Tom Crewe

Tom Crewe’s first novel, The New Life, won the 2023 Orwell Prize for Political Fiction and the Sunday Times Young Writer of the Year Award, and is out now in paperback. He is a contributing editor at the LRB.

Short Cuts: The State of Statuary

Tom Crewe, 21 September 2017

Most days​ I eat my lunch sitting under the statue of Charles James Fox in Bloomsbury Square. There are broad steps on each side of the statue, their Portland stone now stained an aqueous green, and I like to sit beneath and between Fox’s feet, looking, with him, down Bedford Place and towards Russell Square. Like most fat men in statuary (and in life), Fox is seated for greater...

The New Deal

Tom Crewe, 17 August 2017

‘Post-truth’ is a faulty concept because it presupposes the existence of shared, accepted ‘truths’ which are actually, you know, true. But also because it implies the existence of a ‘pre-truth’ period, a lawless Wild West of unmeaning and misunderstanding that was at some point tamed by the self-discipline and integrity of politicians and the media. This second assumption is equally misguided.

About​ ten years ago, my great-uncle spent a month in a coma. Afterwards, the only thing he could remember was a dream – it wasn’t clear whether it had lasted the whole month or five minutes. In the dream he was travelling on a cruise ship crewed entirely by chimpanzees. Each morning the human passengers were gathered on the foredeck of the ship and one was selected by the chimp...

There is no reason why a plea to ‘do things differently’ couldn’t work: the gamble has been that the public are sufficiently disillusioned and dissatisfied with politics-as-usual (which they are) to vote for radical change (which they’ve already done once, in choosing to leave the EU). The problem is that while May and the Conservatives have looked at the post-New Labour landscape with clear eyes, the Corbynites have looked at it predominantly through the lens of Labour history.

I’m not sure what characteristics are generally shared by the children of archbishops but I’m quite certain that the Bensons were unlike the children of anyone else. They were all prone to depression, to a greater or lesser extent, possessing what Arthur referred to as a ‘diseased self-consciousness’. They all – probably in reaction to their father – approached the world at an angle, preferring ‘a sort of casuistical, speculative, delicate, spectatorial criticism of life’. All of them wrote books. None married or had children, and they all preferred their own sex.

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