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“... trumpet above the chancel arch, the dead rising from their tombs in their shrouds; on the left St Peter welcomed the saved into what seemed a rather overcrowded heavenly city; on the right crowned and mitred souls were being dragged in chains to the mouth of hell. On the south wall the archangel Gabriel was weighing a soul in a huge pair of scales; a devil ...”

“... a new idea and a new faith.’ Whether Harold Nicolson, inviting Osbert Sitwell, Raymond Mortimer, Peter Quennell and Alan Pryce-Jones to contribute to its pages, saw the ‘new faith’ in the same light as Mosley isn’t quite clear. ‘Week by week,’ Mosley exclaimed on the front page, ‘we shall put before you new ...”

“... at Williams’s feet in the early Sixties, there is Terry Eagleton, ‘as allusively charming as Peter Wimsey’; at New Left Review, when it was embarking on its theoretical turn in 1962, the ‘virtuoso eloquence’ of Perry Anderson was backed by Robin Blackburn, ‘a beautiful, big, shock-headed youngster’ who had read Sartre and de Beauvoir in the ...”

“... his place, naturally and inevitably, within the innermost circle of the school’. However, as Peter Campbell wrote in the LRB (3 February 2011), English painters ‘responded to Impressionism’s escape from the academic into the everyday, but made something tighter and darker of it. The French pleasure in picnics and river parties and weather wasn’t ...”

“... Everywhere is palpably Edwardian and Arts and Crafts including a relief of a peacock by Burne-Jones. A film about the First War could begin here, the whole place redolent of the dead and particularly the illustrious dead. And, yes, there are memorials to the men of the village and others round about, but it is these famously unfulfilled dead of the Lost ...”

“... red with juice, which brings back a film of the 1940s which terrified me as a child. Jennifer Jones has been involved, perhaps unwillingly, in a murder, a situation anyway in which her hands are covered with blood. This sends her off the rails (‘traumatises’ her as would be said nowadays) and the memory is buried. She then comes into the care of, and ...”

“... and some of the best-known contemporary exponents of biography have not contributed: there is no Peter Ackroyd, no Hermione Lee, no Victoria Glendinning, though there are three entries by Claire Tomalin, including Katherine Mansfield and Ellen Ternan, and four by Michael Holroyd, including Augustus John. Given the (exaggerated) claims made for the dictionary ...”

“... more than a year later thanks, in part, to US pressure orchestrated by her old Harvard friend Peter Galbraith. She later described the period in her memoir, Daughter of the East (1988); it included photo-captions such as: ‘Shortly after President Reagan praised the regime for making “great strides towards democracy”, Zia’s henchmen gunned down ...”

“... is a sore head or a streaky patch on a window. Find the remedy, and it’s gone. Limbo dancing, Peter Hain’s sideburns, the Angry Brigade, King Crimson: these films are always so good on perky period souvenirs, so skilled at avoiding most emotions apart from the fake ones. Though actually, I wasn’t impressed by the period detail in Misbehaviour ...”

“... was not over. It would never be over. But it was over.’ ‘I have​ to admit,’ Adam Mars-Jones wrote in 1992, that when I read an optimistic newspaper item about treatment, vaccine or cure, I feel almost threatened. Part of it is simply the sense of having been fooled before. There is also a particular pang involved, the sense that impending reprieve ...”

“... first Kevin!’12 August. The BBC are planning some élite channel, and have written to Anthony Jones, my literary agent, saying that since I was so distinguished and award-winning etc they would be happy to pay £3500 for my entire oeuvre. What happens if you’re not distinguished and award-winning? my agent wonders. Do you pay them?Read an article ...”

“... for the film was written by the poet and communist Montagu Slater, who wrote the libretto for Peter Grimes and worked with Auden on John Grierson documentaries such as Coal Face. Elisabeth Lutyens composed the music. She supplemented her income from writing orchestral and chamber music by creating scores for horror films and her skills in melodrama came ...”

“... no need sometimes for the deity to draw attention to himself so obviously. It had something of St Peter and the cock crowing thrice about it, not an incident Father Jolliffe was particularly fond of as it showed Jesus up as a bit of an ‘I told you so’, which on the quiet the priest felt he sometimes was anyway. Today, though, the intervention of the clock ...”