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“... Christopher Hassall was asked to write the authorised biography in part because, as Nigel Jones notes in his own biography of Brooke, Hassall’s lengthy Life of Eddie Marsh had managed ‘to avoid the topic of his subject’s homosexuality’ and he could therefore be relied on to be discreet. (It’s unfair to say that Hassall doesn’t tell the ...”

“... eclecticism’. Among the figures he mentions are, of course, Anquetil-Duperron and Sir William Jones, the founder of Indology, whose researches on the Orient, Hinduism and the Sanskrit language include translations from – and, in effect, the recovery of – the great fourth-century Sanskrit poet Kalidasa. Yet Said is hard on ...”

“... moment of his election to Parliament to the eventual achievement of his goal. One wonders whether John Major ever heard a similar message click-clacking from railway carriage wheels in the course of his extraordinary non-stop journey up the same greasy pole. There was scarcely time for him to form expectations during the interval that ran from his original ...”

“... John Fothergill, the high-handed host of the Spreadeagle at Thame between the world wars, described himself in Who’s Who as ‘Pioneer Amateur Innkeeper’. Evelyn Waugh, sending him a copy of Decline and Fall, inscribed it to ‘Oxford’s only civilising influence’. To those who, in 1931, goggled and giggled at his innkeeping confessions, Fothergill was the contumacious dandy for ever locked in combat with ‘clients’ who fell short of his standards, a man prepared to track down and rebuke a brigadier-general who, with his wife, dropped in to the Spreadeagle to use the lavatory without a please or thank you ...”

“... He is a real person. I met him once and talked with him. He was amiable and decent, or distant.John Bleasdale’s The Magic Hours is both a monument to unstoppable research and, in the end, an admission that even such a thorough inquiry can remain inconclusive. Bleasdale hasn’t been able to talk to Malick, or to his family. But he has interviewed some of ...”

“... Men and women alike suffer the man’s contemptuous nicknames – ‘Mad Mon’, ‘Skunk’, ‘Jones the steam’ – his rudeness, his aggression, his unreliability. Women are ‘Bakies’ (from Bakewell tarts). For some reason his brusqueness is perceived – particularly by Jane, but by others too – not as misogyny and contempt, but rather as a form ...”

“... In response to a query from Hoover – ‘Isn’t Baldwin a known pervert?’ – an Agent Jones responds: It is not a matter of official record that he is a pervert; however, the theme of homosexuality has figured prominently in two of his three published novels. Baldwin has stated that it is also ‘implicit’ in his first novel Go Tell It on the ...”

“... for innumerable European potboilers as well as Orientalist films such as Gunga Din and Indiana Jones and the Temple of Doom.)Many of the works that derive from the BM’s own collections were locked away in its Secretum for decades, accessible only to those whose gender and class supposedly made them invulnerable to corruption. ...”

“... might be short, his art matured at hectic speed. Its roots were among the Pre-Raphaelites. Burne-Jones was an early champion and the dishevelled androgynous figure in Withered Spring, a drawing of 1891, has the heavy, sensuous eyes and mouth of Jane Morris. A year later, in Incipit Vita Nova, they had gone. An impassive female head with closed eyes faces a ...”

“... and a date: 1633. This was the year a local gentleman, Sir John Reresby of Thrybergh Hall, began to note the contents of his garden. Every peach, pear and plum is catalogued, as are herbs, shrubs, bulbs – ‘Kentish Codlings’, ‘the Granado Gilliflower’, ‘Melincholly Munkes hoode’ – and attempts at grafting ...”

“... Prize. The postwar upsurge in self-portraiture is amply documented in Tracey Warr and Amelia Jones’s anthology of texts and images, The Artist’s Body. The serial stuff-strutters include the photo-artists Gilbert & George, Cindy Sherman and John Coplans; the sculptors Jeff Koons, Antony Gormley and Marc Quinn; the ...”

“... tried to browbeat Cony into submission, then threw him in prison. Cony’s lawyer, the eminent Sir John Maynard, demanded that he be set free, and the judges in the case were minded to release him, invoking the provisions of Magna Carta against imprisonment without trial. The Great Oliver then committed Maynard to the Tower, summoned the judges and told them ...”

“... to the current condition of the financial industry, Other People’s Money, published in 2015, John Kay talks about the state of the UK banking sector, whose assets then were about £7 trillion, four times the aggregate income of everyone in the country. But the assets of British banks ‘mostly consist of claims on other banks. Their liabilities are ...”

“... home grown. British true crime tends to be about British killers – Ian Brady (See No Evil), John Christie (Rillington Place), the Wests (Fred and Rose), Dennis Nilsen (Des), Jeremy Bamber (White House Farm), Harold Shipman (Doctor Death) – while American true crime favours American atrocities. I don’t see my preference for the British product as ...”