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“... he answered a question about the CEOs Lloyd Blankfein (of Goldman Sachs) and Jamie Dimon (of J.P. Morgan Chase): ‘I know both those guys: they are very savvy businessmen.’ Obama was trying to prove himself a comfortable insider, close enough to Wall Street to impress the big movers but sufficiently detached to deserve the public trust. It did not ...”

“... worried that she had been bullied into it. The speakers at their memorial included Hugh Casson and David Astor. ‘Why haven’t you thrown them away?’ I asked my friend Catherine Freeman, the 87-year-old owner of the dusty folder I’ve been drawing from. ‘They will help me as I plan my own service,’ she said. I wondered if the challenge of throwing ...”

“... are commonly brought up to show that the modernist impetus survived in the generation after Pound: David Jones, Anglo-Welshman; Basil Bunting, Northumbrian Englishman; and Hugh MacDiarmid, Lowland Scot. The claim for Jones seems the weakest: it is advanced by Jones’s admirers, not by the poet himself, who took no interest in the question, having other fish ...”

“... the case was over the legal costs would be reckoned at £750,000? The author of this book, Mr David Hooper (Eton and Balliol, the blurb tells us), practised at the bar before becoming a solicitor. He acts as an adviser to his present publishers, but, as the blurb also tells us, was not consulted about this particular book. This faintly ironic tone is ...”

“... not nearly as good a critic as he evidently thinks he is. Compare his essay on Edward Thomas with David Bromwich’s in a recent Raritan, and you’ll see the academic critic is far better. In scholarship, on the rare occasions on which it arises, Grigson is irresponsible. In The Private Art he says that ‘years ago someone spotted that in another of ...”

“... Mairi MacInnes, Miriam Levine (two), Gerry Loose, Paul Coltman, Richard Dankleff, Robin Ivy, Pete Morgan (two), Phyllis Koestenbaum, Barbara Moore, David MacSweeney (one out of two), Randall Garrison, Donald Stallybrass, Ellery Akers, Peter Abbs, John Hodgen, Andrew Motion, Edwin Drummond, Gregory Harrison, Gordon Mason and ...”

“... farcical, as the loss and recovery of his bones intertwines with the tempestuous fate of Italy. David Bowe reads Dante in dialogue with other lyricists of the duecento, while George Corbett examines his ethics and politics, appraising his magisterial synthesis of Aristotelian and Christian thought. John Took asks ‘why Dante matters’ and responds by ...”

“... can be tolerated, and might even be enjoyed, as piano-players in the funhouse of letters. Early in David Plante’s diaries, we find him tinkling away, dropping names in basso profundo, as if knowing people and knowing what they do in private can be the thing that makes one special. He is 28 years old when he comes to London from the US (a little younger than ...”

“... by a glimpse through a car window of an apartment in central Paris once occupied by Michèle Morgan (born Simone Renée Roussel), star of Marcel Carné’s Le Quai des brumes, the acme of 1930s poetic realism. The evidence presented comes, with a single exception, from a roll-call of the most celebrated divas of 20th-century French cinema: Danielle ...”

“... English was no good: ‘His poems written in pure English . . . seldom rise above mediocrity,’ David Irving wrote in 1800, in his influential Lives of Scottish Authors. The prevailing view of Fergusson’s English work is well summarised by Susan Manning, in the best essay in Crawford’s volume, as ‘nugatory apprenticework’. Her view is that ‘our ...”

“... the many small groups that filled the square. Movement veterans like the anarchist anthropologist David Graeber and Marina Sitrin, the author of a book about horizontal organising methods used in Argentina, conversed with twenty-somethings freshly radicalised by disappointment in the president they helped to elect. Not long after the police massed at the ...”

“... about the Jewish orchestra in Auschwitz, Playing for Time, and his 1991 play The Ride down Mount Morgan are worthy of joining the canon. But the most cogent defence of late Miller (or, more accurately, last two-thirds Miller) is provided by the British critic Christopher Bigsby. For Bigsby, Miller has ‘quite consciously experimented with form’, not just ...”

“... and ecological doctrines reappear in fantastic guise. In ‘A Toy Princess’ (1877) Mary de Morgan mounts a conventional attack on the conventional Victorian miss; and Frances Browne ‘exposes’ standards of feminine beauty by creating in ‘The Story of Fairyfoot’ a kingdom where large feet are much admired. Hawthorne’s ‘Feathertop’ is in one ...”

“... and the Midland. Foreign banks, from Kleinwort Benson and Schröders to Deutsche Bank and J.P. Morgan, also set up in London, seeking to invest their clients’ money profitably. From the 1880s through to 1914, this pattern of constant expansion and migration consolidated London’s premier position in the organisation of flows of trade and capital. This ...”

“... Street, Bethnal Green. Ron and Reg were inside, keeping company with a known associate, Dickie Morgan. Reg was nicely cased in a blue three-piece by Woods of Kingsland Road. Dickie matched him. (The Twins were very influential that way. All the faces were expected to dress to a middle-management standard.) Reg was, as Tony acknowledges, ‘one of the ...”