Thomas Laqueur

Thomas Laqueur is emeritus professor of history at Berkeley. His most recent book is The Work of the Dead: A Cultural History of Mortal Remains.

Letter

Good as New

9 October 2025

John Dilworth, a distinguished luthier and frequent contributor to the Strad, the leading journal of string instruments, makes two points in response to my review of Kate Kennedy’s book about the cello (Letters, 23 October). The first is that one of England’s great violin shops, W.E. Hill & Son, was founded not in 1762 as I wrote but in 1880. As a matter of business history, he is right. The...

A Different Life: Can cellos remember?

Thomas Laqueur, 9 October 2025

On​ 29 January this year, a cello made in 1730 by Nicolò Gagliano, a member of the famous Neapolitan dynasty of luthiers, stood in front of the European Parliament to mark International Holocaust Remembrance Day. It had belonged to Pál Hermann, a Jewish Hungarian composer and virtuoso cellist who had studied under Kodály and Bartók and gave concerts throughout Western...

Genealogy​ – the records of descent, the pedigrees of mortals and gods, of genos, race, kind and offspring – is one of the great feats of the human imagination: a vast collection of stories, both intimate and cosmic, that bind the living to the dead and to one another, the past to the present and the present to what is to come. It is a primal work of culture, a narrative...

While Statues Sleep

Thomas Laqueur, 18 June 2020

Coming to terms with the past in the United States is a different temporal matter. At issue is the entire national past: it is four hundred years since African slaves came to these shores, more than a hundred and fifty since the Fourteenth Amendment made African Americans full citizens; almost sixty since the longest-lived legally grounded racial regime in world history ended with the legislation and judicial decisions of the 1960s. This is a past that demands we explain not, as in the German case, the reason we succumbed to an evil ideology, but the reason it has been so difficult to do what Lincoln hoped for at Gettysburg, to rededicate ourselves to the proposition that all men are created equal and to come to an agreement about what this might mean. Ten years as against four centuries makes a big difference. Comparison is a mug’s game on this timescale. The presence or absence of victims’ descendants is also of huge significance in the comparative emotional history of atonement.

Letter

They weren’t looking

25 November 2019

Adam Tooze reviews the edited volume Emil Nolde: The Artist during the Third Reich, which adds a great deal to what we know about Nolde’s commitment to National Socialism and to the discussion of the relationship between his politics and his art (LRB, 5 December 2019). But I don’t think it is quite right to say that the basic facts of the case awaited ‘exposure’ in 2003 when archival research...

The dead present an enigma that can’t be grasped: they are always there in mind, they come back in dreams, live in memory, and if they don’t, that is even more disturbing, somehow reprehensible.

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Too Much: a history of masturbation

Barbara Taylor, 6 May 2004

Lounging in a boat​ anchored near his home, daydreaming about a ‘pretty wench’ he’d spotted in Westminster earlier that day, Samuel Pepys became so aroused that he ejaculated...

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Do women like sex?

Michael Mason, 8 November 1990

The other day I came across an article by Professor Laqueur, written some fourteen years ago, which makes a striking and dismaying contrast to the book he has just published. The contrast is...

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