Thomas Laqueur

Thomas Laqueur is emeritus professor of history at Berkeley. His most recent book is The Work of the Dead: A Cultural History of Mortal Remains.

Fifty years ago, Barbara Tuchman’s bestseller The Guns of August taught a generation of Americans about the origins of the First World War: the war, she wrote, was unnecessary, meaningless and stupid, begun by overwhelmed, misguided and occasionally mendacious statesmen and diplomats who stumbled into a catastrophe whose horrors they couldn’t begin to imagine – ‘home before the leaves fall,’ they thought. It was in many ways a book for its time. Tuchman’s story begins with Edward VII’s funeral on 20 May 1910.

Premier Exhibitions Inc. describes itself as ‘the leading provider of museum-quality exhibitions throughout the world’: Bodies lets visitors ‘see inside carefully preserved real anatomical specimens’ and Dialog in the Dark features New York in a blackout (‘and here’s the twist – your guide is visually impaired’). But Premier Exhibition’s core business is RMS Titanic Inc., a wholly owned subsidiary that has exclusive rights to salvage artefacts from the wreck that was discovered under 12,500 feet of water in 1985.

In June 2001, John Dower, a historian of Japan, wrote a comment piece in the New York Times about the blockbuster movie Pearl Harbor. The problem with it, he thought, was not its predictable romantic digressions or historical errors but its moral obtuseness. Like earlier films on the subject, it was ‘a paean to patriotic ardour and an imagined American innocence … sanitised to an...

We Are All Victims Now: Trauma

Thomas Laqueur, 8 July 2010

In formal Japanese, I’m told, the word ‘trauma’ is written as a compound of two Chinese characters: one meaning ‘external’ and the other ‘injury’. Trauma is thus a hurt on the outside, as in ancient Greek – a wound. We still use the word in this way when we speak of ‘trauma surgeons’ or ‘trauma wards’, but this is not the...

Among the Graves: Naming the Dead

Thomas Laqueur, 18 December 2008

Stonewall Jackson, the deeply neurotic but irresistibly romantic, swashbuckling Confederate commander, thought that the great and swift destruction of life and property seen in the American Civil War was the essence of war generally. But this war was not swift. It was long and gruelling: 425 men, on average, died every day for 1458 days. And like the First World War, the Civil War got bloodier and more destructive as it ground inconclusively on. Five of its six costliest battles, with casualties in the tens of thousands on each side, took place after April 1863, roughly the war’s midpoint. It ended, as the Second World War ended, in an epic struggle for the enemy’s capital. A century and a half later one can still see the miles of ramparts at Petersburg and Richmond; the crater blasted by Union miners in an attempt to breach Confederate defences is still there. Casualties of this final battle were more than 60,000.

The dead present an enigma that can’t be grasped: they are always there in mind, they come back in dreams, live in memory, and if they don’t, that is even more disturbing, somehow reprehensible.

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Too Much: a history of masturbation

Barbara Taylor, 6 May 2004

Lounging in a boat​ anchored near his home, daydreaming about a ‘pretty wench’ he’d spotted in Westminster earlier that day, Samuel Pepys became so aroused that he ejaculated...

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Do women like sex?

Michael Mason, 8 November 1990

The other day I came across an article by Professor Laqueur, written some fourteen years ago, which makes a striking and dismaying contrast to the book he has just published. The contrast is...

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