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“... I imagine, formed our several ideas of what an argument is. But Locke – Locke plods. Aside from Michael Ayers, how many contributors to this issue of the Review, reviewers or reviewees, have read Locke’s Essay, word for word, from beginning to end? Fewer, perhaps, than would like to admit it. But Locke rules. No matter how briefly he is skimmed or how ...”

“... text, voice-over, moving pictures, stills, paintings, engravings, cartoons. We see the witch in Snow White and the corpses piled up at Auschwitz and Ravensbrück; plenty of Goya, Seurat, Manet; Kim Novak almost drowning in Vertigo, the old major dying in The Magnificent Ambersons; Ivan the Terrible and Stalin; Hitler in one frame immediately followed by ...”

“... Between the three corpses dug out of the snow in Gorky Park, Moscow and the sables let loose in the snow on Staten Island at the end – ‘black on white, black on white, and then gone’ – there are connections of cause and effect such as few crime novels have ever had to cope with ...”

“... and descend on a slumbering Italy. The giant tropical creatures struggling through Alpine snow proved an indelible subject for painters including Turner and Poussin and kept Hannibal’s war alive in collective memory like no other Roman conflict. Of his Roman adversaries, none has anything approaching his fame, though Publius Cornelius Scipio comes ...”

“... complex miracle the devil has performed. A similar sort of miracle occurs in Bulgakov’s Black Snow, the (unfinished) novel he wrote about his experiences with the Moscow Art Theatre, a place he called ‘the graveyard of my plays’. A new work, initially accepted by the theatre, disappears into the crossfire of backstage politics and vanities, and the ...”

“... The procedure – a few bounces over very small humps – meant nothing to her. She looked at the snow-scape on the footboard of the bed – at the curtains; and he holding her in front of him like a child being given a sleighride down a short slope by a kind stranger, he saw her back, her hip[s] between his hands. The procedure, the fauteuil, the sleigh ...”

“... Devotion (1977). It ends, not quite four months later, with a relieving anticipation of early snow: ‘It will be welcome. Let it come. Let it fall.’ Glas is an oddly misanthropic, Prufrockian, frustrated doctor: ‘What a profession! How can it have come about that, out of all possible trades, I should have chosen the one which suits me least?’ He is ...”

“... material prosperity which, as Buruma graphically puts it, ‘covered the past like a blanket of snow, hiding all traces, muffling all sound’. It was also made easier by their conquerors, who after the first vindictive few months found it politically convenient to compromise with the regimes they had destroyed. Denazification came to a halt in West Germany ...”

“... the important thing was that you could see what they were about. Nice views, appealing animals, snow scenes, the occasional young woman in varying quantities of folksy clothes: you knew where you were with pictures. ‘Captive Andromeda’ by Arthur Hill (1876). Confusingly, though, the one public building in Bournemouth you might visit in order to ...”

“... The Brides’ Tragedy. But he was so ashamed of the former, which contained lines such as ‘The snow is falling featherily’, that he destroyed all the copies he could find (friends discovered that the pages of their editions had been cut out and the hollowed books returned to the shelves). Beddoes would have been relieved to know that Judith Higgens and ...”

“... critically important to a celebrated generation of Northern Irish poets, poets like Derek Mahon, Michael Longley and Muldoon. These writers were led to him by content but stayed for the style. Auden or Eliot’s influence can be overwhelming for a writer, their tone is so settled, their territory staked out so thoroughly. But a novice poet can wander around ...”

“... In a gloss on the snot riddle in his book Rubbish Theory: The Creation and Destruction of Value, Michael Thompson explains that the riddle succeeds by playing upon that which is residual to our system of cultural categories. When, in the context of wealth and poverty, we talk of possessable objects we unquestioningly assume that we are talking about ...”

“... I retreated to my thoughts.I felt sure that I had made Vikram Seth appear by thinking about him. Michael Holme, the narrator of An Equal Music, makes the love of his life appear by thinking about her. He’s sitting on a bus in Oxford Street when another bus draws alongside, and there she is: Julia McNicholl, or Julia Hansen as she now is, though ...”

“... but without it life would be meaningless as well. Or so the characters come to suspect. Michael Ahearn, the leading man of Stone’s new novel, Bay of Souls, starts out as one of these worldly protagonists. Quietly dissatisfied, fond of the bottle but sustained by the unexamined vestiges of Catholic faith, he teaches American literature in a sterile ...”

“... Mickey at story meetings’; until 1946 Disney also voiced him, in falsetto. In another new Life, Michael Barrier’s The Animated Man, the studio head is seen by animators acting out ‘how a Chinese turtle should dance’, or doing ‘any of the people in the pictures, valets, anything – he all of a sudden was a valet.’ One such episode was burned in ...”