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The Other Half

Robert Melville, 4 July 1985

Kenneth Clark: A Biography 
by Meryle Secrest.
Weidenfeld, 310 pp., £12.95, September 1984, 9780297783985
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... Castle. On the cover of the recent paperback of Clark’s autobiographical Another Part of the Wood* there is a photograph of him as a little boy young enough to be in a frock, which was probably among the photographs he happened to look at through an old stereoscope, surprising himself into saying what a dear little fellow he had been. Quite ...

Short Cuts

Daniel Soar: Terror Suspects, 8 May 2008

... called Operation Overt. Although they made rather less noise about it in public than the feisty Michael O’Leary of Ryanair, the Met too tried to get the government to compensate them for some of the money they had spent. Their complaints are available online. Apart from the first few days – in which the prosecution laid out its most incendiary evidence ...

Diary

Tom Paulin: Summer in Donegal, 16 September 1999

... and iron pins, bits of ancient Celtic jewellery. One hot afternoon I uncovered a charred piece of wood with two verdigris teeth sticking through it. I ran to show it to my mother – ran through the heavy shifting sand, tripped, and as I clenched it, the little bit of dry wood melted to dust. Disappointed, I clutched the ...

The Kiss

Gaby Wood, 9 February 1995

Jean Renoir: Letters 
edited by Lorraine LoBianco and David Thompson, translated by Craig Carlson, Natasha Arnoldi and Michael Wells.
Faber, 605 pp., £25, October 1994, 0 571 17298 9
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... Jean Renoir was admired by his followers and contemporaries for the relaxed feel of his films. He himself loved the improvisatory quality of the Commedia dell’Arte, which he saw as a struggle between ‘the tendency toward exterior realism and that toward interior realism’, and wrote that what he considered to be ‘the ultimate in cinema as in theatre’ was ‘a style and dialogue that sometimes borders on the burlesque ...

Good at Being Gods

Caleb Crain: Buckminster Fuller’s Visions, 18 December 2008

Buckminster Fuller: Starting with the Universe 
edited by K. Michael Hays and Dana Miller.
Yale, 257 pp., £35, July 2008, 978 0 300 12620 4
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... completely were they forgotten that last year, when the environmental consultants Ted Nordhaus and Michael Shellenberger rebuked the environmental movement for neglecting the resources of economic growth and human ingenuity, they seemed unaware that there had once been a movement in America that championed both. Nordhaus and Shellenberger wrote Break ...

Hand and Mind

Michael Baxandall, 17 March 1983

Dürer: His Art and Life 
by Fedja Anzelewsky, translated by Heide Grieve.
Gordon Fraser, 273 pp., £50, November 1982, 0 86092 068 2
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Dürer: Paintings, Prints, Drawings 
by Peter Strieder, translated by Nancy Gordon and Walter Strauss.
Muller, 400 pp., £35, September 1982, 0 584 95038 1
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... I paint a big picture, then afterwards I usually want to engrave something small and meticulous on wood, and I can sit over it for a whole day ... Assiduousness, laboriousness is something innate in us Germans: it is our element, we feel at ease in it. In Tieck’s Dürer the contrariety of hand and mind, North and South, craft and art, is complicated into ...

Après-Mao

Michael Hofmann: Yiyun Li, 15 June 2017

Dear Friend, from My Life I Write to You in Your Life 
by Yiyun Li.
Hamish Hamilton, 208 pp., £14.99, February 2017, 978 0 241 28395 0
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... been or thought to go) that reminded me of Mandelstam’s Moscow, a ‘tossed salad of glass and wood and milk’: The next morning, when the city stirred to life, they both lay awake in their own beds. The homing pigeons flew across the sky, the small brass whistles bound to their tails humming in a harmonious low tone. Not far away, Tao music played on a ...

Show People

Hugh Barnes, 21 February 1985

So Much Love 
by Beryl Reid.
Hutchinson, 195 pp., £8.95, October 1984, 0 09 155730 5
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Knock wood 
by Candice Bergen.
Hamish Hamilton, 223 pp., £9.95, October 1984, 9780241113585
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... he’s getting down might be nonsense. During her time at the National Beryl appeared opposite Michael Gough in the world premiere of Edward Albee’s Counting the Ways. It was a strange choice to open the vast new complex with – a small play. In the course of it, the performers are required to throw off impersonation and improvise briefly as ...

