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“... though, would not appear to be much of a drawback. Muldoon’s text was issued in February as a Faber paperback original, uniform with the other volumes of his fast-growing oeuvre; and its blurb invites us to consider it ‘as a dramatic poem in its own right’. This it has every appearance of being. Muldoon’s ...”

“... so troubled and so overwhelmed he seems only to regret what he has accomplished. 24 February. To a Faber meeting for their sales reps at the Butchers’ Hall, which is just by the back door of Barts, bombed presumably and rebuilt in undistinguished neo-Georgian some time in the 1960s. Doorman sullen and no advertisement for the supposed cheerfulness of the ...”

“... deepened, the face was captured by some remarkable photographers, including Cecil Beaton, Richard Avedon and Jane Bown, and a string of artists. The vigorous scribble of Feliks Topolski naturally found him a good subject, as did the heroic sculptural instincts of Henry Moore, who drew Auden’s skin from memory on hearing of his death – ‘the ...”

“... accepted a number of his early poems for publication in the Criterion, and Prince was only 26 when Faber issued his first collection (austerely entitled Poems) in 1938. Alas, Eliot turned down his second volume, Soldiers Bathing, feeling Prince’s poetry of the 1940s was ‘straining after something too grandiose’ – a verdict echoed in later judgments of ...”

“... all the more so in the final text from which the poet dropped those conservative martyrs Richard III and the Duke of Wellington. Paulin has described Geoffrey Hill as being ‘parasitic’ on Eliot’s imagination, but has always claimed to like the sonnet ‘Idylls of the King’ which provoked all the London Review controversy, and he reprints it ...”

“... where Stephen says: ‘Tell me the word, mother, if you know now. The word known to all men.’ Richard Ellmann virtually solved it in Ulysses on the Liffey (1972) with his chapter called ‘The Riddle of Scylla and Charybdis’, which argues that ‘the answer to the sphinx’s riddle was man, the answer to Scylla-Charybdis’s is the act of love.’ But ...”

“... remains blank, with the super-title, ‘Permission to reproduce denied’. This happens in Richard Billingham’s case as well, although his pictures of his family escape Stallabrass’s everlasting fire. Concurrently with last year’s Turner Prize show at the Tate, Ana Maria Pacheco, a Brazilian artist long resident in this country, showed the works ...”

“... time, Means has delivered not one novel but two. The first is Hystopia, which was published by Faber and blurbed by Richard Ford and is being reviewed right here in front of your very eyes. The second is also called ‘Hystopia’, but this one, as that shift in typography suggests, purports to be a posthumously ...”

“... deadpan account of the tracking and capture of Eichmann in The House on Garibaldi Street; Richard Deacon, The Israeli Secret Service, which tells the story, among others, of Wolfgang Lotz, the Israeli spy with unassailably Aryan looks who infiltrated Egyptian government circles to get plans for rocket sites and the names of German technicians: a story ...”

“... I’m the proud owner of four or five copies (whenever I come across one, I buy it), and moreover Faber had the grace to publish an enlarged version in 1988, Fifty Poems, so the library will be back in business too. Greetings, borrowers. What I admire – not the word – about the poems is their intensity. John Berryman once said: write as short as you ...”

“... hostility,’ and that may be so. But there has been some excellent work done on Pound recently: Richard Sieburth’s Instigations, Leon Surette’s A Light from Eleusis, and now Alexander’s manageably-sized study of the whole corpus of the poetry, and Woodward’s of The Pisan Cantos. My feeling is that Pound’s stock is rising, and that one reason for ...”

“... of the man stays stamped on his photographed features till the end – strongly marked in Richard Avedon’s famous portrait of 1969. Vera passes photographically through the book like royalty, always exuding grace, joy and beauty. Igor’s snapshot of her by a lake in Wiesbaden in 1930 is particularly fetching, with the remote glow of a legend. The ...”

“... of Bate’s biography as well, ‘The Unauthorised Life’. The book was initially to be issued by Faber, Hughes’s main publisher and rights holder, but in March 2014 Bate learned that the Hughes Estate, run by his widow, Carol, was withdrawing its co-operation. So he had to find a new publisher, and his right to quote Hughes’s own words was severely ...”

“... May, ‘an eclectic blend of ulysses, kilroy, icarus, neptune, ishmael, noah, jonah, columbus, and richard halliburton! So you must, in all kindness, emphasise your mortal finitude when next we meet!’ He had leave in June, and it is through Gordon’s faithful eyes that we see Plath on the cover of the first volume of the letters: blonde hair, red lipstick ...”

“... the entry on Mary Kennard where the Companion records that she was the daughter of one Charles Faber ‘not Samuel Laing, as sometimes claimed’. The Laing claim is made in my Longman Companion to Victorian Fiction (which also has a grotesquely wrong date of death for Kennard) and in R.L. Wolff’s Nineteenth-Century Fiction, A Bibliographical ...”