Complete Internal Collapse

Malcolm Vale: Agincourt, 19 May 2016

The Hundred Years War, Vol. IV: Cursed Kings 
by Jonathan Sumption.
Faber, 909 pp., £40, August 2015, 978 0 571 27454 3
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Agincourt 
by Anne Curry.
Oxford, 272 pp., £18.99, August 2015, 978 0 19 968101 3
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The Battle of Agincourt 
edited by Anne Curry and Malcolm Mercer.
Yale, 344 pp., £30, October 2015, 978 0 300 21430 7
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24 Hours at Agincourt: 25 October 1415 
by Michael Jones.
W.H. Allen, 352 pp., £20, September 2015, 978 0 7535 5545 3
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Agincourt: Henry V, the Man-at-Arms and the Archer 
by W.B. Bartlett.
Amberley, 447 pp., £20, September 2015, 978 1 4456 3949 9
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... the festivities with a £1 million grant. Henry V, who didn’t go in for triumphalism or self-glorification, would probably have regarded all the fuss with disdain. The fourth volume in Jonathan Sumption’s five-volume series on the Hundred Years War (1337-1453) covers the period from 1399 to 1422, so includes Agincourt. Sumption brings his ...

Desired Desire

Adam Phillips: Sándor Márai and the myth of redemptive love, 21 October 2004

Conversations in Bolzano 
by Sándor Márai, translated by George Szirtes.
Viking, 294 pp., £14.99, November 2004, 0 670 91534 3
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... not merely the ineluctable and ‘tragic’ mysteries of passion, but rather passion as a form of self-importance. God may be dead or dying but passion is not; and passion is now the Great Dictator. This, of course, makes Márai rather more of a writer of his time, a writer wary of the rhetoric of the self-aggrandising. For ...

Hooked Trout

Geoffrey Best: Appeasement please, 2 June 2005

Making Friends with Hitler: Lord Londonderry and Britain’s Road to War 
by Ian Kershaw.
Allen Lane, 488 pp., £20, October 2004, 0 7139 9717 6
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... for the country remained his line. He was not much of a joiner. He did sign up with the ‘self-consciously elitist’ and purportedly non-political Anglo-German Fellowship in 1935, but, Kershaw writes, he was not one of its more active members. He had no connection with any of the pro-German groupuscules fired by rabid anti-semitism or inspired by ...

Yearning for the ‘Utile’

Frank Kermode: Snobbery and John Carey, 23 June 2005

What Good Are the Arts? 
by John Carey.
Faber, 286 pp., £12.99, June 2005, 0 571 22602 7
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... attitudes to these and other related matters are based on selfish fantasies and expressed in self-serving cant. His plan is to blow them away with the breath of common sense. To answer the question asked in his title he begins at the beginning: since we attach so much importance to the idea, what, in fact, constitutes a work of art? It’s a newfangled ...

Blush, grandeur, blush

Norma Clarke: One of the first bluestockings, 16 December 2004

Hannah More: The First Victorian 
by Anne Stott.
Oxford, 384 pp., £20, September 2004, 0 19 927488 6
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... foundations of institutional philanthropy. But no less important was her extraordinary gift for self-dramatisation and storytelling, the capacity to imagine and live her own life as an epic. Like other eminent Victorians, More inspired a loathing in later generations more or less proportional to the veneration she received from her own. Stott acknowledges ...

The Greatest Warlord

David Blackbourn: Hitler, 22 March 2001

Hitler, 1936-45: Nemesis 
by Ian Kershaw.
Allen Lane, 1115 pp., £25, October 2000, 0 7139 9229 8
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... Hitler’s ‘modern’ enthusiasms. Kershaw’s Hitler is a cold, asexual, hollow personality, a self-absorbed man convinced of his own genius. He was capable of charm, but also touchy, suspicious and prone to sudden fits of anger. The Swedish industrialist Birger Dahlerus witnessed one of these when a letter from Lord Halifax was delivered to the ...

Fronds and Tenrils

Helen Vendler: Mark Ford, 29 November 2001

Soft Sift 
by Mark Ford.
Faber, 42 pp., £7.99, May 2001, 0 571 20781 2
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... the ‘inflexible etiquette’ of form (‘Misguided Angel’) with the besieged contemporary self. Ford is the cartoonist of the soul’s adventures, but the cartoons have a deadly underside of seriousness: I lay emptied as a fallen Leaf until startled awake by a blinding flash Of dry lightning, and the onset of this terrible thirst. (‘Twenty-Twenty ...

