giving little attention to the ...
Natasha’s Dance: A Cultural History of Russia 
by Orlando Figes.
Allen Lane, 729 pp., £25, October 2002, 0 7139 9517 3
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... of a common Russian sensibility such as Tolstoy had imagined in his dancing scene’. Since Peter the Great, however, this ‘common Russian sensibility’ always contained a European admixture, and Figes criticises those – Rilke, Thomas Mann, Virginia Woolf – who swallowed whole the myth of a completely indigenous ‘Russian soul’. All the great ...

Elegant Extracts

Leah Price: Anthologies, 3 February 2000

The Oxford Book of English Verse 
edited by Christopher Ricks.
Oxford, 690 pp., £25, October 1999, 0 19 214182 1
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The Norton Anthology of English Literature: Volume One 
edited by M.H. Abrams and Stephen Greenblatt.
Norton, 2974 pp., £22.50, December 1999, 0 393 97487 1
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The Norton Anthology of English Literature: Volume Two 
edited by M.H. Abrams and Stephen Greenblatt.
Norton, 2963 pp., £22.50, February 2000, 9780393974911
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The Longman Anthology of British Literature: Volume One 
edited by David Damrosch.
Longman, 2963 pp., $53, July 1999, 0 321 01173 2
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The Longman Anthology of British Literature: Volume Two 
edited by David Damrosch.
Longman, 2982 pp., $53, July 1999, 0 321 01174 0
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Night & Horses & The Desert: An Anthology of Classical Arabic Literature 
edited by Robert Irwin.
Allen Lane, 480 pp., £25, September 1999, 0 7139 9153 4
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News that Stays News: The 20th Century in Poems 
edited by Simon Rae.
Faber, 189 pp., £9.99, October 1999, 0 571 20060 5
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Time’s Tidings: Greeting the 21st Century 
by Carol Ann Duffy.
Anvil, 157 pp., £7.95, November 1999, 0 85646 313 2
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Scanning the Century: The Penguin Book of the 20th Century in Poetry 
edited by Peter Forbes.
Penguin, 640 pp., £12.99, February 1999, 9780140588996
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... a ‘shelf or two of BEAUTIES’ and ‘ELEGANT EXTRACTS’ accounted for ‘nine-tenths of the reading of the reading public’. When, in 1928, Laura Riding and Robert Graves’s Pamphlet against Anthologies charged the genre with reducing poetry to a ‘packet-commodity’, the only alternative that they proposed ...

Modern Brecht

Margot Heinemann, 5 August 1982

Bertolt Brecht in America 
by James Lyon.
Princeton, 408 pp., £11, January 1981, 0 691 06443 1
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Bertolt Brecht: Political Theory and Literary Practice 
edited by Betty Webber and Hubert Heinen.
Manchester, 208 pp., £15, February 1981, 0 7190 0806 9
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Brecht 
by Jan Needle and Peter Thomson.
Blackwell, 235 pp., £9, February 1981, 0 631 19610 2
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... direct ‘sensuous’ enjoyment and the central means to political understanding and intervention. Peter Brook once said he himself had no sense of history as a reality: ‘History to me is a way of looking at things, and-not one that interests me very much’; the artist’s vision is concerned with the present. This view, whatever may be said for it, is very ...

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