Party Man

David Marquand, 1 July 1982

Tony Crosland 
by Susan Crosland.
Cape, 448 pp., £10.95, June 1982, 9780224017879
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... well, he was sure of himself. If the author of The Future of Socialism did not have a right to self-assurance, who did? Very well, he was rude. That was a sign of a fundamental seriousness and egalitarianism. By the mid-Sixties, when I got into Parliament, I had become an admirer. Gaitskell was dead, and the revisionists needed a champion. George Brown was ...

Faculty at War

Tom Paulin, 17 June 1982

Re-Reading English 
edited by Peter Widdowson.
Methuen, 246 pp., £7.95, March 1982, 0 416 31150 4
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Against Criticism 
by Iain McGilchrist.
Faber, 271 pp., £12.50, May 1982, 0 571 11922 0
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... in transforming ‘life’ into a critical term, a touchstone of aesthetic value. He adopted a self-consciously awkward prose style and it may be due to his influence that good critical prose is now dismissed as ‘bellelettrism’ (see, for example, Stephen Trombley’s dismally representative approach in his study of Virginia Woolf). For many years, the ...

Britishmen

Tom Paulin, 5 November 1981

Too Long a Sacrifice: Life and Death in Northern Ireland since 1969 
by Jack Holland.
Columbus, 217 pp., £7.95, July 1981, 0 396 07934 2
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A History of Northern Ireland 
by Patrick Buckland.
Gill and Macmillan, 195 pp., £3.95, April 1981, 0 7171 1069 9
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... what d’ya mean? We’re not Irish – we’re British.’ They laughed at each other, but rather self-consciously. It was obvious they were discomfited, unsettled, and they flung themselves with increased vigour into another round of furious and distracting activity. This fascinating story follows a subtle and intelligent discussion of Loyalist ...

Hand and Mind

Michael Baxandall, 17 March 1983

Dürer: His Art and Life 
by Fedja Anzelewsky, translated by Heide Grieve.
Gordon Fraser, 273 pp., £50, November 1982, 0 86092 068 2
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Dürer: Paintings, Prints, Drawings 
by Peter Strieder, translated by Nancy Gordon and Walter Strauss.
Muller, 400 pp., £35, September 1982, 0 584 95038 1
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... open but real German, moving between Nuremberg and Europe. A third is the Dürer of the exhaustive self-documentation, letters, diaries, books and odd notes, as well as stunning self-portraits at most ages. But there is also something mythic about the man, in that he seems to play a Shakespeareanly fraught role, a role ...
Wars and Revolutions: Britain 1760-1815 
by Ian Christie.
Arnold, 359 pp., £17.50, June 1982, 0 7131 6157 4
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Augustan England: Professions, State and Society 1680-1730 
by Geoffrey Holmes.
Allen and Unwin, 323 pp., £18.50, November 1982, 0 04 942178 6
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... of England’ series. Certainly it looks well with the other volumes already on the shelf: less self-referential than the work of Elton and Gash, broader in scope than Speck, more cogent than J.R. Jones, the book consummates a lifetime’s labour in the field of late Georgian British history. Christie’s approach is of a piece with the series as a ...

Dialectical Satire

Paul Edwards, 18 September 1986

The Madhouse 
by Alexander Zinoviev, translated by Michael Kirkwood.
Gollancz, 411 pp., £12.95, July 1986, 9780575037304
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Judith 
by Nicholas Mosley.
Secker, 298 pp., £11.95, August 1986, 0 436 28853 2
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Missing Persons 
by David Cook.
Alison Press/Secker, 184 pp., £9.95, July 1986, 0 436 10675 2
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Only by Mistake 
by P.J. Kavanagh.
Calder, 158 pp., £9.95, July 1986, 0 7145 4084 6
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... consciousness or deliberation. Man can only re-attain this grace by completing his knowledge of self and world, thus returning to Eden by the back door. Judith, Nicholas Mosley’s latest novel, takes Kleist’s essay, with its switchback logic that equates god with puppet, as one of its main sources of meaning. Part of the book is set in an ashram in India ...

Solomon Tuesday

Rosemary Ashton, 8 January 1987

R.H. Hutton: Critic and Theologian 
by Malcolm Woodfield.
Oxford, 227 pp., £25, September 1986, 0 19 818564 2
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... works of Tennyson, Arnold and George Eliot as they came out. And his concern was unashamedly, even self-consciously to see everything in the context of the age. Thus, though claims cannot be made for the universality of his interests, it is by no means ridiculous to urge that those who wish to become thoroughly inward with the best that was thought and said in ...

