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“... of many waters’. In his remarkable new translation of the Pentateuch, a monument of scholarship, Robert Alter eschews ‘face’ to describe the surface of the world at the start of Genesis, and I miss the cosmic implications, but his first two verses amply compensate with their own originality: ‘When God began to create heaven and earth, and the earth ...”

“... Robert Lowell wrote the poem ‘Water’ about being on the coast of Maine in the summer of 1948 with Elizabeth Bishop; he put it first in his collection For the Union Dead, which he published in 1964. He sent Bishop a draft of the poem in March 1962, explaining that it was ‘more romantic and grey than the whole truth, for all has been sunny between us ...”

“... satire and after. He asks me if we ever had any alternative titles to Beyond the Fringe, which was Robert Ponsonby’s contribution and not popular with us at the time. I can’t think of any but J. Miller later remembers ‘At the Drop of a Brick’, a reference to Flanders and Swann’s At the Drop of a Hat and Peter Cook’s suggestion that we call it ...”

“... left. Ray Liotta, looking young and spruce but tired, is at the wheel, his face well lit. Robert de Niro, in the passenger seat, is asleep. Joe Pesci, in the back seat, is nodding off. A thumping noise is heard, and Liotta says, ‘Jimmy.’ De Niro wakes up. Liotta continues: ‘Did I hear somethin’?’ Cut to a side view of the rear of the ...”

“... men, most of them clothed in traditional sharwal khameez and jaunty turbans. ‘Now and then,’ Robert Byron wrote in 1933, ‘a calico beehive with a window at the top flits across the scene. This is a woman.’ Contemporary Kabul is closer to Byron’s description than to a 1977 guidebook’s city of ‘mini-skirted schoolgirls’. The schoolgirls are now ...”

“... and that ‘the crazed parataxis still flashes the voltage of the street.’ We are told that Robert Southey’s ‘over-long nose’ gave his face a ‘workmanlike quality, and his work ethic is what he is largely remembered for’. And this, of a representation of melancholy: ‘He wears only linens over his loins. If they are soiled, we don’t ...”

“... nothing but the working over of what is remembered.”’ Ellmann also quotes Joyce’s remark to Frank Budgen: ‘Imagination is memory.’ Budgen, whom Joyce met in Zurich in 1918, records Joyce expressing his aim ‘to give a picture of Dublin so complete that if the city one day suddenly disappeared from the earth it could be reconstructed out of my ...”

“... publication in 1967 of a drastically abbreviated and expurgated edition, incompetently edited by Robert Rhodes James, which was greeted with widespread ridicule and contemptuous comparison with Nicolson. After Coats died in 1990, the diaries passed to Channon’s son, Paul, who died in 2007. Now, with the encouragement of his children, three formidable ...”

“... drove the Government to send for Lord Wilberforce to make peace for them. Interviewed by the BBC, Frank Chapple was asked whether he wasn’t ashamed of the misery his workers were causing. Not a bit of it, he said: here was a government which had told everyone to stand on their own two feet, and that was what his members were doing. Governments which left ...”

“... like his name sounded, describing the head of the British National Oil Corporation (BNOC), Sir Frank Kearton, as ‘an inside guy at the skunk works’. Unfortunately, Harvie is an intellectual magpie and his book is irritatingly, or rather maddeningly, written, a series of digressions about every subject under the sun. He cannot bear, for example, to ...”

“... that I first came across Malley’s poems, nestled up against an audacious collaboration between Frank O’Hara and the French language.) Both Ashbery and Koch have included Malley in the curricula of their university poetry courses. At exam time Ashbery would present his students with two unattributed poems, one from The Darkening Ecliptic and one from ...”

“... being drawn into Kim Novak in Vertigo is a model of the way we are sucked into films. Charming Robert Walker and boring Farley Granger make a trap for our need to identify. The method of Rear Window – a voyeur in the dark inspecting other lives – is the principle of cinematic spectacle. Hitchcock’s best films all grow out of his instinctive ...”

“... would have understood and approved the Roman indignation with which Housman spurned an admiring Frank Harris, writing how much he appreciated the ‘sarcasm’ of ‘1887’. ‘I can only reject and resent your truculent praise,’ replied Housman. Yet Horace, or the Greek poets, would no more have recognised their poetry in Housman’s versions of it than ...”

“... the Treasury after New Labour’s victory. Robinson’s fortune had been inflated by dealings with Robert Maxwell, the Channel Island tax havens and a legacy from a satirically named Madame Bourgeois, a Belgian heiress. He had no political base in the Commons and may have felt it politic to bankroll Blair’s closest ally. Mandelson did not declare his ...”

“... 10 March. At 6:45 a.m. I set off by car service to Newark airport to catch the 10 a.m. Virgin/Continental flight to Gatwick. At this time of the morning the New Jersey Turnpike is too busy altogether. This use of altogether, I’m reminded by Terence Patrick Dolan in A Dictionary of Hiberno-English, means ‘wholly, completely’ and may be compared to the Irish phrase ar fad, particularly in its positioning at the end of a sentence ...”