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“... slums.’The essays in this new volume have different views on Booth and his survey. Morgan and Anne Power, both of the LSE, salute him as the founding father of social science, the progenitor of socioeconomic modelling of poverty, and of the methods we use to show how modern cities work. Booth’s eight groupings, despite their moralistic ...”

“... man or a woman, you will hear these dialogues differently. Nevertheless, the balance of narrative power in Present Times is by no means evenly distributed. Attercliffe is the only character present in every scene of the book and the only character privileged to observe and reflect upon his surroundings. Apparently, this gives him a major advantage in the ...”

“... 1984 – and will be reissued this summer.In 1927 Charlotte Mew was 58 and living with her sister Anne, a decorative painter, at the Hogarth Studios near Tottenham Court Road. Alida was Harold Monro’s wife, and a friend to both Mew sisters. Sydney Cockerell was the director of the Fitzwilliam Museum. Evelyn Millard had become a friend of ...”

“... field. The ‘new’ political and (to a lesser degree) diplomatic history, seen as the study of power, conflict resolution and sources of authority (le pouvoir and les pouvoirs); the history of state formation and the ‘polity’; recent work on violence, the emotions, faction and rebellion; recent currents in intellectual and gender history – these are ...”

“... Bodies, which in 410 pages created a tight tragic narrative about Cromwell’s part in the fall of Anne Boleyn over the single year 1535-36. Eight years after that the 883 pages of The Mirror and the Light dropped with a thud through my letterbox – some letterboxes may require modification to accommodate its girth. It covers a little more than four years of ...”

“... Puritan female, and from voyageur fiction to a novel whose central metaphor is that of the voyeur. Anne Foster, an underemployed art historian and mother of two, decides on a nine-month separation from her husband in order for both to pursue their careers. Anne stays on with the children in Selby, Massachusetts, a town which ...”

“... a practical joke played by their uncle, Cardinal Mazarin, on their youngest sister, Marie-Anne, who was then about six. (Marie-Anne was to marry Maurice-Godefroy de la Tour d’Auvergne, duc de Bouillon.) The cardinal, who doesn’t otherwise come across as a fun-loving sort, begins by teasing Marie-...”

“... Captain Wentworth acknowledges this when, in the happy afterglow of declaring himself to Anne and being accepted, he explains his past behaviour to her. He tells her that, in the eight years since she was persuaded to reject his first proposal of marriage, ‘he had been constant unconsciously, nay unintentionally; that he had meant to forget ...”

“... kingdom of Aragon, created the germ of modern Spain and marked the arrival of a formidable new power in world politics. Their conquest of the Moorish emirate of Granada and their deployment of the Inquisition, forced conversion and, eventually, ethnic cleansing to rid Spain of its Jewish and Muslim populations, marked the end of a period of religious ...”

“... opera, Jane Boleyn is more often known as Jane Rochford, wife of George Boleyn, sister-in-law to Anne the queen. There are some lives we read backwards, from bloody exit to obscure entrance, and Jane’s is one of them. She was beheaded in 1542, with Henry VIII’s fifth queen, Catherine Howard. She was one of Catherine’s ladies, and for reasons which ...”

“... Psycho so bad when it so closely followed the original? The answer lies not least with the actors: Anne Heche and Vince Vaughn are no match for Janet Leigh and Anthony Perkins. Haneke’s American remake of Funny Games, even closer to the original movie in story and shot arrangement, is also inferior, and again the actors are a primary reason. The villains ...”

“... or nothing at all? ‘Love I laugh to scorn,’ says one of Emily’s poems, and the ‘strange power’ longed for in another is the power of, and for, annihilation. Neither God nor love is in question, but food, or the absence of it, is: a substance both obsessive and despised. Heathcliff is the tyrant of the ...”

“... audience’s concern with, and resistance to, the forms of knowledge, distinction, difference, power and communication that shape their world. How, if at all, can art remake the ruling order? Can that order be forced to appear? What sorts of freedom do humans possess? Do we mean what we say? Can art trump speech? Can it change or erase what people ...”

“... one with a wistful ending, rather than a major literary work. But those withering comments have power. I was struck by one passage in particular. Writing about the evil older brother’s ‘cold, insulting’ violence, Duras notes that the young woman’s family avoid looking at and talking to one another: It’s a family of stone, petrified into a ...”

“... and with the least smoke. It is black or steel grey, brilliant, and clean to touch. It used to power the Great Western Railway, and before gas-fired central heating became widespread, was a popular choice for domestic heating, because it produces little smoke or dust.Coal has less orthodox uses, too. In a memoir written with her friend and fellow activist ...”