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On Earth

Matthew Dickman, 24 May 2012

... My little sister walks away from the crash, the black ice, the crushed passenger side, the eighteen-wheeler that destroyed the car, and from a ditch on the side of the highway a white plastic bag floating up out of the grass where the worms are working slow and blind beneath the ants that march in their single columns of grace like soldiers before they’re shipped out, before war makes them human again and scatters them across the fields and the sands, across stretchers and bodies, across the universe of smoke and ash, makes them crouch down in what’s left of a building while a tank moves up the street towards the river where it will stop, turn its engine off, the driver looking through a window smaller than an envelope, where he will sweat and think about how beautiful Kentucky is ...

Ellipticity

C.K. Stead, 10 June 1993

Remembering Babylon 
by David Malouf.
Chatto, 200 pp., £14.99, May 1993, 0 7011 5883 2
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... Mason, is particularly anxious, and his unscrupulous roust-about, Andy McKillop, who sees two black men visit Gemmy and talk with him, plays on these fears. There is a night raid. Gemmy is abducted, beaten, and only saved from drowning by Jock. He is removed to the care of a woman, Mrs Hutchence, the only one in the settlement who has a ‘real ...

Scoop after Scoop

Ian Jack: Chapman Pincher’s Scoops, 5 June 2014

Dangerous to Know: A Life 
by Chapman Pincher.
Biteback, 386 pp., £20, February 2014, 978 1 84954 651 5
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... defence and science correspondent, Chapman Pincher. Out of the Express’s triumvirate of black-glass offices in London, Manchester and Glasgow came a torrent of newsprint that set the popular tone for the last days of imperial Britain, the ‘second Elizabethan age’ that was half-thrilled and half-terrified by Britain’s endeavours to build its ...
... the history of slavery, while the National Memorial for Peace and Justice commemorates the black victims of lynching in the American South between 1877 and 1950. For almost two decades the EJI and its executive director, Bryan Stevenson, have been fighting against the racial inequities of the American criminal justice system, and their legal trench ...

Hell on Earth

Stephen Haggard, 8 January 1987

Cambodian Witness: The Autobiography of Someth May 
edited by James Fenton.
Faber, 287 pp., £9.95, November 1986, 0 571 14609 0
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The stones cry out: A Cambodian Childhood 
by Molyda Szymusiak, translated by Linda Coverdale.
Cape, 245 pp., £11.95, January 1987, 0 224 02410 8
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... Cambodian myth which recurs throughout the book locates the original crime much further back: the Black Lady. This woman apparently used her power of foresight to predict plots against the throne so that those whom she accused, even the King’s own relatives, could be executed the next day. The Black Lady makes several ...

There are some limits Marlowes just won’t cross

Christopher Tayler: Banville’s Marlowe, 3 April 2014

The Black-Eyed Blonde 
by Benjamin Black.
Mantle, 320 pp., £16.99, February 2014, 978 1 4472 3668 9
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... Amphitryon set in a parallel universe, introduces a line from Nietzsche.) As ‘Benjamin Black’, though, he’s shown himself willing to turn out workmanlike crime stories, and some of his best non-Black novels – among them The Book of Evidence (1989) and The Untouchable (1997) – add sinister plot elements to ...

Mortal on Hooch

William Fiennes: Alan Warner, 30 July 1998

The Sopranos 
by Alan Warner.
Cape, 336 pp., £9.99, June 1998, 0 224 05108 3
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... fully conceal. She observes ‘peacocks’ eyes of olive oil skimming atop the vinegar, dapples of black pepper and tawny streaks of mustard popped onto the biggest leaf of lettuce’. ‘Peacocks’ eyes’, ‘dapples’, ‘tawny’ – all signature notes of the mandarin sensibility of an Updike or Nabokov. Morvern’s voice has been praised for its ...

All about Me

Kevin Kopelson: Don Bachardy, 9 April 2015

Hollywood 
by Don Bachardy.
Glitterati, 368 pp., £45, October 2014, 978 0 9913419 2 4
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... by Alan Walker.* I was also reading – for amusement – the biography of Lytton Strachey by Michael Holroyd and one of Dorothy Parker by Marion Meade. In Holroyd’s book, I was most struck by some portraits – reproduced in full colour – that had been done of Strachey; there’s one by Simon Bussy, drawn in 1904 (the year of Isherwood’s ...

