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“... and local tycoon. Recently, however, she has taken up with Gavin (‘slenderly-featured’ with ‘brown, black-lashed eyes’). She tells Attercliffe she is giving up Gavin and leaving Maurice. She is coming back to Walton Lane to live with her children and without Attercliffe. Attercliffe disagrees. They have an argument. It is the first of several similar ...”

“... can he be held responsible for his male characters’ misogyny? – was begun by the critic Craig Cairns in his book ‘Complicity’: A Reader’s Guide (2002). I’d hope any scholarly study would devote a chapter to the question of Banks’s women, and be able to tell me exactly what’s unsettling about this sentence from The Quarry: ‘Of Dad’s ...”

“... It was eight in the morning and Venus was hanging like a wrecker’s light above the Black Craig. The hill itself – seen from our kitchen window – was still in silhouette, though the sky was lightening to a pale yellow-grey. It was a weakling light, stealing into the world like a thief through a window someone forgot to close. The talk was all of ...”

“... where Larkin lived’, to see: a man in a belted mac returning from work – a respectable man: brown glasses and trilby hat – stop under one of the cavernous chestnuts,    fling his briefcase heavily into the branches, crouch in a hail of conkers, chase them hither and yon in the cobwebby shade,   pocket them, then disappear in the gloaming ...”

“... art museums they designed (the list includes Gehry, Hollein, Nouvel, Stirling and Venturi-Scott Brown). ‘The two Swiss,’ Newhouse observed, ‘are convinced that artists have keener perceptive abilities than architects’ and, in consequence, have frequently worked with artists as advisers. She also commented on the importance of such Minimalist artists ...”

“... ends with the main character, a baseball player in a terminal slump, uttering the words ‘Craig Suder’. The hero of I Am Not Sidney Poitier (2009) goes through life being called ‘Not Sidney’, and battles with his resulting inclination towards passivity and victimhood. Everett has expressed opposition to labels, categories and genres. ‘I never ...”

“... vivacious. The most valuable juxtaposition pairs two longish stories set in Scotland, David Craig’s ‘Jason and the Green Woman’ and John Murray’s ‘The Señor and the Celtic Cross’, which operate quite different ironies about the limits of civilised society. The latter story, told in a tormented parodic mélange of styles, recounts a ...”

“... volume’s editors, Gordon Pentland, has a sophisticated chapter on parliamentary reform; David Craig and Jeremy Nuttall write with great skill about political ideas; and Angus Hawkins and Steven Fielding consider parties and high politics. There is now a good deal of detailed research on political strategies and ideological initiatives at different periods ...”

“... stops the quote at ‘shattered’).Brooke was taken to London by the Raverats to see Dr Maurice Craig, who also treated Woolf, and was given much the same diagnosis: ‘severe mental breakdown’, to be treated by complete rest and ‘stuffing’ (‘I have to eat as much as I can get down, with all sorts of extra patent foods and pills, milk and ...”

“... Review launch party at Falcon Yard in Cambridge. (You can watch Gwyneth Paltrow and Daniel Craig attempt to re-create this clash of violence, cheek-biting and red-hairband stealing in the 2003 biopic Sylvia. ‘Mine,’ Hughes barked. ‘I keep.’ This is the way Plath renders it in the journals, and Craig delivers ...”

“... the Longman’s pages on Victorian constructions of gender allow masculinity equal time: Tom Brown as well as Queen Victoria, Charles Kingsley as well as Harriet Martineau. And for all their apparent political correctness, the editors are rarely squeamish about incorporating texts whose politics are likely to trouble students. While the Norton’s new ...”

“... of contemporary events for the illustrated newspapers in the 1880s and 1890s. Lance Calkin, Frank Craig, Samuel Begg, Paul Renouard and others filled the pages of the Illustrated London News, the Graphic and Black and White while continuing to exhibit at the Royal Academy and the Salon. Their newspaper work – its realism and variety of subjects, its ...”

“... became a figure of camp fun, a caricature that took on a life of its own after her death in 2002. Craig Brown’s Ma’am Darling: 99 Glimpses of Princess Margaret, a witty life-in-anecdotes (reviewed by Ferdinand Mount in the LRB of 4 January 2018), is marketed by the publishers as ‘the hilarious, bestselling royal biography, perfect for fans of The ...”

“... but the white breast was dirty and the black-tipped wings bedraggled. No doubt it was an Ailsa Craig gannet, because it was washed up on the shore on Arran. I left the body among the dried wrack and shell-grit, and took the head home in my bag. It was the skull I wanted, a sculptural form, the sightless sockets and that great piercing bill. I could picture ...”

“... grinning or laughing; it was strange to see him without a smile. I remembered watching Gordon Brown at a press conference once while Tony Blair was PM, curious about what he would do with his face while Blair was taking questions, and I saw Farage was doing what Brown had: looking away from the other speakers and the ...”