Big toes are gross

Hal Foster: Surrealism's Influence, 6 June 2024

Why Surrealism Matters 
by Mark Polizzotti.
Yale, 232 pp., £16.99, March, 978 0 300 25709 0
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“... the ‘future resolution’ of dreaming and waking. While this lofty goal was new enough, the means applied to it, such as playful operations of chance and sudden collisions of disparate words or images, were prepared by Dada. And Breton did start out, along with fellow poets Louis Aragon and Paul Éluard, in the Dadaist camp, won over by its charismatic ...”

She is the situation

Maureen N. McLane: ‘Big Kiss, Bye-Bye’, 4 December 2025

Big Kiss, Bye-Bye 
by Claire-Louise Bennett.
Fitzcarraldo, 158 pp., £12.99, October, 978 1 80427 193 3
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“... volleys into an electric set piece: You don’t know what love is! – You have no idea what it means to love someone! – You have no heart! – You are a narcissist! – You are entirely unsuitable! – If you really loved me you’d stay away from me! – Love asks nothing! – You don’t know the first thing about me! – I want nothing more to do with ...”

Kaboom!

Lorraine Daston: Slow-Motion Extinction, 23 October 2025

Vanished: An Unnatural History of Extinction 
by Sadiah Qureshi.
Allen Lane, 470 pp., £30, June 2025, 978 0 241 35210 6
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“... marking the present and almost everyone else various stages of the species’s past.By no means everyone went along with what Qureshi describes as the strategic conflation of extermination and extinction, and both colonial violence towards native peoples and protests against it long preceded Darwin. The United States Indian Removal Act of 1830 sparked ...”

Stink of Gin

Colin Burrow: Character Types, 19 February 2026

The Character Sketch as Philosophy: Manners, Mores, Types 
by Katie Ebner-Landy.
Harvard, 390 pp., £41.95, October 2025, 978 0 674 29412 7
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“... person, sometimes supplemented by their reputation, into a notion of their character – which means something like ‘the pattern that underlies their actions’ – and we then form attitudes to that construction of their character. In doing so, we are in part judging the creations of our own imagination, since a person’s character will always be ...”

Diary

Rosa Lyster: Louisiana Underwater, 7 October 2021

“... Architectural​ plans are often issued with the instruction: ‘build to match existing.’ It means what it says: make something new look like what is – or was – already there. Build to match the existing kitchen cabinets. Build to match the existing decking. Build to match what remains of the house after the roof and the dining room wall were ripped off during Hurricane Laura, one of the strongest to have made landfall in Louisiana ...”

Salt Spray

Ferdinand Mount: When Britannia Ruled the Waves, 5 December 2024

The Price of Victory: A Naval History of Britain 1815-1945 
by N.A.M. Rodger.
Allen Lane, 934 pp., £40, October 2024, 978 0 7139 9412 4
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“... Palmerston in the notorious case of Don Pacifico, which Rodger only mentions in passing. David Pacifico was a merchant of Portuguese-Jewish descent, who enjoyed British citizenship by virtue of being born in Gibraltar. He had various dodgy claims against the Greek government, which Pam decided to uphold by instructing Parker (again) to blockade ...”

Good New Idea

John Lanchester: Universal Basic Income, 18 July 2019

“... freedom: freedom from anxiety, from the often humiliating and chaotic process of applying for means-tested benefits in a welfare state, from the need to take demeaning or exhausting or damagingly precarious work. This idea has been the focus of attention for a great range of thinkers, including Nick Srnicek and Alex Williams in Inventing the Future, ...”

All That Gab

James Wolcott: The Upsides of Sontag’s Downsides, 24 October 2019

Sontag: Her Life 
by Benjamin Moser.
Allen Lane, 832 pp., £30, September 2019, 978 0 241 00348 0
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“... Molineux) long since lost in the mists. The issue also contains a consideration of the sociologist David Riesman, since no intellectual journal back then was complete without a Riesman snorkel dive; a piece by Paul de Man (remember him?) which begins on the stirring note, ‘Ever since the war, American criticism has remained relatively stagnant’; and an ...”

Who Owns Kafka?

