Tom Crewe

Tom Crewe’s first novel, The New Life, won the 2023 Orwell Prize for Political Fiction and the Sunday Times Young Writer of the Year Award, and is out now in paperback. He is a contributing editor at the LRB.

I’m not sure what characteristics are generally shared by the children of archbishops but I’m quite certain that the Bensons were unlike the children of anyone else. They were all prone to depression, to a greater or lesser extent, possessing what Arthur referred to as a ‘diseased self-consciousness’. They all – probably in reaction to their father – approached the world at an angle, preferring ‘a sort of casuistical, speculative, delicate, spectatorial criticism of life’. All of them wrote books. None married or had children, and they all preferred their own sex.

The creation of the British state was a municipal project, and the state is now being unmade by the collapse of that project. What we really mean when we say that austerity has slashed the state – it is a vital distinction, and not made nearly often enough – is that it has wrecked the ability of elected local authorities to provide and administer many of the features and functions of the state as we understand them. Without seeing austerity in these terms, we can’t properly appreciate what it has been attempting, and what it has achieved.

Short Cuts: Ed Balls

Tom Crewe, 22 September 2016

The careers​ of politicians do not always end when they were supposed to. The Duke of Portland resigned as prime minister in 1783, only to have another, more successful go at governing 24 years later. Gladstone retired from the leadership of the Liberal Party in 1874 aged 65, but was leader and prime minister again by 1880, and quit his fourth premiership on a point of principle in 1894...

We Are Many: In the Corbyn Camp

Tom Crewe, 11 August 2016

It was impossible to disagree when someone pointed out that a year or so ago the idea of this many people sitting in a hall during a heatwave to discuss the Labour Party would have seemed fantastical.

From The Blog
22 April 2016

The late 1990s and early 2000s were a difficult time to be a Prince fan, not just because he was still in the creative gulf separating 1996's botched Emancipation from his return to the mainstream with Musicology in 2004, but because I wasn't even a teenager yet. I'd been given The Hits for my tenth birthday (My Dad was a fan); I played the first track – ‘Soft and Wet’, from his first album, For You (1978), sung in a joyful, sexy squeal – and then played it again and again. Who wouldn’t want to listen to Prince?

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