“... and some financial support to vendors. The Foundation, it says, ‘reflects the principle of self-help which governs the magazine’: think AA. John Bird says: ‘The Big Issue Foundation aims to help these people regain the dignity of independence. Self-esteem. Independence. It’s all good stuff.’ Very much the ...”

“... of publication at the beginning of September. Her pain levels are out of control; rage, jealousy, self-pity, self-flattery and malice are the indices, on every page. This isn’t a book so much as a casualty struggling to rise to its feet but disabled by the fury of its author. François Hollande is the target: he was ...”

“... and designed in one. ‘My Marilyn’ (1965). Hamilton explored the new relay between self and image directly in his own version of the ultimate Pop icon, Marilyn Monroe, made after his first visit to the United States in 1963, where he travelled with his friend Marcel Duchamp, and met Andy Warhol, Roy Lichtenstein, Ed Ruscha and other young bucks ...”

“... Balefulness was his forte, and a score of shades of desperation and fury are evoked by the self-portrait canvases on view in Tate Modern, from the surly teenager of 1882 to the withered streak of personal persistence stood ‘between the clock and the bed’ a year or two before his death. The curators rather skew their fascinating revisionist exercise ...”

“... figures. ‘Plamen was a light showing us a way forward,’ Dimitar Dimitrov, who survived his own self-immolation attempt on 13 March, told me when I visited him at his wife’s cabin in the rural region of Silistra, where he is convalescing. ‘The thing that surprised me most was that the pain hit me instantly,’ Dimitrov said, remembering the day when he ...”

“... the power of Munch’s Scream embedded in a singing birthday card. All this is in the name of ‘self-evident common sense’ (always a worrying claim) for which she is the self-ordained champion. Scientism has attempted to mystify the common sense that belongs to ‘ordinary people’. The intelligentsia, who are ...”

“... to what you might call the terse tendency in painting – the ethos pivoted on impact, economy and self-possessed cool that you can trace back to Manet and ultimately Velázquez. A tendency rather than a tradition, I’d guess: maybe Katz picked up parts of his own version from Americans such as Milton Avery, but it seems he largely invented his attitude from ...”

“... she leaps forward to the ‘photo-work’ that started in the 1970s – a return to historically self-conscious picture-making epitomised by artists such as Jeff Wall. The point of the experiment remains to bring out whatever those medium-specific values might be. The inclusion of a few canvases sets up interesting tensions. George Frederic Watts may have ...”

“... was extremely reluctant to call for military help. A socialist, he opposed the existence of the Self-Defence Forces as being illegal under the constitution the American occupiers had drafted in 1947. Rescue offers from abroad became similarly ensnared in red tape. The UK was told that its sniffer dogs, trained to find people trapped under rubble, would ...”

“... on Poetry in the 17th Century’. At the kitchen table of our flat in City Road she discovered the self-conscious relation between theory and practice in poem after poem of that period: with cheerful greed she devoured the entire work of people like Cowley, Davenant and Waller, literally having them for breakfast between slices of toast. This was not ...”

“... reinterprets two famous cases of political misdemeanour as prototypes of media disrespect, or ‘self-delusion’ as he calls it, in Britain and the United States: respectively, the Profumo affair and Watergate. Funny that. After all, the editor of Private Eye wasn’t the one sleeping with the girlfriend of a Russian diplomat and lying to the House of ...”

“... of small differences, and sometimes of the surprising width of expressive power achievable within self-imposed limits. It also makes repetition, even mass production, easy – to the point where, in Damien Hirst’s dot paintings, the trademark becomes the work. So Clough, who seems constantly to have reinvented herself, who could make a picture covered in ...”

“... of the private, the transient, and the prostrate. If it is not actually purposeless, it should be self-fulfilling. We might even say that a non-work seems less a thing than a person, because, unlike the fixed and impervious sculpture, it has a material presence that seems improbably alive. Hesse spoke of the non-work as ‘everything and yet nothing’. Ashes ...”

“... the historical intersections between British imperial history and the vicissitudes of Palestinian self-determination. No one in government wants to remember the Armistice of Mudros – which was signed by the British government and the Ottoman Empire two weeks before the general armistice in 1918 and paved the way for the establishment of the British Mandate ...”

“... to turn the figure round: it’s difficult to name anyone who has had more influence on British self-understanding than Tom Nairn. It’s more than forty years since The Break-Up of Britain was published. Its presentation of the United Kingdom as an archaic, dysfunctional structure, pre-modern in its foundation and unfit to survive in a post-imperial ...”