At the Louisiana
Michael Hofmann: On Chaïm Soutine, 24 October 2024
“... Babel-like views of Céret and Cagnes, feral trees and spectral dwellings, portraits of anonymous locals, a weird series of chefs and bakers and hotel pages and choristers – a pretext, it has been said, for making paintings that were white with absences, or red with exceptions.Everything from his hand is striking, but especially his ever-raw ... ”