Short Cuts

Thomas Jones: What’s your codename?, 23 June 2005

... British intelligence. ‘Danny Boy’ is the call-sign of Smith’s superior in London, played by Michael Hordern. One of the most puzzling things about the movie is why the man allocating the code names would choose to call himself ‘Danny Boy’ (I’m reminded of Steve Buscemi’s character in Reservoir Dogs, complaining about his nom de heist being ‘Mr ...
... and vote on our delegates’ report regarding the closure of Cortonwood and also of Bullcliffe Wood – both within the Barnsley Area. They also heard reports on other pit closures: Herrington in Co. Durham, Polmaise in Scotland and Snowdon, Kent. The voting was unanimous: strike from Monday 12 March. So my colliery was on strike; my village was about to ...

The Pig Walked Free

Michael Grayshott: Animal Trials, 5 December 2013

Animal Trials 
by Edward Payson Evans.
Hesperus, 146 pp., £9.99, February 2013, 978 1 84391 382 5
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... satisfied of the defendant’s guilt, the court held that the pig be ‘strangled on a gibbet of wood’ so that ‘an example may be made and justice maintained’. Pigs were not the only culprits. The medieval courts of Europe, particularly those of France, appear to have dealt with a ‘miscellaneous crew’ of beasts, including ...

Ovid goes to Stratford

Michael Dobson: Shakespeare Myths, 5 December 2013

Thirty Great Myths about Shakespeare 
by Laurie Maguire and Emma Smith.
Wiley-Blackwell, 216 pp., £14.99, December 2012, 978 0 470 65851 2
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... turned this trope on its head in the early 1630s: for him Shakespeare was still a bird – a wood-warbler, apparently – but one who was to be identified not as a divine father but as a divinely parented infant. In ‘L’Allegro’, the lively extrovert of the title proposes an excursion to the theatre, where he and his companions may hear ‘Sweetest ...

At One with the Universe

Michael Hofmann: Emil Nolde, 27 September 2018

Emil Nolde: Colour Is Life 
Scottish National Gallery of Modern Art, until 21 October 2018Show More
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... Deep lustrous colours – oils, unmixed, swirly and thick – within a wide and solid matt-black wood frame. (Nolde made them himself: he had no use for the ornate plaster gilt of a backward-looking early 20th century.) Or waving, blowsy flowers, an infinity of oranges and reds. Or an agitated sea with an oblique crack of sunset or divine mercy in it, the ...

Diary

James Wood: These Etonians, 4 July 2019

... was after political disgrace, looking for a turncoat Hurd, a Pym, a Raison, a Jopling. What was a Wood? We had no family connections, to Eton or anywhere else much. The only reason I was at the school was my mother’s madly aspirant zeal, her Scottish petit-bourgeois tirelessness. My older brother and I were both effectively scholarship boys. He was the real ...

Tales of Hofmann

Blake Morrison, 20 November 1986

Acrimony 
by Michael Hofmann.
Faber, 79 pp., £8.95, October 1986, 0 571 14527 2
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Idols 
by Stephen Romer.
Oxford, 48 pp., £3.95, September 1986, 0 19 281984 4
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Opia 
by Alan Moore.
Anvil, 83 pp., £4.50, August 1986, 9780856461613
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New Chatto Poets 
edited by Andrew Motion.
Chatto, 79 pp., £4.95, September 1986, 0 7011 3080 6
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A.D. Hope: Selected Poems 
edited by Ruth Morse.
Carcanet, 139 pp., £3.95, April 1986, 0 85635 640 9
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The Electrification of the Soviet Union 
by Craig Raine.
Faber, 69 pp., £8.95, August 1986, 0 571 14539 6
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... The acrimony in Michael Hofmann’s book is that of a son towards his father. Like a family photograph album, the sequence ‘My Father’s House’ records the son’s growth from childhood to manhood, and the father’s from early to late middle age: each poem denotes some new phase, and usually low point, in the relationship ...

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