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A New Twist in the Long Tradition of the Grotesque

Marina Warner: The monstrousness of Britart, 13 April 2000

High Art Lite: British Art in the 1990s 
by Julian Stallabrass.
Verso, 342 pp., £22, December 1999, 1 85984 721 8
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This is Modern Art 
by Matthew Collings.
Weidenfeld, 270 pp., £20, June 1999, 0 297 84292 7
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... remains blank, with the super-title, ‘Permission to reproduce denied’. This happens in Richard Billingham’s case as well, although his pictures of his family escape Stallabrass’s everlasting fire. Concurrently with last year’s Turner Prize show at the Tate, Ana Maria Pacheco, a Brazilian artist long resident in this country, showed the works ...

Allergic to Depths

Terry Eagleton: Gothic, 18 March 1999

Gothic: Four Hundred Years of Excess, Horror, Evil and Ruin 
by Richard Davenport-Hines.
Fourth Estate, 438 pp., £20, December 1998, 1 85702 498 2
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... can be put down to Post-Modern faddishness, though vampires have a more venerable pedigree, as Richard Davenport-Hines notes in his agreeable romp through Gothic art from Salvator Rosa to Damien Hirst. Bram Stoker’s Dracula, now translated into over forty languages, has exerted an enduring fascination since its publication in 1897, with Dracula himself ...

Diary

Elisa Segrave: Is this what it’s like to be famous?, 11 May 1995

... wonderful. Thanks very much.’ ‘I’m doing a benefit for poets,’ he said, ‘at the Albert Hall. Do you think you could contribute?’ ‘I might, send me the details.’ He produces a squashed tin of animal food from behind his back. ‘Have you got a cat?’ he asks. Does he want my opinion on this particular brand of animal health food, or ...

His Bonnet Akimbo

Patrick Wright: Hamish Henderson, 3 November 2011

Hamish Henderson: A Biography. Vol. I: The Making of the Poet (1919-53) 
by Timothy Neat.
Polygon, 416 pp., £14.99, May 2009, 978 1 84697 132 7
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Hamish Henderson: A Biography. Vol. II: Poetry Becomes People (1954-2002) 
by Timothy Neat.
Polygon, 395 pp., £25, November 2009, 978 1 84697 063 4
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... defying body and convention to ‘soar like an eagle’ in the way of the blessed inebriate in Richard Thompson’s song ‘God Loves a Drunk’ (‘His shouts and his curses they are just hymns and praises/To kick-start his mind now and then’)? Timothy Neat writes not in order to leave his late friend in a heap on the floor, least of all the floor of ...

Baffled at a Bookcase

Alan Bennett: My Libraries, 28 July 2011

... which I suppose was handy for the courts, still functioning across the road in the town hall with the whole complex – town hall, library, courts – an expression of the confidence of the city and its belief in the value of reading and education, and where you might end up if they were neglected. It’s a High ...

Diary

Andrew Saint: The Jubilee Line Extension, 20 January 2000

... architects to think there was anything for them in new Tube stations besides the ‘fit-out’. As Richard MacCormac, whose firm has designed the new Southwark Station, put it: ‘the engineers design the system, then the architects dress it up. Was it just a matter of deciding which tiles to put on the platform walls?’ When Paoletti started looking for ...

Who Will Lose?

David Edgar, 25 September 2008

Inside the Presidential Debates: Their Improbable Past and Promising Future 
by Newton Minow and Craig LaMay.
Chicago, 219 pp., £11.50, April 2008, 978 0 226 53041 3
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... This last fact is revealing. In the first televised presidential debates in 1960, John Kennedy and Richard Nixon argued for four hours. Since televised debating returned in 1976, 13 presidential and ten vice-presidential candidates have spent a further 39 and three-quarter hours standing at podiums, sitting at tables or prowling among studio audiences. Despite ...

