At the National Gallery

Naomi Grant: Gainsborough’s ‘Blue Boy’, 12 May 2022

... wrote of his wish to ‘snatch’ a fleeting moment of beauty before the inevitable ‘change’ took place. The whole effect is, at least to modern tastes, quite revolting.Degas’s Miss Murray is different. He ignores Lawrence’s saccharine touches and the fussy details of the costume. The ground of the canvas is left visible. There is only a whisper of ...

Slice of Life

Colin Burrow: Robin Robertson, 30 August 2018

The Long Take 
by Robin Robertson.
Picador, 256 pp., £14.99, February 2018, 978 1 5098 4688 7
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... myths, and is temperamentally a northern island or isthmus dweller. In that respect he’s like John Burnside, to whom he dedicated his best poem so far, ‘At Roane Head’ (LRB, 14 August 2008), in which there is not just a selkie at the bottom of the garden but there might be a selkie in the bedroom that could cuckold you, or make you kill your children ...

Persimmon, Magnolia, Maple

Danny Karlin: Julie Otsuka, 3 April 2003

When the Emperor Was Divine 
by Julie Otsuka.
Viking, 160 pp., £9.99, January 2003, 0 670 91263 8
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... family history is left as vague as the public history. The circumstances in which their migration took place, their contact with family members still in Japan, or indeed with other Japanese-Americans – all this must be gathered from apparently casual, glancing or incomplete allusions. (They are not casual, of course; Otsuka shows unsentimentally how the ...

The Power of Des

Ian Hamilton: The screen rights to English Premier League Football, 6 July 2000

... Saturdays, so as to catch the kiddies before bedtime, or clubtime, or drugtime, or whatever, but John Birt’s non-sporting apparatchiks kept on shoving the show further and further towards midnight. And Des was cross, too, about the BBC’s failure to secure the rights to various big games – internationals, FA cup ties, European Champions League fixtures ...

A Turn for the Woowoo

Theo Tait: David Mitchell, 4 December 2014

The Bone Clocks 
by David Mitchell.
Sceptre, 595 pp., £20, September 2014, 978 0 340 92160 9
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... in Nagasaki Bay in 1799, as ‘an exotically situated romance of astounding vulgarity’. Hensher took issue with its mysterious, beautiful Japanese maidens and its inscrutable, silk-robed, mind-reading villain, but it would probably be more accurate to say that it was either a little too vulgar, or not quite vulgar enough. The Thousand Autumns would have ...

Diary

Michael Dobson: The Russell-Cotes, 23 February 2012

... the Russell-Coteses had collected, such as James Archer’s Henry Irving as Charles I (1873) and John Collier’s Lewis Waller as Monsieur Beaucaire (1903), were really very fine. I had also begun to feel defensive about genre painting, which seemed to be eminently respectable when executed by 17th-century Dutchmen but was otherwise bafflingly taboo. Was it ...

Unshutuppable

James Lever: Nicola Barker, 9 September 2010

Burley Cross Postbox Theft 
by Nicola Barker.
Fourth Estate, 361 pp., £18.99, April 2010, 978 0 00 735500 6
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... knocking all the bubbles out of my Pepsi.” Beede’s knee instantly stopped its jogging. Kane took a quick swig of the imperilled beverage,’ where ‘imperilled beverage’, a phrase nobody other than Jeeves would ever use, is meant to be bathetically mock-heroic) or effortfully exuberant dialogue: ‘“We Broads got class, yeah? We got breedin’! We ...

Bang-Bang, Kiss-Kiss

Christian Lorentzen: Bond, 3 December 2015

Spectre 
directed by Sam Mendes.
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The Man with the Golden Typewriter: Ian Fleming’s James Bond Letters 
edited by Fergus Fleming.
Bloomsbury, 391 pp., £25, October 2015, 978 1 4088 6547 7
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Ian Fleming: A Personal Memoir 
by Robert Harling.
Robson, 372 pp., £20, October 2015, 978 84 95493 65 1
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... Waltz), the head of Spectre and by coincidence both the son and the murderer of a man who took the young Bond under his wing. Oberhauser is operating a contraption that threatens to deprive Bond of his facial recognition abilities by driving a pair of pins into the sides of his skull – a painful operation in its initial stages, as indicated by ...

At Tate Britain

Anne Wagner: ‘Salt and Silver’, 21 May 2015

... and both echo principles shared with them by a third experimenter, the chemist and astronomer Sir John Herschel. It was Herschel who first used ‘negative’ and ‘positive’ to name the two distinct stages of photographic depiction, and Herschel whose investigations ultimately made it possible to capture the vagaries of light. In brief, what Herschel ...

At the Movies

Michael Wood: ‘Skyfall’, 22 November 2012

Skyfall 
directed by Sam Mendes.
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... When Daniel Craig took on the role of James Bond in Casino Royale (2006), there was much talk of the real thing. Here at last was the mean, lethal, almost banter-free figure we thought Ian Fleming had invented, the ruthless, funless fellow we imagined we had always wanted. He had a licence to kill but his real licence was his angry work ethic ...

Like a Failed Cake

Edmund Gordon: Keith Ridgway, 6 December 2012

Hawthorn & Child 
by Keith Ridgway.
Granta, 282 pp., £12.99, July 2012, 978 1 84708 741 6
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... Keith Ridgway used to be compared to John McGahern for his dourly lyrical stories of a changing Ireland. (‘Fr Devoy nodded his head and sipped his tea and waited. He watched the sky move and thought he saw rain in the distance but could not be sure.’) That stopped with the publication of his third novel, Animals, in 2006 ...

Coldbath Fields

Simon Bradley: In Praise of Peabody, 21 June 2007

London in the 19th Century: ‘A Human Awful Wonder of God’ 
by Jerry White.
Cape, 624 pp., £20, January 2007, 978 0 224 06272 5
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... voices recorded from the crowds, such as the Euston Square prostitute who startled the teenage John Lane, future publisher of the Yellow Book, by asking fortuitously: ‘Johnnie darling, won’t you come home with me?’ Even when he’s not quoting directly, White’s stories and statistics are chiefly drawn from contemporary sources. Here, then, is an ...

Through Plate-Glass

Ian Sansom: Jonathan Coe, 10 May 2001

The Rotters’ Club 
by Jonathan Coe.
Viking, 405 pp., £14.99, April 2001, 0 670 89252 1
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... The Berni Inn and the denim loons – ah, yes. The Blue Nun. The chicken-in-a-basket. And John Denver singing ‘Annie’s Song’. Marvellous. But Coe also includes the text of a speech given by one of the characters in later life, looking back on the 1970s, and complaining that ‘people forget about the 1970s. They think it was about wide collars ...

Flattening Space

Rosalind Krauss: Parsing Picasso, 1 April 2004

Picasso and the Invention of Cubism 
by Pepe Karmel.
Yale, 233 pp., £40, October 2003, 0 300 09436 1
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... and Expressionism; in the readymade and in Dada’s exploitation of industrial raw materials (John Heartfield’s political photomontages would have been impossible without collage); and even Abstract Expressionism (as Clement Greenberg argued, the little pockets of ‘depth’ that pucker the surfaces of Cubist paintings presage the hills and crannies in ...

Short Cuts

Inigo Thomas: At the Ladbroke Arms, 22 February 2018

... would the Ladbroke Arms survive? I went to the pub one evening at the beginning of February. I took with me the 1967 edition of the treaty setting up the European Economic Community drawn up in Rome in March 1957 – a document which in Rees-Mogg’s eyes must look as if it were a printed version of the end of the world, now averted as a result of the 2016 ...