Genderbait for the Nerds
Christopher Tayler: William Gibson, 22 May 2003
“... that good.’ It’s an effortful business, and, it seems, a full-time job, but hardly unusual in William Gibson’s futuristic fiction, which often features characters whose sensitivity to ambient data borders on the supernaturally acute. His last but one, Idoru (1996), introduced Colin Laney, an ‘intuitive fisher of patterns of information . . . the ... ”