Go, Modernity

Hal Foster: Norman Foster, 22 June 2006

Catalogue: Foster and Partners 
edited by David Jenkins.
Prestel, 316 pp., £22.99, July 2005, 3 7913 3298 8
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Norman Foster: Works 2 
edited by David Jenkins.
Prestel, 548 pp., £60, January 2006, 3 7913 3017 9
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... yet somehow distinctive, relatively easy to identify (Norman Foster, along with his former partner Richard Rogers, is English for Architecture). No wonder corporate and political leaders hire this stylish practice: there is a mirroring of self-images here, at once technocratic and innovative, that suits client and firm alike. ‘Foster’ offers an ...

Bus Lane Strategy

Tristram Hunt: London Governments, 31 October 2002

Governing London 
by Ben Pimlott and Nirmala Rao.
Oxford, 208 pp., £15.99, May 2002, 0 19 924492 8
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... battle in which the main winners were advertising executives, Margaret Thatcher closed down County Hall. The GLC’s functions were privatised, and London was represented in government by a succession of ministers with no particular interest in the city. During the mid-1990s, New Labour announced its intention to devolve power from Whitehall and, once ...

Diary

Nicholas Pearson: On the Chess Circuit, 20 February 2025

... hour. Even at this level chess is strictly regulated and parents aren’t allowed in the playing hall. Occasionally I am able to glimpse him through a window, hunched over his board, lost in concentration. I try to read his body language, but he gives little away. In Players and Pawns, Gary Alan Fine suggests that ‘part of the beauty of chess is its ...

The Biggest Rockets

Alex Ross: Gustav Mahler, 24 August 2000

Gustav Mahler. Vol. III. Vienna: Triumph and Disillusion (1904 to 1907) 
by Henry-Louis de La Grange.
Oxford, 1024 pp., £35, February 1999, 9780193151604
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The Mahler Companion 
edited by Donald Mitchell and Andrew Nicholson.
Oxford, 652 pp., £50, May 1999, 0 19 816376 2
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... symphonies now occupy the dead centre of the repertory. This past season, in New York, Carnegie Hall put on the Ninth on a Sunday, the Third the following Thursday, and, about a week later, on successive evenings, Das Lied von der Erde and the First. One loud night in February, the Second and Fourth were done simultaneously, at Carnegie and at the ...

The Cookson Story

Stefan Collini: The British Working Class, 13 December 2001

The Intellectual Life of the British Working Classes 
by Jonathan Rose.
Yale, 534 pp., £29.95, June 2001, 0 300 08886 8
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... copies of the New Statesman and a collective season ticket to the Promenade Concerts at Queen’s Hall. They read Proust and Spengler, Macaulay and Gibbon, Tom Paine and Cobbett, Hume and Herbert Spencer. They never missed a Harold Laski public lecture. They went in a solid phalanx to hear Shaw, Belloc and Chesterton debate at Kingsway ...

Why all the hoopla?

Hal Foster: Frank Gehry, 23 August 2001

Frank Gehry: The Art of Architecture 
edited by Jean-Louis Cohen et al.
Abrams, 500 pp., £55, May 2001, 0 8109 6929 7
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... at Harvard, in Paris, and with various firms, he opened his own office in 1962. Influenced by Richard Neutra, the Austrian emigré who also practised locally, Gehry gradually turned a Modernist idiom into a funky LA vernacular. He did so primarily in domestic architecture through an innovative use of cheap materials associated with commercial building ...

Cheering us up

Ian Jack, 15 September 1988

In for a Penny: The Unauthorised Biography of Jeffrey Archer 
by Jonathan Mantle.
Hamish Hamilton, 264 pp., £11.95, July 1988, 0 241 12478 6
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... had become an invaluable member of the athletics team and attracted the patronage of Sir Noel Hall, the Master of Brasenose, which college allowed Archer token university membership. Mantle writes: ‘He spoke to the principal [Hall] as he had done to Cobb, in a way that was both respectful and confiding, almost as if ...

Diary

Alan Bennett: Where I was in 1993, 16 December 1993

... in the middle of a field.20 January. Collected by the New Yorker and taken to be photographed by Richard Avedon, now a grey-haired faun of 72 who says he’s bored with taking snapshots in the studio (this morning Isaiah Berlin and Stephen Spender) and wants to photograph me outside. ‘Outside’ means that eventually I find myself perched up a tree in Hyde ...

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