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The Bible as Fiction

George Caird, 4 November 1982

The Story of the Stories: The Chosen People and its God 
by Dan Jacobson.
Secker, 211 pp., £8.95, September 1982, 0 436 22048 2
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The Art of Biblical Narrative 
by Robert Alter.
Allen and Unwin, 195 pp., £10, May 1982, 0 04 801022 7
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The Great Code: The Bible and Literature 
by Northrop Frye.
Routledge, 261 pp., £9.95, June 1982, 0 7100 9038 2
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... how from these laconic texts, figures like Rebekah, Jacob, Joseph, Judah, Tamar, Moses, Saul, David and Ruth emerge, characters who, beyond any archetypal role they may play as bearers of a divine mandate, have been etched as indelibly vivid individuals in the imagination of a hundred generations’. This aim, he warns us, cannot be achieved without ...

Voices

Seamus Deane, 21 April 1983

The Pleasures of Gaelic Poetry 
edited by Sean Mac Reamoinn.
Allen Lane, 272 pp., £8.95, November 1982, 0 7139 1284 7
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... Irish. Hartnett confesses himself to be ‘obsessed by the work and mind of Daibhi O Bruadair’ (David Broderick or Brouder), the 17th-century poet from the Limerick area who witnessed the tragic sequence of events which destroyed his native cultural habitat: ‘the Popish Plot, the coming of Cromwell, the battle of the Boyne, the Treaty of Limerick and its ...

Exact Walking

Christopher Hill, 19 June 1980

Calvin and English Calvinism to 1649 
by R.T. Kendall.
Oxford, 252 pp., £12.50, February 1980, 0 19 826716 9
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... optimism of some of the earlier reformers. A recent impressive book by Keith Wrightson and David Levine, Poverty and Piety in an English Village,* suggested that Calvinist theology became especially acceptable to parish élites, the minority who were prospering in the great economic divide of the late 16th and early 17th centuries, as against the mass ...

George Eliot, Joyce and Cambridge

Michael Mason, 2 April 1981

... distinct from their contemporaries, in their liking for this form. Adam Bede uses it as much as David Copperfield: that is, more than five times as often as Jane Eyre. Here is a surprising pattern of convergence and divergence in the Victorian novel which could not be registered in the kind of account offered by MacCabe (for whom the Dagley-Mr Brooke ...

From Papa in Heaven

Russell Davies, 3 September 1981

Ernest Hemingway: Selected Letters 1917-1961 
edited by Carlos Baker.
Granada, 948 pp., £15, April 1981, 0 246 11576 9
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... gifted him with plenty money when he came out. In many ways it was a balanced life. Jokes like ‘David son of Joshua Son of Isaac son of Abraham O’Neil is in town and kiking everybody with big promises’ (to Ezra in 24) don’t have anything to do with it. I wrote terrific letters to bigots like Cardinal Spellman and Joe McCarthy and only regret I ...

A Proper Stoic

John Bayley, 8 May 1986

Duff Cooper: The Authorised Biography 
by John Charmley.
Weidenfeld, 265 pp., £12.95, April 1986, 0 297 78857 4
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... verse translations, a long biography of Haig, a short and oddly memorable study of the King David of the Bible, and one novel, Operation Heartbreak, about a clandestine war operation in which a body, purporting to be that of a British officer carrying secret documents, was dumped off the coast of Spain to deceive the Germans. As a singleton novel it is ...

‘Stravinsky’

Paul Driver, 23 January 1986

Dearest Bubushkin: Selected Letters and Diaries of Vera and Igor Stravinsky 
edited by Robert Craft.
Thames and Hudson, 239 pp., £25, October 1985, 0 500 01368 3
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Stravinsky: Selected Correspondence Vol. III 
edited by Robert Craft.
Faber, 543 pp., £35, October 1985, 0 571 13373 8
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... spontaneity, I hope, can be detected. The influential dialogues of our culture, from Plato’s to David Sylvester’s with Francis Bacon, have been the most conscientiously elaborated, while verbatim reporting essentially belongs to journalism. Robert Craft’s industry, dedication and literary skill not only make more palatable the two books under ...

