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“... scheme. The Go-Between’s big secret – the illicit affair between Marian Maudsley of Brandham Hall and the Lawrentian farmer Ted Burgess – is revealed to the reader fairly early on, and Hartley makes no bones about drawing up a chargesheet against late Victorian sexual and class hypocrisy. Spies is a much shorter book, but it’s also much more taciturn ...”

“... in their exotic spear-waving poses. It was some relief to see the paperback of James Fox’s excellent White Mischief with its measured exposure of the shallow callous daftness of settler society circa 1940, popping cheekily up among them. Nairobi is still Africa’s safari capital, where the lucky tourist is offered all kinds of trips to ...”

“... Soane was born in 1753, the son of a Berkshire bricklayer. At 15 he met a London architect, James Peacock, who was closely associated with George Dance, architect to the City of London. Dance gave Soane a place in his household. After three or four years he left Dance for Henry Holland, from whom he learned more of the business side of building and on ...”

“... somehow performed by the Brothers Marx’. The bones of the plot do come from the same Henry James novella currently on view as a play at the Haymarket Theatre, but the comedy is not anarchic in the style of Groucho and Harpo – it is precise and well-ordered. A highly moral story is told rather in the manner of Hawkeye Pearce, before television ...”

“... years since the last one, so it must be time for a new book of poems by John Ashbery. Like the old James Bond films, Ashbery’s late instalments arrive punctually, and you buy your ticket knowing what to expect: a suave cartoon with ridiculous gadgets, clever one-liners and last-minute escapes. ‘So Long, Santa’, the penultimate poem in Ashbery’s ...”

“... customers from several nearby newspaper offices and – most important of all – from Tammany Hall, the headquarters of the Democratic Party. Anderson, who was becoming a successful businessman, had political aspirations himself and was connected with the Tammany Hall crowd. Crucially, he knew and was known by ...”

“... of Fashion, a parody of the short-lived vogue for belly pads that sprang up in London in 1793, and James Gillray’s Dido, in Despair (1801), which lampoons Emma Hamilton’s scandalous pregnancy by Lord Nelson. Seven months gone, Hamilton is portrayed as a grotesque battleaxe, arms and legs outstretched as she rises from bed in a bulging white nightgown and ...”

“... never cease: there’s the beautiful young mother he sees on the bus on his way to the Albert Hall; the girl he bids farewell to on a railway platform in Devon; the Irish girl at the theatre whose smile so obsesses him that he tries placing an ad in the personal columns to track her down. Nothing came of that (the paper returned his money, ‘no doubt ...”

“... Reading this Life of Lloyd George is like watching one of those old James Cagney movies where it’s established early on that the protagonist isn’t simply an anti-hero but, for all that he’s lionised, an irredeemable villain. The fun comes from watching him get away with all sorts of caddishness early on and then carry on the virtuoso act long after everyone has got his number ...”

“... The garrotting panic and legislation against footpads is still two years away. It’s Liberty Hall on the London streets in 1860. They walk down to St James’s. Nothing. Normally Caroline’s had her nancy jiggled two or three times by now. Reeling out of the Minor Club come a couple of swells. ‘Why,’ says ...”

“... James Merrill​ has in Langdon Hammer the biographer he would have wished for: intelligent, appreciative, sympathetic, thorough, a first-rate reader of the poems, and an excellent writer to boot. Merrill would have hated to be the subject of a plodding biography. He was all about stylishness and elegance, in poetry and in life ...”

“... the forerunner to Portrait of the Artist as a Young Man, ‘Stephen Hero’. Turpin is no hero to James Sharpe, who sets out to cut him down to size, just another ‘callous, brutal and violent’ criminal, an ‘unpleasant thug’, hardly distinguishable from so many others, so that when The Lives of Noted Highwaymen was published around 1750 he was not ...”

“... hold casual buffets rather than dinner parties. In Sarah Scott’s A Description of Millennium Hall (1778), utopia is a country mansion in Cornwall, an anodyne English pastoral in which female midgets play the harpsichord and tend the shrubberies. For the English the ideal society needs to have an old orchard and a couple of herbaceous borders. The Life ...”

“... names as Francis Coventry, Thomas Holcroft or Robert Paltock should be left out. (Not to mention James Boswell, author of Dorando.) The omission of John Cleland may be deliberate and provocative – it provokes me to cheerful assent – but Spender’s researches have apparently not extended to the point were she has heard of Congreve’s famous ...”

“... stone in the aggregate was calculated to harmonise with Somerset House, the Royal Festival Hall and Waterloo Bridge (which it still does, because unlike so many owners of Brutalist buildings, the NT actually cleans it), and about the complex process of creating its shuttered finish. This was painstaking: ‘Air bubbles which naturally cling to the ...”