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Dark Markets

Donald MacKenzie, 4 June 2015

... among institutional investors. Users of the service, called the Crossing Network, could submit anonymous bids to buy or offers to sell shares after the NYSE and other public trading venues had closed. The user simply entered the number of shares he or she wished to buy or sell; the price of the shares was always that day’s price at the end of public ...

Diary

Francis Wyndham: At the Theatre, 10 November 1988

... the audience is directly addressed from the stage, this audience is conceived as a composite, anonymous creature – and when actors, visited later in their dressing-rooms, politely say, ‘You were a wonderful audience,’ it isn’t the individual spectator who is being praised. By convention, each member of an audience is assumed to be either invisible ...

Short Cuts

Christian Lorentzen: Fact-checking, 5 April 2012

... cheerful scapegoat, keeping roguish writers in line and protecting editors from vigilante readers, anonymous and grateful for a week full of happy moments of correcting misspelled place names. Luce’s rival at the New Yorker, Harold Ross, set up his own department in 1927. He made a habit of mocking other magazines’ errors and couldn’t leave himself open ...

At the National Gallery

Peter Campbell: Fakes, 22 July 2010

... powerful Rembrandt-like qualities and find touches and ways of working that might identify the anonymous worker who made ...

In the Library

Inigo Thomas, 25 April 2013

... how much more multi can tasking get? Then there’s a phenomenon called ‘noting’, a form of anonymous flirting in the more popular reading rooms, Humanities I and II, or Hum One and Hum Two, as they’re called. You’re seen, then there’s a note on your desk, you have no idea who did the noting. Nor do the guards at each reading-room entrance who ...

At the Wellcome

Will Self: Bedlam, The Asylum and Beyond, 17 November 2016

... synonymous with mental illness itself; one thinks of Tom o’Bedlam, who urges his listeners in an anonymous 18th-century ballad: ‘Come dame or maid, be not afraid/Poor Tom will injure nothing.’ Matthews, as well as working on the air loom, made beautiful plans for a new Bedlam, since by the early 1800s the baroque palace of an asylum, designed by Robert ...

At Somerset House

Peter Campbell: Zaha Hadid, 16 December 2004

... and digital animations of built and unbuilt work. The paintings are highly finished, with a neat, anonymous surface. In texture and size they look, at first glance, like very close-grained, asymmetric versions of one of Bridget Riley’s prismatically divided, coloured abstracts. But these images do not read as flat surfaces; they are accounts of a ...

In Lille

Peter Campbell: Rubens, 1 April 2004

... the women. Rembrandt shows a crowd – the individuals we can name are hardly more prominent than anonymous bystanders. Of the three, Rubens seems least sincere, the most theatrical in the sense that what he is offering could be a tableau set up with models. When you look at the way he put his paintings together you begin to understand why his statement might ...

Reading the Signs

Peter Campbell: London Lettering, 12 December 2002

... between solid structures and scene-painting. The city has become a print-substrate, an almost anonymous structure which you read by way of notices, badges, signs, logos and banners. The battle between one message and another has escalated. There is a descending order of seriousness from the permanent to the ephemeral, and an order of conspicuousness ...

A Regular Bull

Christopher Hitchens, 31 July 1997

Whittaker Chambers: A Biography 
by Sam Tanenhaus.
Random House, 640 pp., $35, February 1997, 0 394 58559 3
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... discovery, or perhaps better say ‘self-admission’, that he was a homosexual. Opportunities for anonymous meetings, rapid switches of identity and habituation to the world of the covert signal and the shared code were to increase as the crisis of the Thirties became deeper. From his shabby rural retreat in Maryland, he made various theatrical forays into ...

Martin and Martina

Ian Hamilton, 20 September 1984

Money: A Suicide Note 
by Martin Amis.
Cape, 352 pp., £8.95, September 1984, 0 224 02276 8
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... enigmatic answer, but he lets it pass. As soon as John Self arrives in New York, he starts getting anonymous telephone calls; well, not quite anonymous: ‘Just call me Frank.’ Frank also says, ‘I’m the guy whose life you fucked up,’ and he regularly taunts Self for his drunkenness and gluttony. He berates ...

Parkinson Lobby

Alan Rusbridger, 17 November 1983

... Tory MPs confirmed ...’ ‘Cabinet colleagues made it clear ... ’. By the first Sunday these anonymous, but undoubtedly senior figures were, as the saying goes, singing like canaries. The Sunday Times’s lead story (‘Top Tories tell PM to sack Parkinson’) quoted six unnamed Tory MPs, ranging from ‘A Tory Privy Councillor’ to ‘An MP from the ...

Who is Laura?

Susannah Clapp, 3 December 1981

Olivia 
by Olivia.
Hogarth, 109 pp., £4.50, April 1981, 0 7012 0177 0
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... Lehmann had praised it; Leonard Woolf wanted to publish it. The story was Olivia; the author, anonymous on publication in 1949, was Dorothy Strachey Bussy, Lytton Strachey’s sister. Olivia is a piece of spirited homage, by a woman both spirited and prone to homage. Dorothy Strachey had some of her brother’s susceptibility to surroundings and ...
The ‘Private Eye’ Story: The First 21 Years 
by Patrick Marnham.
Private Eye/Deutsch, 232 pp., £7.95, October 1982, 0 233 97509 8
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One for the Road: Further Letters of Denis Thatcher 
by Richard Ingrams and John Wells.
Private Eye/Deutsch, 80 pp., £2.50, October 1982, 9780233975115
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Sir James Goldsmith: The Man and the Myth 
by Geoffrey Wansell.
Fontana, 222 pp., £1.95, April 1982, 0 00 636503 5
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... and chop off their hands; homosexual vicars and provincial scoutmasters dread the day when some anonymous tip-off – a letter signed with a false name and address is always good enough – will cause Private Eye’s pitiless stare to be fixed on them. ‘If they’re dead they must be Vietcong’ has its local variant in ‘If they’re in the Eye they ...

Story-Bearers

Marina Warner: Abdelfattah Kilito, 17 April 2014

Je parle toutes les langues, mais en arabe 
by Abdelfattah Kilito.
Actes Sud, 144 pp., €19, March 2013, 978 2 330 01634 0
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... on Ibn Battuta, the most famous and restless of wandering writers, he is more interested in his anonymous entourage. Literature is a caravan, accumulating and shedding stuff as it moves across the map and time; some of this stuff is knowledge but Kilito likes to give pride of place to stories: the travellers and their entourage pick them up and load them on ...

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