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“... a fancy pipe bomb. After she and Hellman manage to reduce some sorrel leaves to a ‘thrashing green potion’, Mahoney turns off the machine and tries to pry free the blade in order to wash it. When it suddenly pops up in the air and lands harmlessly on Hellman’s foot, the scene turns to geriatric slapstick: Her head tipped forward, seemed to wobble on ...”

“... be carried with the tide that smoothly bears human life to eternity’.I am in love with this green earth, – the face of town and country, – the unspeakable rural solitudes, and the sweet security of streets … Sun, and sky, and breeze, and solitary walks, and Summer holidays, and the greenness of fields, and the delicious juices of meats and ...”

“... makes the scene even more touching. 6 February. I am reading a history of the Yorkshire Dales by Robert White, one of a series, Landscape through Time, published by English Heritage. During the enclosures of the 18th and 19th centuries, most of the land enclosed was added to existing farms, but in 1809 John Hulton used the land allotted to him from the ...”

“... in Caribbean landscapes which have never been marked by history or named by literature: ‘a green world, one without metaphors’, where the historian goes ‘mad ... / from thirst’ and ‘the only epics’ are ‘the leaves’. Watching the urban world, he conjures a similar restless repose. His favourite time in town would appear to be midday on a ...”

“... la Mare, although his illustrious admirers have ranged from Virginia Woolf to Derek Walcott, from Robert Frost to W.H. Auden, from Thomas Hardy to T.S. Eliot, not to speak of confrères such as Edward Thomas, Rupert Brooke and Henry Newbolt. Ezra Pound, although savage in his denunciation of the use of idioms or phrases such as ‘dim lands of ...”

“... White’s face that challenges the viewer. ‘Black and white are the colours of photography,’ Robert Frank once remarked. ‘To me they symbolise the alternatives of hope and despair to which mankind is forever subjected. Most of my photographs are of people; they are seen simply, as through the eyes of the man in the street. There is one thing the ...”

“... he recorded countless sunsets disappearing into the sea in the hope of capturing one elusive green ray; he planted flowers so that a month later an actor could pick a rose; he posted mail to a false address to check a plot point that rested on a letter not reaching its destination. But when it came to shooting he abandoned himself to the moment. In 24 ...”

“... we drop down into Kendal and the Abbot Hall gallery, where there is a touring exhibition of Robert Bevan pictures. The shows at Abbot Hall are just the right size, and never more than three or four rooms. The Bevans are shown alongside other Camden Town paintings, the best of which is a lovely, glowing, slightly abstract picture by Spencer Gore, The ...”

“... York this season is the Armani retrospective at the Guggenheim. Designed by the Post-Modern artist Robert Wilson, who has draped the Frank Lloyd Wright spiral ramps with white gauze, bathed the museum in patchouli and musk, and created a Japanese soundtrack to accompany the show, the exhibition is a perfect example of the blend of fashion, art, commerce and ...”

“... or hopelessly distant bodies could be gathered within a domestic and familiar trope, the green thought in the green shade. Wordsworth notes that the epitaph tends to record the good in everyone, as if they had inhabited a world without cruelty or evil, or mere human failings: ‘the affections are their own ...”

“... lit ‘first time, every time’. In Fury, Private Norman Ellison (Logan Lerman), a recruit as green as they come, joins a battle-hardened crew under the leadership of Sergeant Don ‘Wardaddy’ Collier (Brad Pitt). It’s April 1945, and they’re about to drive like hell into the heart of Germany. For the next hour or so, Ellison learns his trade the ...”

“... the evening. The former congresswoman chastised me for being insufficiently read in the works of Robert Caro. We watched each other’s bags in the line to be re-ticketed and I tried to help her with the airline app on her phone. ‘I used to chair committees and have an entire staff to do these things for me,’ she said. The last flight to Chicago left ...”

“... and scandal, Maintenant was entirely written and published by Cravan: the other contributors (Robert Miradique, W. Cooper, E. Lajeunesse, Marie Lowitska etc) are all pseudonyms. Even the advertisements bear his skewed imprint: the restaurant Chez Jourdain entices customers with the words, ‘Where can you see Van Dongen’ – the Flemish painter Kees van ...”

“... a cake and a Bible to Tehran to discuss an arms-for-hostages trade with the Ayatollah Khomeini. Robert MacNamara went to a briefing on Cuba believing that it was more than likely that he would not live through the weekend. The Central Intelligence Agency was caught, in collusion with the Mafia, plotting to poison Fidel Castro’s cigars. Ronald Reagan’s ...”

“... but now he met the youngest, 15-year-old Noel – he helped her pick up the fragments of the small green coffee cup she’d dropped. He would spend the next two years hatching schemes that would allow them to meet, most of them thwarted, by the fact that she was still at Bedales, by her protective older sisters, or by Noel herself, who held him at arm’s ...”