The Revolt of the Salaried Bourgeoisie

Slavoj Žižek: The New Proletariat, 26 January 2012

... to the labour expended in its production. The result is not, as Marx seems to have expected, the self-dissolution of capitalism, but the gradual transformation of the profit generated by the exploitation of labour into rent appropriated through the privatisation of knowledge. The same is true of natural resources, the exploitation of which is one of the ...

Under the Ustasha

Mark Mazower: Sarajevo, 1941-45, 6 October 2011

Sarajevo, 1941-45: Muslims, Christians and Jews in Hitler’s Europe 
by Emily Greble.
Cornell, 276 pp., £21.50, February 2011, 978 0 8014 4921 5
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... a lot of people at the time. Unless you were willing to plough through huge volumes on workers’ self-management, the rise and fall of the non-aligned movement or tendentious biographies of Tito, there wasn’t much to read about Yugoslavia. Class, not ethnicity, was what most academics had been interested in during the Cold War, but now nationalism was the ...

What do Germans think about when they think about Europe?

Jan-Werner Müller: Germany’s Europe, 9 February 2012

... What defeated it was not the fact that left-wing commentators were against it, as its leaders self-pityingly claimed, but its own complete inability to articulate policies different from those the political establishment was pushing anyway, though without the noisy nationalism. New Right intellectuals were mostly historians but they failed to understand ...

At the Royal Academy

Julian Bell: Manet, 21 February 2013

... salutes to society belles – Isabelle Lemonnier and the like – and, bizarrely, in a rare self-portrait, brought in from Tokyo, his often debonair capriciousness gets reduced to a shrugging jemenfoutisme. These precious, vapid fumblings may well have conformed to his personal creed of ‘sincerity’, but they dissipate the exhibition’s energy ...

Goldfinching

Christian Lorentzen: ‘American Dirt’, 20 February 2020

... top five American titles (behind Mamba Mentality by Kobe Bryant and ahead of Burn after Writing, a self-help book composed of mostly blank pages with writing prompts meant to prevent oversharing on social media).The publishers bidding for American Dirt were responding to an ambient yearning for books and movies that combine popularity, commercial ...

Clever, or even Clever-Clever

Adam Kuper: Edmund Leach, 23 May 2002

Edmund Leach: An Anthropological Life 
by Stanley Tambiah.
Cambridge, 517 pp., £60, February 2002, 0 521 52102 5
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The Essential Edmund Leach: Vol. I: Anthropology and Society 
by Stephen Hugh-Jones and James Laidlaw.
Yale, 406 pp., £30, February 2001, 0 300 08124 3
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The Essential Edmund Leach: Vol. II: Culture and Human Nature 
by Stephen Hugh-Jones and James Laidlaw.
Yale, 420 pp., £30, February 2001, 0 300 08508 7
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... have to choose between describing clockwork dummies and describing himself. In any case, Leach’s self-representations were shot through with the most disconcerting contradictions. As an anthropologist, he was famously divided against himself. ‘I feel that sometimes I am both sides of the fence,’ he once confessed. During his most creative years, which ...

Don’t laugh

Amit Chaudhuri: Hari Kunzru, 8 August 2002

The Impressionist 
by Hari Kunzru.
Hamish Hamilton, 435 pp., £12.99, April 2002, 0 241 14169 9
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... didn’t have to look too far for his character’s name: Forrester works with trees. There is a self-conscious aside: ‘In the European club at Simla they never tire of the joke, Forrester the forester.’ The man ‘takes a gulp from a flask of brackish water and strains in the saddle as his horse slips and rights itself, sending stones bouncing down a ...

On the Make

Thomas Jones: Jonathan Lethem, 6 September 2001

Gun, with Occasional Music 
by Jonathan Lethem.
Faber, 262 pp., £5.99, August 2001, 0 571 20959 9
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... the government busy at work’. The mise-en-scène may be modest science fiction, but the mode is self-conscious post-Chandler noir. The narrator is Conrad Metcalf, a down-at-heel private eye – the ‘I’ in this case standing not for ‘investigator’ but ‘inquisitor’ – with low karma, less cash and an unhealthy make habit. His sex life has been ...