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“... In​ the Beat constellation, Allen Ginsberg’s star now shines more brightly than the rest. True, Jack Kerouac and William Burroughs glowed on in the aftermath of On the Road (1957) and Naked Lunch (1959); Brion Gysin, inventor of the cut-up technique, is still visible on a clear night. But the beautiful Lucien Carr, an Alain Delon lookalike drawn into the Beat circle by a smitten scoutmaster who stalked him across America until Carr pulled out a knife and killed him in New York, no longer emits much light ...”

“... The​ photographer Sanlé Sory was born in the 1940s in French West Africa. At independence in 1960 he became a ‘Voltaic’, or a citizen of Haute Volta, and in 1984, a ‘Burkinabe’: the new head of state, Thomas Sankara, had combined two non-colonial languages to rename Haute Volta as Burkina Faso, ‘the land of the upright’. By then Sory’s work had consigned him to the land of the slightly stooped, gazing through the viewfinder or bent over the developing tray, even though in his self-portraits he is a paragon of ‘uprightness’, short and muscular, with an obvious liking for the gym ...”

“... The​ commune of Poilley in Brittany is fifteen minutes by car from the coast, but in Madeleine de Sinéty’s photographs we imagine a village miles from a beach or a harbour and further still from Rennes, the regional capital. Sinéty discovered Poilley by chance in the early 1970s. She had been on holiday, and heading to Paris, where she worked as a magazine illustrator – for Marie-Claire, among others ...”

“... Don​ McCullin’s retrospective at Tate Britain (until 6 May) is proof that it pays for a photojournalist covering victims of conflict and hardship to get up close: not quite eyeball to eyeball, but near enough to suggest a portrait. Most of McCullin’s photographs ask us to look frankly at the human face, and often our gaze is reciprocated. Even a dead soldier with the North Vietnamese Army, killed during the Battle of Hue in 1968, seems to want to get us into focus through his half-closed eyes ...”

“... English whimsy had a good run for its money in the 1960s. Pop culture hoovered it up and began to mass-produce it in a variety of forms. It’s odd now to remember how it looked on the hoardings and billboards and store ads: the posters of girls whose tresses became rivers; the Medusa-like transfigurations of our rock idols, those tousled Monica Lewinskies with hair on their chests ...”

“... Not many people have the good fortune to die well, and fewer still to live well, but by all accounts Wolde-ab Wolde Mariam managed the first as respectably as he had the second. He died in May at the age of 87 in Asmara, the capital of Eritrea, which became the 52nd sovereign state in Africa two years ago. Wolde-ab was buried in the cemetery of Tsetserat and a day of national mourning was declared ...”

“... I heard a few bars of Chris Corner’s song ‘I Salute You Christopher’ a day or so before the new IAMX album, Volatile Times, was released. The song, which appears on the album, is subtitled ‘Ode to Christopher Hitchens’: I salute you Christopher I salute your life How you played the dice … That ‘played’, in the past tense, has the ring of a funeral bell and a cracked one at that ...”

“... When​ Donald Trump pledged, during his presidential campaign, to ‘begin building a wall’ along the US-Mexican border he was promising to create something that already existed. At the time, more than one third of the border was fortified, in some parts with a single wall, elsewhere with two or even three layers. Work had begun on a deterrent barrier during Bill Clinton’s presidency, but it was limited and ineffectual: the border is roughly 2000 miles in total, Clinton’s wall covered 325 ...”

“... The Police Athletic League building stands on a large, unkempt lot in Atlantic City. It is a forlorn edifice with damp walls and a cracked facade. Carl ‘The Truth’ Williams, who fought Mike Tyson in July, is a regular visitor to the boxing gym on the upper floor, where the athletic young men – mostly black and Hispanic – spar in a raised ring, thrash oblong leather bags, pump metal, skip rope, and stalk their own images in three or four large mirrors, with a fury that must be reducing the life of the building still further ...”

“... The idea that a falling object was about to defy gravity before it hit the ground is a familiar one in the mythology of the pop idol. It is the gist of Charles Shaar Murray’s book about Jimi Hendrix, who enjoyed a great career as a virtuoso guitar player between 1966 and 1970, when he died in a London hospital after an overdose of sleeping pills. In a sparkling homage, far more readable than most books about pop music, Murray argues that the extravagant left-hander who introduced a new vocabulary to rock guitar-playing was the unsung progenitor of a jazz we will never know ...”

“... Ahmed is a Palestinian living in the Bethlehem area. He is not yet thirty, but his studies were long ago interrupted by the closure of his university in the occupied territories and nowadays he earns part of his living by escorting foreign visitors around the West Bank. His itinerary is selective, leading from one dark scene of bereavement or injury to another ...”

“... The catacombs​ under the Left Bank were originally part of a complex of stone quarries, built over as Paris spread during the 13th century. By the 16th century subsidence had become a serious concern and from the 1780s an ad hoc process of infilling began, with human remains from overcrowded or sinking cemeteries dumped in the galleries. Tourists now enter the catacombs near the metro station at Denfert-Rochereau in the 14th arrondissement; often the queues are long, especially around Halloween ...”

“... Jacques Chirac’s museum on the quai Branly, opened last summer, continues to pull large crowds at weekends. Chirac, a long-time admirer of what used to be called ‘primitive’ art, made a great deal of noise at the start of his first presidential term about the need to show the various public collections to better advantage. He suggested, not entirely in passing, that some of the artefacts in the Musée de l’homme should be housed at the Louvre ...”

“... There were 245 detainees at Camp Delta in Guantánamo when President Obama was sworn in this year and there are now about 220. When Guantánamo is mothballed, as he wants, some 80 of those will get asylum in a third country or find themselves repatriated. The US administration aims to prosecute around 60 others and hold the rest indefinitely, because they can’t be brought to trial – the evidence against them is flawed, often by harsh interrogation methods – or because it’s thought too dangerous to release them ...”

“... The most recent​ of William Kentridge’s works on display in Thick Time at the Whitechapel Gallery (until 15 January) is called Right into Her Arms. It’s also one of the best. A raised stage, three metres long, about a metre high, is dressed with a flimsy backdrop of beige, brown, grey; here and there are torn swatches of yellow, green and maroon ...”