Don’t you cut your lunch up when you’re ready to eat it?

Linda Nochlin: Louise Bourgeois, 4 April 2002

Louise Bourgeois’s ‘Spider’: The Architecture of Art-Writing 
by Mieke Bal.
Chicago, 134 pp., £19, November 2001, 0 226 03575 1
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... be absolutely strict and pure.’ Nowhere is this paradoxical combination of uncontrolled rage and self-conscious formal absorption better captured than in the 1993 documentary film about Bourgeois directed by Nigel Finch for Arena Films. It is in fact a collaborative performance piece staged by Bourgeois and the director which successfully enacts the ...

Erasures

Mark Ford: Donald Justice, 16 November 2006

Collected Poems 
by Donald Justice.
Anvil, 289 pp., £15, June 2006, 0 85646 386 8
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... seems to want in art, in experiencing it, is the same thing that is necessary for its creation, a self-forgetful, perfectly useless concentration.’ A tiny poem, ‘The Thin Man’, in Justice’s second collection, Night Light (1967), outlines a similar aesthetic credo: I indulge myself In rich refusals. Nothing suffices. I hone myself to This ...

Your life depends on it

Thomas Jones: Jonathan Raban, 19 October 2006

Surveillance 
by Jonathan Raban.
Picador, 327 pp., £16.99, September 2006, 0 330 41338 4
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... sense, Augie is definitely a fake, or rather a ‘living conjuring trick, a work of implausible self-transformation’, with his false teeth and outmoded American slang. He gave himself the name Vanags, which means ‘hawk’ in Latvian, during the war. ‘It authenticated him as a gentile and gave him a native land.’ ...

Van Diemonians

Inga Clendinnen: Convict Culture in Tasmania, 4 December 2008

Van Diemen’s Land: A History 
by James Boyce.
Black, 388 pp., £20.75, February 2008, 978 1 86395 413 6
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... on the windswept islands to the north. The sealer communities provided a model of anarchic self-sufficiency. As one observer lamented in 1817, They are complete savages, living in bark huts like the natives, not cultivating anything, but living entirely on kangaroos, emus and small porcupines, and getting spirits and tobacco in barter for the skins ...

It’s not the bus: it’s us

Thomas Sugrue: Stars, Stripes and Civil Rights, 20 November 2008

The Soiling of Old Glory: The Story of a Photograph that Shocked America 
by Louis Masur.
Bloomsbury US, 224 pp., $24.95, April 2008, 978 1 59691 364 6
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... of school desegregation as oppressors. In a peculiarly American version of victimology and self-reinvention, they invoked their ancestors’ tales of workplace signs that read ‘No Irish Need Apply,’ and claimed that through hard work and gumption they had risen above oppression while blacks continued to wallow in ...

Diary

Alison Light: Raphael Samuel, 2 February 2017

... obliged to tell me, ‘he works all night.’ The very idea of a private life, or even of a ‘self’, with its tendency towards a possessive individualism, was alien to him. He was used to keeping open house to innumerable comrades from across the world who would turn up at short notice, expecting a bed or a floor, a meal and a conversation that went on ...

Try a monastery instead

Mikkel Borch-Jacobsen: Suicide, 17 November 2016

Farewell to the World: A History of Suicide 
by Marzio Barbagli, translated by Lucinda Byatt.
Polity, 407 pp., £19.99, September 2015, 978 0 7456 6245 9
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... for the same egoistic reasons we do – jealousy, pain, humiliation and the like. In addition, self-murder was (and still is in some cases) used in many traditional societies to protest against injustice or to shame someone. In India, China, Japan, but also in pre-Christian Europe, people would kill themselves in order to curse someone, to challenge an ...

In Coleridge’s Bed

Ange Mlinko: Dead Poets Road Trip, 20 April 2017

Deaths of the Poets 
by Paul Farley and Michael Symmons Roberts.
Cape, 414 pp., £14.99, February 2017, 978 0 224 09754 3
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... poets’ is the way one of their friends put it. ‘Proper thanatourists,’ they call themselves, self-deprecatingly, winningly. A combination of de Botton bonhomie and BBC breathlessness suffuses the book, particularly at the beginning, which puts us in the swanky sale room of Bonhams, where an auction is about to take place, and Auden’s manuscript of ...