Dangerous Play

Mike Selvey, 23 May 1985

Gubby Allen: Man of Cricket 
by E.W. Swanton.
Hutchinson, 311 pp., £12.95, April 1985, 0 09 159780 3
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Wisden Cricketers’ Almanack: 1985 
edited by John Woodcock.
Wisden, 1280 pp., £11.95, April 1985, 0 947766 00 6
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... where he lapsed into a state of knee-knocking shock. Another Englishman, the Lancastrian David Lloyd, was hit a terrifying blow in the groin by Jeff Thomson. The following summer, I too hit him in the same region. I saw him later, ice packs clasped to his nether regions, and asked after his health. ‘After Thommo it were a pleasure,’ he ...

Diary

Tam Dalyell: Nuclear Power after Chernobyl, 5 June 1986

... that such facilities should be mothballed overnight. I have been reading Magnus Linklater and David Leigh’s book on the Westland affair.* One crucial passage, a quotation from an unnamed source, comes at the top of page 143: The Prime Minister knew about the leak. She was pleased it had been done. There was a meeting between Brittan and her after the ...

In the Golfo Placido

P.N. Furbank, 9 October 1986

The Collected Letters of Joseph Conrad. Vol. II: 1898-1902 
edited by Frederick Karl and Laurence Davies.
Cambridge, 483 pp., £27.50, August 1986, 0 521 25748 4
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... my own – therefore very dear.’ On another occasion he remarks wryly, writing to his friend David Meldrum (7 January 1902), on how excellent his health is when he is producing inferior work. The last has been a disastrous year for me. I have wasted – not idled – it away, tinkering here, tinkering there – a little on Rescue, more on that fatal ...

C.K. Stead writes about Christina Stead

C.K. Stead, 4 September 1986

Ocean of Story: The Uncollected Stories of Christina Stead 
edited by R.G. Geering.
Viking, 552 pp., £12.95, April 1986, 0 670 80996 9
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The Salzburg Tales 
by Christina Stead.
498 pp., £4.95, September 1986, 0 86068 691 4
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... with whom she identifies. The secure sense of national identity came from her father: ‘David was an Adam,’ she wrote of him. ‘Australia was his prolific and innocent garden.’She was forty years away but always on the move, living (to put the places in roughly chronological order), in London, Paris, Spain, Hollywood, New ...

The Old Feudalist

D.A.N. Jones, 3 July 1986

Out of Africa and Shadows on the Grass 
by Karen Blixen.
Penguin, 351 pp., £3.95, January 1986, 0 14 008533 5
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Out of Africa 
by Karen Blixen.
Century, 288 pp., £14.95, October 1985, 0 7126 1016 2
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Isak Dinesen: The Life of Karen Blixen 
by Judith Thurman.
Penguin, 511 pp., £3.50, April 1986, 9780140096996
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... and lions, with titles like ‘The Old Warrior’ (a lion, not a Masai). These are the work of David Shepherd and Simon Combes, who have donated reproduction fees to wild-life conservation funds. They are relevant to the text, in which the Baroness zestfully celebrates the beasts she killed, and also relevant to the tears of the moviegoers, enchanted by ...

Diary

Alan Brien: Finding Lenin, 7 August 1986

... in Petrograd from Finland to trigger off the Revolution. A book recommended by many experts is David Shub’s Lenin: A Biography. It has much to recommend it, not least that Shub was a member of the Bolshevik Party in 1905 when Lenin was its leader and knew him and many other prominent actors in the Revolution very well. But few openings to a novel about ...

Undecidables

Stuart Hampshire, 16 February 1984

Alan Turing: The Enigma 
by Andrew Hodges.
Burnett, 587 pp., £18, October 1983, 0 09 152130 0
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... no disturbing precocity as a schoolboy, no outward brilliance marking him out, as Russell and F.P. Ramsey were marked out in their earlier years. Mr Hodges includes photographs of seaside family holidays, redolent of their period and typical of a social class. He includes letters between Turing and a school friend to whom Turing was passionately ...

Progressive Agenda

John Brewer, 18 March 1982

The Watercolours and Drawings of Thomas Bewick and his Workshop Apprentices 
by Iain Bain.
Gordon Fraser, 233 pp., £125, July 1981, 0 86092 057 7
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... of Thomas Gray, Allen Ramsay and Oliver Goldsmith, casually mentions that he does not need to read David Hume on miracles, and obliquely compares his own work with that of Milton? There is a paradox here: the more Bewick strove to establish his credentials as an artist, the more apparent it becomes that he was not the bon sauvage he was portrayed to ...

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