Judith Butler, 3 March 2011

“... in which the value of literary and academic work is currently being established by quantitative means, but I am not sure anyone has yet proposed that we simply weigh our work on the scales. But to begin with, let us consider who the parties are to the trial and the various claims they make. First, there is the National Library of Israel, which claims that ...”

Adjusting the Mechanism

Colin Burrow: Robert Graves, 11 October 2018

Robert Graves: From a Great War Poet to ‘Goodbye to All That’, 1895-1929 
by Jean Moorcroft Wilson.
Bloomsbury, 461 pp., £25, August 2018, 978 1 4729 2914 3
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The Reader over Your Shoulder: A Handbook for Writers of English Prose 
by Robert Graves and Alan Hodge.
Seven Stories, 613 pp., £30, September 2017, 978 1 60980 733 7
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“... shoulder. In a slightly patronising letter to Wilfred Owen he wrote: ‘Make new metres by all means, but one must observe the rules where they are laid down by custom of centuries.’ As Philip Larkin noted in a mildly feline review of Steps (1958), Graves sought poems which are ‘moon magical enough to walk off the page’ but was unable to ‘leave a ...”

I want to love it

Susan Pedersen: What on earth was he doing?, 18 April 2019

Eric Hobsbawm: A Life in History 
by Richard J. Evans.
Little, Brown, 800 pp., £35, February 2019, 978 1 4087 0741 8
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“... between historical and autobiographical questions and then hares off to tackle the former. This means that Richard Evans had an untilled field before him. Based on unrestricted access to Hobsbawm’s personal archive, this is one of those doorstopper biographies that can get published in Britain even when the subject is a historian. It clocks in at 662 ...”

Dreams of the Decades

Liz Jobey: Bill Brandt, 8 July 2004

Bill Brandt: A Life 
by Paul Delany.
Cape, 336 pp., £35, March 2004, 0 224 05280 2
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Bill Brandt: A Centenary Retrospective 
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“... it was Stekel who introduced Brandt to the symbolism of dreams, and this provided him with a means of expression for his own psychic traumas. In this reading Delany is following Brandt’s earlier critics, David Mellor and Ian Jeffrey, who identified in Brandt’s photographs coded expressions of his disturbed ...”

Cleanser to Cleansed

Gabriel Piterberg: S. Yizhar, 26 February 2009

‘Midnight Convoy’ and Other Stories 
by S. Yizhar, translated by Misha Louvish et al.
Toby, 283 pp., £9.99, May 2007, 978 1 59264 183 3
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Khirbet Khizeh 
by S. Yizhar, translated by Nicholas de Lange and Yaacob Dweck.
Ibis, 131 pp., $16.95, April 2008, 978 965 90125 9 6
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Preliminaries 
by S. Yizhar, translated by Nicholas de Lange.
Toby, 305 pp., £14.95, May 2007, 978 1 59264 190 1
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“... and has given rise to great unease, even evasiveness, among liberal commentators in Israel. David Shulman’s afterword to this edition is an impressive exception. Khirbet Khizeh is an Arab village, which is captured – more or less without a fight – by a detachment of Israeli soldiers in the 1948 war. (The word khirbah in Arabic, like the Hebrew ...”

Best Known for His Guzzleosity

Helen Hackett: Shakespeare’s Authors, 11 March 2010

Contested Will: Who Wrote Shakespeare? 
by James Shapiro.
Faber, 367 pp., £20, April 2010, 978 0 571 23576 6
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“... have drawn on their authors’ lives; Jane Eyre, subtitled ‘An Autobiography’, is one example, David Copperfield another. The Brontës tried to conceal their identities behind the pseudonyms of Currer, Ellis and Acton Bell, and the consequences were, first, that their works were scrutinised for evidence of their gender and identity, and, second, that once ...”

It wasn’t the Oval

Blake Morrison: Michael Frayn, 7 October 2010

My Father’s Fortune: A Life 
by Michael Frayn.
Faber, 255 pp., £16.99, September 2010, 978 0 571 27058 3
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“... wistfully of seeing Len Hutton in his prime, captained a team called the Gaieties XI. Simon Gray, David Hare and Ronald Harwood are or were known to be keen on the game, too. And Tom Stoppard, another follower, has a striking set-piece in The Real Thing in which a playwright, explaining dramatic technique, says: ‘What we’re trying to do is to write ...”