Wild Hearts
Peter Wollen, 6 April 1995
“... on Bloomsbury was enormous and lasting. Omega’s first major commission came in 1913, from Lady Hamilton, whose niece worked for Diaghilev, and who, in Judith Collins’s words, wanted to turn her own home into ‘the approximation of a stage-set for a Diaghilev ballet’. The influence of the Ballets Russes went much deeper than décor, however. As Peter ... ”