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“... for walks, he chatted with the maid who, like himself, was from the country. Maugham has skipped Charles’s undistinguished boyhood at boarding school; his dutiful epistolary regime; his rapport with the maid (the only woman that a boy who missed his mother got to be near). He systematically blurs our view of ...”

“... wonders which was which,’ Grigson writes. An orangutan was called a ‘wild man of the wood’; a ‘woman-tyger’ or ‘man-tyger’ was a mandrill; and a ‘child of the sun’ was a baboon. One baboon caused a stir in 1784, overshadowing even Mrs Siddons’s stage performances. The ‘Siddonian rage’ was displaced by ‘savage ...”

“... an angle and a distance, even a muffled quirkiness, which makes them quite different from those of Charles Bronson or Bruce Willis in similar stories. Audiences, I suspect, picked up on this without thinking much about it, so that it became part of the public perception of the Eastwood character, a sort of submerged joke not about violence as a social reality ...”

“... ball is extraordinary. Even in poor smuggled English, the accuracy of the original can be felt. In Charles Johnston’s version: Here with his wife, that bulging charmer, fat Pustiakov has driven in; Gvozdin, exemplary farmer, whose serfs are miserably thin; and the Skotinins, grizzled sages, with broods of children of all ages, from thirty down to two; and ...”

“... for awfulness. The idea that Mrs Thatcher might think Britain should become self-sufficient in wood is the novel’s only implausible flight of fancy, and it is imaginatively a good one. The image of the British countryside replaced by conifer plantations conveys the banality of Thatcherism and its meanness of spirit, and it lends the novel a touch of ...”

“... country gentry, incensed by the long prorogation of Parliament in 1675, and by then convinced that Charles II would never accept Parliament as a partner in government, had for some years busied themselves with restating and updating the Old Cause, most daringly in the anonymous pamphlet entitled The Growth of Popery and Arbitrary Government in England ...”

“... material. In I iv the speaker has a vision of cruel and violent Nature: ‘And the whole little wood where I sit is a world of plunder and prey.’ The Trinity MS has ‘full of plunder and prey’, empty in comparison; the published reading strengthens both alliteration and idea (the ‘little’ wood is a microcosm of ...”

“... Even a smile​ could put Charles Lamb in mind of death. ‘The fine ladies, or fine gentlemen, who show me their teeth,’ he wrote, ‘show me bones.’ He cared not ‘to be carried with the tide that smoothly bears human life to eternity’.I am in love with this green earth, – the face of town and country, – the unspeakable rural solitudes, and the sweet security of streets … Sun, and sky, and breeze, and solitary walks, and Summer holidays, and the greenness of fields, and the delicious juices of meats and fishes, and society, and the cheerful glass, and candle-light, and fireside conversations, and innocent vanities, and jests, and irony itself – do these things go out with life?Faced with the ‘inevitable spoiler’, Lamb lived as many lives as he could ...”

“... suffrage, if not in votes for women as well. These dissenters from orthodoxy were not followers of Charles Bradlaugh or even Chartists, but simply the Victorian working class. All the evidence suggests that the average secular and democratic British citizen of the late 20th century, visiting the 19th century in a time machine, would find a congenial atmosphere ...”

“... diversion on some alien visitor dropping in to have their theological doctrines explained to him. Charles Rowcroft’s ideal world in The Triumph of Woman (1848) is a drearily high-minded regime full of wholesome puddings, docile, state-funded artists and one pew per person in church. The space-travelling protagonist, who lands in Bavaria by ...”

“... in the late 1980s, uncomfortable with the fame that accompanied the huge success of Norwegian Wood (1987), and gone to the United States. The protagonist of each of the six stories collected in After the Quake is someone who wasn’t there, but whose life has been profoundly affected by the event, and by their absence from it. In ‘UFO in Kushiro’, the ...”

“... Piano does so, on the one hand, through a refined use of materials (sometimes as traditional as wood and stone), which helps to ground his buildings in particular sites, and, on the other, through a suave display of engineering (often in light metals and ceramics), which associates his designs with the contemporary world of advanced technology. This skill ...”

“... broad-bottomed merchant vessel reconfigured by the navy as an armed freighter. It was named after Charles Wager, the first lord of the Admiralty and mastermind of the secret mission. In May 1741, having already lost dozens of its crew to disease, the Wager ran aground in the fearsome seas off the coast of Chile. Of the ship’s original complement of around ...”

“... Darker jokes, which do have to do with the appetite for violence, flicker around memories of Charles Manson. Mickey worries that his TV ratings are lower than those for a Manson programme, but consoles himself: ‘Yeah, it’s pretty hard to beat the king.’ A group of interviewees for the TV show, identified in the screenplay simply as ‘three ...”

“... himself as a writer in Paris. He had a talent for attracting loyal friends. His first employer, Charles Ephrussi, secured him at the Prussian Court at a salary equal to that of a French MP. Later, when he was destitute, Gustave Kahn published his new work in La Vogue, the magazine that made his name. Laforgue also attracted women. These ties were ephemeral ...”