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“... bathetically, Oliver is an insufferable smartarse because he’s horribly insecure. Barnes isn’t Henry James: the reader is usually pointed pretty firmly in the right direction, and sometimes this seems mechanical. But at his best, as in several stories in The Lemon Table, he’s very good at understated implication. Straightforward narrative, however ...”

“... Homer and Virgil and Chaucer accompanied Stendhal and Jane Austen, Dickens and Tolstoy and Henry James; and near the end was one poem that certainly might, in its intensity, be described as ‘short’ – Coleridge’s Rime of the Ancient Mariner. This almost token poem, a magnificent simple affair that most of us did at school, is the world’s ...”

“... on the various ways in which Cather – in Acocella’s view the only American novelist besides James to rival Tolstoy and Flaubert for beauty of style and moral depth – had been manhandled by contemporary academic critics. The story Acocella told was one of noble articulation – Cather’s poised, pared-down imaginative utterance – overwhelmed by ...”

“... see so little of Mr Blake now,’ his wife once complained: ‘He is always in Paradise’), and James Pierrepont Greaves (damned by Carlyle as a ‘blockhead’ and an ‘imbecile’), preferred to leave the world rather than to understand or change it, renouncing (inter alia) religion, property, profit or prostitutes, tobacco, alcohol or flesh (sometimes ...”

“... he was alive. ‘I think he has had – will have had – the most exquisite literary fortune,’ Henry James wrote to Edmund Gosse when Pater died in 1894, ‘i.e. to have taken it out all, wholly, exclusively, with the pen (the style, the genius) & absolutely not at all with the person. He is the mask without the face.’ For ...”

“... of it or not, all four of them also betray confusion, flux and anxiety. The dust-jacket blurb of James Lees-Milne’s People and Places suggests this right away. His book, it tells us, is an ‘extraordinary, amusing and touching picture ... of an England now lost’. The story will be a familiar one to those who have read his published diaries. In ...”

“... found everywhere in American writing, from Cooper to Emerson, from Twain to Whitman, and Henry James, from Dreiser to Willa Cather and on to Mailer. Lawrence’s two Englishwomen, Lou Witt and her acerbic mother, are to be found at the end of the story in the deserts of New Mexico, where the younger woman, like the New England woman who occupied ...”

“... of words and things and half-grasped insights – soon after, I had the same experience with Henry James’s What Maisie Knew, chosen because of the Degas on the cover – seems to me the pattern of most readerly initiations. We aren’t drawn in by the argument, or what’s said or shown. Rather something feels right, smells right, in the colour ...”

“... full force of these unpromising circumstances. They were both children of the dynasty’s founder, Henry VII: Margaret, the subject of Linda Porter’s biography, born in 1489, and her sister Mary, seven years younger. Two later Tudor daughters escaped such a fate by becoming mistresses of their own fortunes through genealogical accident. ...”

“... Henry James writes of a very grand lady that she had ‘an air of keeping, at every moment, every advantage’. Paradoxically, the same would be true of the literary personality of Elias Canetti. Behind its approachable modesty, its avoidance of every publicity and image-making process, there is a loftiness, an assurance, a stance of absolute superiority ...”

“... the same story in different settings. On hearing the word ‘commitment’, she sought refuge in Henry James (an odd hero for a writer whose sentences are so unencumbered and who was also besotted by Elmore Leonard), but she was happy to be accused of consistency: she believed in the salutary power of memory, and the value of ...”

“... but that is a hazard no truly distinctive stylist avoids. Not often in American writing since Henry James can there have been a mind displaying at once such tentativeness and force. Jameson’s preference for a conditional over a declarative mood is a token of the necessarily speculative quality of what he does. It’s far easier to be sure that ...”

“... Richard Ellmann’s​ biography of James Joyce was first published in 1959 to an almost unanimously enthusiastic reception. Ellmann’s editor at the New York office of Oxford University Press told him it was ‘the most ecstatic reaction I have seen to any book I have known anything about’. William Empson welcomed ‘a grand biography’; Cyril Connolly, though naturally disappointed not to find himself mentioned, nevertheless recognised something ‘truly masterly’; and Frank Kermode wrote that Ellmann’s account would ‘fix Joyce’s image for a generation’, a judgment that, as Zachary Leader rightly comments, was if anything an underestimate ...”

“... a number of unattractive characteristics, but allowed a spirit of self-criticism that was healthy. Henry Adams reports in his autobiography that at a dinner at the American Embassy at which John Bright was the chief British guest, he thumped the table and announced: ‘the English are a nation of brutes and should be exterminated to the last man.’ This ...”

“... subsequent history of ‘bluestocking fame’ from late 18th-century commentary and portraiture to James Watson’s disparaging remarks on his collaborator, ‘Rosy’ Franklin, in The Double Helix (1968): ‘at the age of 31 her dresses showed all the imagination of English bluestocking adolescents’ When James Russell ...”