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“... get up any energy.’ He sailed, he taught himself Persian, but when you look at him lolling in white ducks and singlet, an eccentric monument, ripped, evenly tanned and rather dazzling, everything about him seems to scream dolce far niente at you. Then, whether it was because of the increasing expense of Italy, the disagreeable impact of fascism, the still ...”

“... a relieving if also embarrassing admission of (then easily ironised) inferiority in a black and white world without gradations, but offering instead a ‘place’. (See the stories ‘Tobold II’ or ‘Simon: A Love Story’ in Masquerade, a collection translated by Susan Bernofsky.) The man who feels such a thing is clearly all at sea, someone with an ...”

“... Every year on 8 May, a young woman dressed in armour and carrying a white banner rides in procession through the streets of Orléans in north-central France. Dignitaries of Church and State join in commemorating an event and a life. The event is the French relief of the city, after months of siege by the English, in 1429; the life is that of Joan of Arc, a 17-year-old girl from Lorraine told by heavenly voices to go ‘into France’ and to rescue Orléans ...”

“... as quickly as I managed to get a foot inside the door, I was sent a copy of Byzantium endures – Michael Moorcock. That one, icons iconing, balalaikas balalaikaing, kept me up nights marking pages, memorising passages, and dreaming dreams of a vividness and thrust that I hadn’t experienced since I was in the Army. My well-intentioned friends in Poland ...”

“... has been studying apparitions in Late Medieval Spain. St Ildefonso, St Anthony of Padua and St Michael the Archangel all made their appearance, but the dominant figure was that of the Virgin Mary. At Jaen in 1430, for example, four people saw the Virgin as a tall lady in white: ‘From this lady issued so much brightness ...”

“... In the days​ before artists brought colour to the cover, the London Review of Books was black and white. Of course, originally, it had no front at all: the first edition, in 1979, was meekly folded into the New York Review of Books. The following year it jumped out of that pouch and into a world where literary journals were routinely typographical ...”

“... after the election, Aaron Sorkin’s rant on the Vanity Fair website: ‘The Klan won last night. White nationalists. Sexists, racists and buffoons … misogynistic shitheads everywhere … If he does manage to be a douche nozzle without breaking the law for four years, we’ll make it through those four years.’ Or consider the message read out to Vice ...”

“... off a convincing snarl. Yet he is remembered for certain qualities which appreciate over time. Michael Wreszin’s biography succeeds in spite of its invocation of the conservative revolutionary. While a genuine radical like James Cameron could famously say of himself that he was ‘conservative about everything except politics’, and while it’s true ...”

“... engaging chapters in the book are those on Shakespeare, boy actors on the Elizabethan stage and Michael Jackson, all of whom confront us, in Garber’s view, with the radical undecidability that underlies our outrage for disorder. Michael Jackson ‘in performance erases and detraumatises not only the boundaries between ...”

“... and aching, Achak begins to imagine telling his life story to the boy, whose name he discovers is Michael. Achak’s father was a shopkeeper in Marial Bai, doing business with ‘Baggara and other Arab businessmen’ from the north as well as with local Dinka people. One night, Achak listens as his father tells Sadiq Aziz, his ‘favourite trading ...”

“... on that. Look, there are a lot of nice men out there, don’t let this thing spoil your life. Only white men are nice, she said. Or some of them. Not all that many, I said. I was walking on the slopes of Table Mountain that weekend when the call came through on my cell phone: there’d been another attempt to rape Jo. A neighbour phoned. An intruder had ...”

“... for this was Protestant-ruled Northern Ireland in the 1950s, a place not altogether unlike the white-ruled South Africa evoked in the frank confessional of David Schalkwyk’s opening chapter. In the apartheid world, the young Schalkwyk ‘was defined legally, socially and … psychologically as a “master”’, even as the material realities of bondage ...”

“... manufactured mythology even as it built itself on the ruins of the Communist counter-culture. Michael Denning, in his long interpretative history The Cultural Front, has questioned this disdain. His notion of the culture of the Popular Front embraces sturdy proletarian sagas like Mike Gold’s Jews without Money and Steinbeck’s The Grapes of Wrath ...”

“... like an unnatural intellectual Pasha visiting his Circassian Hareem’. Brooke, in a white shirt and white flannel trousers, took charge of a punting trip on the Cam. ‘Oh yes,’ he said later, ‘I did the fresh, boyish stunt, and it was a great success.’ James sent thanks to all concerned, ‘with a ...”

“... that the song means a great deal to his wife, Gretta, and longer still the essential truth, that Michael Furey, her dead first love, used to sing it to her. These layers of Gabriel’s unknowing are hardly different from our own (‘What about the song? Why does that make you cry?’ ‘And who was the person long ago?’), and at the end of the story, when ...”