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“... means to mock. What is the connection between a speech of drunken dissatisfaction from Martha in Edward Albee’s play Who’s Afraid of Virginia Woolf? (first produced in 1962, filmed with Elizabeth Taylor playing Martha in 1966), referring to a line spoken by Bette Davis in King Vidor’s 1949 film Beyond the Forest, and one man’s sexual desire for ...”

“... piece to the earlier novel, in the sense that it too was a first-person narrative, following Edward Manners, an educated and attractive young man, in his cultural and sexual adventures. Hollinghurst extended his range abroad, with much of the book set in Belgium, and may even have taken Baker’s reference to overemphasis on sex as a challenge, in his ...”

“... were required, wrote Kermode: ‘opinion’, in the form of a felt need, on the part of Burne-Jones, Swinburne and Walter Pater, for a certain kind of early Renaissance art; ‘knowledge’ (that is to say, solid art-history), since Pater and co got a great deal wrong – for instance, the ‘cadaverous’ colour so admired by Pater in The Birth of Venus ...”

“... Marxist-psychoanalytic-artworld nonsense and agreed with their own mindlessly reasonable practice. Edward Lucie-Smith even seemed to claim personal credit for setting Fuller on the right course: In Fuller’s early, hard-line Marxist days … I once told him that I would respect his criticism more a. if he wrote in a better style, and b. if he showed some ...”

“... Iraq. Annan, denying any knowledge of the contracts, hired Clinton’s defence counsel in the Jones-Lewinsky affair to ward off charges of corruption. The Volcker Commission, set up by Annan to investigate profiteering from the Oil for Food programme, was obliged to look into the matter. Despite the incontestable fact that Annan had met with Cotecna ...”

“... flourishes. The poster for the exhibition is Holbein’s portrait of the Prince of Wales, later Edward VI; he’s not the weed that he’s normally pictured but a big solid bully of a baby, the image of his father. On the Underground R. says he’s never known a poster so persistently defaced, the child’s brutal look seeming to irritate people. One poster ...”

“... Finney), Inadmissible Evidence (with Nicol Williamson) and A Patriot for Me (which, along with Edward Bond’s later Saved, can be credited with having brought about the end of theatre censorship). Moving through two further marriages in quick succession (to Mary Ure, who played his first wife in Look Back in Anger, then to Penelope Gilliatt, the film ...”

“... been taken on board in Britain: they engage with a post-Poundian poetic tradition (Charles Olson, Edward Dorn, Robert Duncan, George Oppen) of a kind that gives modern American poetry its variety and experimentalism. Gunn and Davie are included in both anthologies, but to read their collected poems (the next step after reading Davie’s superb ‘Time ...”

“... a cobbler who was converted after hearing Whitefield and became one of John Wesley’s preachers; Edward Caswall (‘Bethlehem of noblest cities’, ‘See, amid the winter’s snow’), the Tractarian clergyman who followed Newman to Rome; and How, the Bishop of Wake-field (‘It is a thing most wonderful’, ‘For all the saints who from their labours ...”

“... Loving Bewick was made on a piece of transfer paper that her collaborator, the printmaker Stanley Jones, had kept in a drawer for three decades. ‘We haven’t had such a good transfer in years,’ he said later.) Wood GalleryThe current retrospective at Tate Britain (until 24 October) shows – in its scale, its curatorial arc and its popularity – what ...”

“... from the eastern states, Hawaii and Chile. One of the people who travelled to California was Edward Hargraves, an Englishman who had spent time in Australia. Noting the similarities between the topography of California and that of New South Wales, he was convinced that Australia must have gold reserves too. In 1851 he unearthed gold outside ...”

“... One can see why the theme keeps popping up in Hollywood, notably in Spielberg’s Indiana Jones and the Temple of Doom, where the Indian actor Amrish Puri plays Mola Ram, the high priest of Thuggee, ranting in Hindi as he tears a victim’s heart out with his bare hands. The book from which The Deceivers was derived was, Merchant noted, ‘loosely ...”

“... less could be said of Orrell’s account of the structure of the original Globe and the Inigo Jones designs for indoor theatres. The book’s scholarship, its commitment, its good intentions lie manifestly beyond dispute. However, there are difficulties.The first and most obvious one lurks in the linked notions of ‘reconstruction’ and ...”

“... At her best, she combines religious mysticism with visual clarity as dramatically as David Jones – though one feels she would be at her best more often in a lower key. Carolyn Forché, like Stainer, tackles some very ambitious subjects. In fact, throughout The Angel of History we find nothing but ambitious subjects – Hiroshima, the ...”

“... intended for the discussion of biblical prophecy, with evangelicals including the charismatic Edward Irving. Dodsworth combined their sense of living in an oppressive world about to be dramatically interrupted with Irving’s idea that the sacraments were not so much acts of memorial as events that allowed one to participate in the sole reality that would ...”