“... with curled pink and bronze petals, in a little silver-plated vase. We sat holding large white menu-cards folded down the middle, and glanced around at the other diners. The room was warm, busy and quiet. We were delighted. Steadily, and without the slightest straining for effect, the picture is built up. The last sentence frames it off with just a ...”

“... in a rosy halo, and Nathanael at the opposite side, staring through his glass. She wore a plain white silky dress, which the light filled with pink flares and sanguine folds.’ And here is Humphry Wellwood’s production of The Winter’s Tale, staged at one of the Fabian summer camps: ‘There was a goat-horned herm, with shaggy thighs, and a naked girl ...”

“... quite as strong as our sense of jubilation, of ‘a giant step for mankind’. Further, as Peter and Leni Gillman suggest (prosaically or poetically), ‘Space Oddity’ sounds like an experience of shooting heroin, and they sternly quote another Bowie lyric: Ashes to ashes, funk to funky, We know Major Tom’s a junkie. Anyway, Major Tom helped to ...”

“... And he is forever boasting of his polished Euro-know-how, his multilingual communication skills. Peter Shreeve, who preceded David Pleat, was probably the sort of manager he would have wished Terry Venables to be, or to become: It was this reference to the French that was to produce a curious postscript. Peter Shreeve had ...”

“... to Ian)? Was Barbara Skelton having an affair with the Polish war artist Feliks Topolski when Peter Quennell came onto the scene, still married to his third wife, Glur, but making Topolski so jealous that the men resorted to fisticuffs over Barbara? What made Janetta, still married to Hugh Slater, fall in love with Kenneth Sinclair-Loutit, and would that ...”

“... which succeeds in spite of itself and the line it takes. Edward Garnett told Lawrence that The White Peacock had every fault known to the English novel but that its author had genius. Elizabeth Smart was not a genius: but she is the rare case of a writer who succeeds by writing as if she were one. She succeeded in her own way, the inflated and overheated ...”

“... Her name was Sophie Catchprice. She had bell-bottomed jeans and long blonde hair like Mary in Peter Paul and Mary. She had bare feet and chipped red nail-polish on her toenails. She stood at the door of her bedroom one Saturday afternoon and saw her husband sucking her younger son’s penis. What’s admirable here is that Carey manages not only to shock ...”

“... John Sparrow, Henry Yorke, Alan Pryce-Jones, Osbert Lancaster, Robert Byron, Anthony Powell, Peter Quennell, Tom Driberg, Harold Acton, Christopher Sykes, Randolph Churchill, W.H. Auden, and lots of others, including Gaitskell once more (‘Hugh, may I stroke your bottom?’ ‘Oh, I suppose so, if you must’). With Auden he went to bed; also, according ...”

“... it: his inability to chat, his coarse red hair, which he ceased to hate only when it turned into a white mane. In a Scots word, he was crabbit – which shares that fricative ‘cr-’ with so many kindred words: crusty, cross-grained, crag, craggy, crozzley, crooked. Wainwright wrote and drew himself onto his pages with an unequalled completeness and an ...”

“... personality of the hero in the manner of other series of mystery novels – Sherlock Holmes, Lord Peter Wimsey, Miss Marple, Travis McGee et al. The Francis pattern is more like an obsession: the hero suffers great physical pain and humiliation at the hands of a villain who is often so well liked, powerful and respected that no one but the hero can believe in ...”

“... he only really sputtered to life again in 1990 with an autobiography, and died a few years later. Peter Orlovsky and Allen Ginsberg at the Hotel de Londres, Paris in 1957. Bob Thompson, ‘LeRoi Jones and his Family’ (1964) Brion Gysin, ‘Calligraphy’ (1960) Brion Gysin, William S. Burroughs, Untitled (Primrose Path, the Third Mind, p.12, 1965) Ettore ...”

“... In City Without Walls, W.H. Auden included this squib: Even Hate should be precise: very few White Folks have fucked their mothers. A valid point, except that, in a sense, Auden’s plea for precision is vitiated by his easily explained misapprehension that ‘mother-fucker’ is an epithet exclusively applied to whites by blacks. Auden’s experience ...”

“... Hungary, Czechoslovakia and Poland. To the north and east, the vast expanses of the Ukraine and of White Russia. At the back end of Eastern Europe, well this side of the Russia that tourists are allowed to visit, Galicia is now a forgotten zone, a part of old Europe whose existence we are not aware of and do not even know that we are not aware of. Perhaps it ...”

“... the most famous of which are The Changes (1975), an apocalyptic children’s series adapted from Peter Dickinson’s novels; Children of the Stones (1977), another children’s series about a secret pagan society embedded within an isolated village; The Stone Tape (1972), a Nigel Kneale-scripted story about a building whose very fabric retains sinister ...”

“... Le Corbusier and Bruno Taut.7 It would become a citadel of the International Style: sixty white rectilinear dwellings with flat roofs, generous windows and balconies with ships’ railings were arranged on a series of curving terraces. A year later, Mies was invited to create the German pavilion at the Barcelona International Exposition in 1929, where ...”