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“... First, let me declare a disinterest. John Lanchester and I are both involved, in different ways, with the London Review of Books, but otherwise have nothing to do with one another. Now that’s out of the way, onto the novels. Lanchester’s first, The Debt to Pleasure (1996), begins: ‘This is not a conventional cookbook’ – a more interesting way of saying that it is an unconventional novel ...”

“... quotation: ‘Mr Phillips and the Need for Roots’. Tarquin Winot, the now infamous narrator of Lanchester’s previous novel, The Debt to Pleasure, would have enjoyed the portentous solemnity of the epigraph itself: ‘A man left alone in the universe would have no rights whatsoever, but he would have obligations.’ Victor Phillips, the eponymous hero of ...”

“... a kind of 24-hour coverage in case there was ‘anything that can be done’. He sent a letter to John Lanchester dated ‘Christmas Eve, 2000’. Lanchester eventually met Silvers in London. ‘He’d flown in on the red-eye,’ John told me, ‘was doing this dinner at the ...”

“... are said by Mikkel Borch-Jacobsen in his letter about Freud in this issue of the LRB, and by John Lanchester in his piece about Martin Amis. The note about Bartlett (who is identified as the ‘author’ of the book and owns the copyright) seems intended merely to spread a murky film over the question of whether or not this is really the work of ...”

“... writers believe too much in what they believe,’ she once told me – as well as what John Lanchester once identified as a ‘Russian horror of clarity’. It’s not that she doesn’t like clear prose, it’s just that she prefers it when writers don’t use that prose to know, in advance of knowing, what they think about everything, or to ...”

“... rejection of the referendum outcome at its bubble party conference last September did them in. John McDonnell was right to take the blame for the defeat. His insistence on a second referendum was a huge strategic blunder.Johnson’s first speech as prime minister, delivered to the cameras outside Downing Street, was lucid and effective. This was not the ...”

“... affect the outcomes of the pandemic are nothing to do with the policy choices made by leaders. As John Lanchester wrote in the LRB (16 December 2021), the UK population is older and more obese than that in many other countries, and we live in crowded cities and have an unequal society, all of which makes us, collectively, more susceptible to ...”

“... Prince Mohammed bin Salman to William Henry Gates III.Writing about Gates in the LRB in 1999, John Lanchester described him as ‘the apotheosis of the nerd type’. No one, least of all Gates himself, has ever maintained the delusion that his nerdiness somehow makes him cool. (Fifteen or more years ago, I was walking home from the shops near ...”

“... his tink tink, tink tinkbespeaking a familiarity with the science of iron-carbon alloysthe Chinese developed alongside the Dao,he’s believed to anticipate the licethat will infest his nest by stitching intoits brush-pile the egg sacs of lice-eating spiders.This ‘time-release packet’ is just one example of what Muldoon describes elsewhere in the collection as ‘future-proofing’ (‘Once we relied on a hoard//of seed that had been sacked/and saved ...”

“... all we can to protect. Get your third jab.3 DecemberListen to Rupert Beale discuss this piece with John Lanchester and Thomas Jones on the LRB ...”

“... The LRB became a paper in its own right in May 1980, when the first independent issue appeared. (John Lanchester will write about Karl and the LRB in the next issue.) For all its genius Karl’s Listener was still a conventional London weekly, though affiliated to the BBC, rather than a political entity of one sort or another. The LRB is more sedate (no ...”

“... was content to work within the parameters of her chosen form – but not entirely content. John Lanchester, writing in the LRB of 20 December 2018, pointed to Agatha Christie’s focus on technical experiment as the key to her global appeal, securing a readership of a magnitude that dwarfs the scale of James’s own impressive career. Christie had ...”

“... media friendly, discounts to TV crews who look like TV crews. The Paramount is clearly the joint John Lanchester’s characters allude to in The Debt to Pleasure. ‘Bed, sheets, fittings, lamps, lightbulbs – all black ... I stayed in a flash hotel in New York that was a bit like that.’ The cab-summoners, out on the street, in long torpedo coats and ...”