Old Dad dead?

Michael Neill: Thomas Middleton, 4 December 2008

Thomas Middleton: The Collected Works 
edited by Gary Taylor and John Lavagnino.
Oxford, 2016 pp., £85, November 2007, 978 0 19 818569 7
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Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works 
edited by Gary Taylor and John Lavagnino.
Oxford, 1183 pp., £100, November 2007, 978 0 19 818570 3
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... blue, its spine adorned with the familiar gilt coat of arms; the Middleton is clad in unornamented black, suggesting a sly homage to the author’s early prose satire The Black Book, with its sardonic farewell to the reader: ‘Now sir, what is your censure now? You have read me, I am sure. Am I ...

The Jump-out Boys

J. Robert Lennon: The Drug-Bust that Wasn’t, 3 August 2006

Tulia: Race, Cocaine and Corruption in a Small Texas Town 
by Nate Blakeslee.
PublicAffairs, 450 pp., £15.99, September 2005, 9781586482190
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... a narc, called Tom Coleman. When the operation had finished, 47 Tulians, almost all of them black, found themselves in jail. At the outset, the bust seemed almost flawless. Coleman, the son of a Texas Ranger and a one-time ‘officer of the year’, had posed as a construction worker down on his luck, infiltrated the underworld of Tulia, and caught ...

Blood Running Down

Helen Cooper: Iconoclasm and theatre in early modern England, 9 August 2001

The Idolatrous Eye: Iconoclasm and Theatre in Early Modern England 
by Michael O'Connell.
Oxford, 198 pp., £30, February 2000, 9780195132052
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... was no room for half measures. Compromise with an idol was a denial of God. In The Idolatrous Eye, Michael O’Connell tackles a more difficult question: why did the Puritans believe not just religious but all forms of theatre to be idolatrous? It’s not difficult to see why they disapproved of the great cycles of religious drama. Although the cycles were ...

Subjects or Aliens?

Matthew Kelly: Postwar Irish Migration, 9 October 2008

The Irish in Postwar Britain 
by Enda Delaney.
Oxford, 232 pp., £55, September 2007, 978 0 19 927667 7
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... her flat so she could watch Neil Jordan’s biopic about the nationalist politician and guerrilla Michael Collins. In the closing sequence, Collins’s fiancée, Kitty, buys her wedding dress, Michael is assassinated by anti-Treatyites in the wilds of County Cork, and Sinead O’Connor sings ‘She Moves through the ...

Motoring

Frank Kermode: James Lees-Milne, 30 November 2000

Deep Romantic Chasm: Diaries 1979-81 
by James Lees-Milne, edited by Michael Bloch.
Murray, 276 pp., £22.50, October 2000, 0 7195 5608 2
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A Mingled Measure: Diaries 1953-72 
by James Lees-Milne.
Murray, 325 pp., £12.99, October 2000, 0 7195 5609 0
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Ancient as the Hills: Diaries 1973-74 
by James Lees-Milne.
Murray, 228 pp., £12.99, October 2000, 0 7195 6200 7
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... been reissued as rather grand paperbacks, along with an eighth, a final hardback selection made by Michael Bloch. They all have titles like Ancestral Voices, Caves of Ice, Through Wood and Dale, Midway on the Waves and Prophesying Peace, and it will not escape the notice of the literate public that they are all derived, one with a bit of a spin on it, from ...

I Am Brian Moore

Colin Burrow, 24 September 2020

The Dear Departed 
by Brian Moore.
Turnpike Books, 112 pp., £10, April, 978 1 9162547 0 1
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... Wife), 20th-century France (The Statement) and the Jesuit missions in 17th-century Quebec (Black Robe). Each of these places is evoked in prose possessed of that cutting edge of vividness which enabled Moore to write thrillers as well as mainstream fiction. In Black Robe his surgical directness can be ...

Can’t you take a joke?

Jonathan Coe, 2 November 2023

Different Times: A History of British Comedy 
by David Stubbs.
Faber, 399 pp., £20, July, 978 0 571 35346 0
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... comedies made at Ealing Studios in the late 1940s and early 1950s. Indeed, as Stubbs reminds us, Michael Balcon, the studio’s head in its heyday, was explicit in defining its mission. When Ealing was sold in 1955, he placed a plaque on the studio building that read: ‘Here during a quarter of a century many films were made projecting Britain and the ...

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