At the National Gallery
Naomi Grant: Gainsborough’s ‘Blue Boy’, 12 May 2022
“... wrote of his wish to ‘snatch’ a fleeting moment of beauty before the inevitable ‘change’ took place. The whole effect is, at least to modern tastes, quite revolting.Degas’s Miss Murray is different. He ignores Lawrence’s saccharine touches and the fussy details of the costume. The ground of the canvas is left visible. There is only a whisper of ... ”