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“... of France’s fortifications along its eastern border with Germany. Donald and his brother, Peter, are not yet proficient enough in English to understand the text, so Joe translates it into German:The essential points of the French system, which was carried out on a gigantic scale, are as follows: a line of fortified casemates giving each other mutual ...”

“... axis of experience, if only one of several made available by verse. To set Sleeping rough beside Peter Robinson’s latest recension, This Other Life, is to recover a sense of the depths which belong to places which exist then as well as there. Robinson’s fidelity to life’s temporal infrastructure, its recessive inward distancings, is apparent in the ...”

“... affected Carstairs more than any other private loss.Elsewhere Summerscale compares Carstairs to Peter Pan, finding in her yearning for a secret hideaway and her dream of perpetual boyishness – she exercised fiercely all her life to ‘ward off womanliness’ – an affinity with Barrie’s perpetual boy:As Wadley was an image of her soul, Whale Cay was ...”

“... of going on.Murdoch became world famous as a novelist, and is the subject of a fine biography by Peter Conradi, but the lives of the others are not so well known. Anscombe, Murdoch and Midgley all came from middle-class families in suburban London. Their abilities were evident early, and they were encouraged to go to university. Not so Foot. Philippa ...”

“... actually alone. He was accompanied, as always, by his old nanny, Jessie Lightfoot. His lover Eric Hall, who was funding him, visited from time to time, and Bacon sometimes went to London, where his studio still was. The idea that two years in isolation or the sense of hitting bottom can be used to explain a shift in an artist’s work is one way of filling a ...”

“... pretty quickly – as Suite at the Majestic. That same translation became The Strange Case of Peter the Lett, then The Case of Peter the Lett. In 1963 it was newly translated as Maigret and the Enigmatic Lett. David Bellos’s recent translation is the first with the confidence to call the book in English what it is ...”

“... post-feminist or anti-feminist film, or just in some baffling way French. In the Guardian, Peter Bradshaw went for ‘provocative’, before deciding it was a ‘startlingly strange rape-revenge black comedy’. I didn’t think it was as strange as all that and I did think it was funny, but what really struck me was that every woman I knew who had ...”

“... talking about: ‘With a bound he was up the steps, & through the iron-studded oaken door into the hall.’ Ouch.Orwell’s writings from the 1930s were Zola-ish representations of poverty. Plongeurs (dishwashers) eke out a living in the kitchens of bad French hotels, and French waiters gob in customers’ soup. Hop-pickers in Kent get by on less than ...”

“... don’t want to meet ’er listening to me list mi dirty deeds, and’ave to pipe up to St fucking Peter ah’ve been on t’dole all mi life in fucking Leeds! Then t’Alleluias stick in t’angels’gobs. When dole-wallahs fuck off to the void what’ll t’mason carve up for their jobs? The cunts who lieth’ere wor unemployed? This lot worked at one job ...”

“... Ayrton. In the dark background are the diabolic Bernard Van Dieren and Philip Heseltine (‘Peter Warlock’), two men, composer-writers like himself, to whom Lambert maintained a fierce loyalty, before and after their deaths. Lambert’s cardinal importance in the establishment of the Vic-Wells, later the Royal Ballet, is valuably stressed by ...”

“... Thelma ended, Barnes flitted between New York, Paris and London, with spells in Devon at Hayford Hall, a house rented by Peggy Guggenheim for her lost and drunken friends. Barnes reworked many drafts of Nightwood here, with the support and editorial expertise of her friend Emily Coleman, who made sure T.S. Eliot read the manuscript. Though Eliot admired and ...”

“... Trust’s activities have served to invent a national past, not just conserve it. Little Moreton Hall in Cheshire, he notices, now has a fancy knot garden ‘exactly reproducing what the Tudor Moretons may possibly have had, or if they didn’t, ought to have had’.And the men and women who inhabit this land of dead but re-imagined great houses do ...”

“... sponsored domestic opera and ballet companies, as well as theatre groups in Europe. Ted Hughes and Peter Brook wrote an experimental play, Orghast at Persepolis, merging the myth of Prometheus with Aeschylus’ The Persians, which was staged at Persepolis as part of the Shiraz Arts Festival. Subsidised in part by the Iranian government, actors from twelve ...”

“... them as a powerful second reality. They read the story, or listen to the dead talk in a public hall; two hours pass; they close the book or rise from their seat, they shut down that other world, run out into the high street and go looking for a pizza. In Britain, where mainstream religion is dwindling into a mix of apathy and superstition, alternative ...”

“... Cross, visible only to people who know where to look for it. The ceiling in the school dining hall is a constantly changing lifelike simulation of the sky, and the portraits are alive: they visit one another and talk to the people outside the frames. Though Games loom large, the game of Quidditch is played in the air on flying broomsticks. (For most ...”